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Total video game score, circa 98. This is one of those scores -<br> my first - that you just didn't get enough of no matter HOW many cds they released of it. Hell, it wasn't until 2000 when I finally got the complete score on 2 cds. Sadly, by that time I burned out on it...So rockhound...your argument is that the score is better because the movie is worse? That's a new one, gotta admit... :D<br><br>to Armageddon, do it! The complete score, if you can. It's incredible!To Edmund Meinerts,<br><br>I admit I never really got the chance to listen to the entire At World's End score. But now you sir got me interested and I will check it out.<br><br>Cheers.To rockhound, <br><br>With all due respect, sir, that's a stupid statement. Very stupid. Guess you're mad that Rockhound wasn't the main character. How is Willis acting in those scenes bad? He's not overacting, he's not crying-screaming like a little girl. His character is actually very grounded. In the scene with Liv Tyler at the end, he is actually watching a picture of his real daughter. It makes it all the more real. He's very quiet and the performance is realistic. Nothing over-the-top. And people absolutely love that scene. Go to YouTube and read all the comments under the video. So, having said all of that, what exactly is your problem with it? You want him to go all crazy emotional like Nic Cage in Face/Off? Is that it?King Arthur is the perfect example. A terrible script but a great score
After I saw the movie....very great movie & very great scores, better than the first scores!! And the theme for Poppy is also very good!!Well there's also the track where Izzy's transformers dies, a few action tracks not included that I'd be interested to hear, but you're right, the track I'm most interested in is We Have To Go's film version. The extra strings in the small excerpt where Megatron's arm gets cut off, and the ones added to the main theme really give the song a more heroic and intense tone.Yep. These tracks are amazingOnly tracks that come to mind that aren't in the OST are a variation of Seglass when introducing Edmund, and the film version of We Have To Go.<br><br>Hell, the OST has more music than the movie.Daniel Pemberton seems like a twat.
I own the CD and I agree there are times in the score where it's so bombastic it distorts your speakers.<br><br>Still, I felt this was a great score from Zimmer. It was peak Russian sounding chorus time for Hans and the action cues were better than other scores of this time like The Rock.i think Armageddon is better in covering of all emotions than Pirates III, because there is one more thing the music has to do in Armageddon....covering bad acting. without the music, all emotional scenes with bruce willis would have been a joke. he acts really bad in these scenes, but the music works wonders.Lol. Anyone can write up a bunch of random slate numbers. Nice try.Armageddon is great fun, but I can think of plenty other scores that cover that spectrum of emotions. At World's End certainly does, and then some.Someone who know the LINK of the complete Soundtrack can Post it here? Thank U<br><br>Ps. Can't wait to hear it!!
mmmh not for me, even The Peacemaker or Deep Blue Sea (both ****) are superior than this one! (I’ll give it a *** 1/2).THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right. <br><br>Cheers, <br><br>B.It'll come out at some point, but in reality the complete score wouldn't be too different from the album release. Jablonsky said in the all access interview that he wanted the album to contain the songs as he intended them to be, and not what Michael Bay edited everything down to be.The previous scores were leaked, AoE didn't even get recording sessions leaked. And yeah, TF5 earned half a billion, which isn't well for Paramount.<br><br>I don't doubt it will happen, we just won't know when, could be months or years.Why do you doubt it will happen? They released the other complete scores. Did TF5 not sell as well?
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 Composers
Adam PetersAndrew KawczynskiAndrew RaiherAtli ÖrvarssonBenjamin WallfischBlake NeelyBobby Tahouri
Brandon CampbellBryce JacobsBTChristopher CarmichaelChristopher WillisDaft PunkDaniel Rojas
Dave HoldenDavid BuckleyDavid FlemingDominic LewisDon HarperGeoff ZanelliGermaine Franco
Guillaume RousselHans ZimmerHarry Gregson-WilliamsHeitor PereiraHenning LohnerHenry JackmanIan Honeyman
Jacob SheaJames Newton HowardJames S. LevineJasha KlebeJeff RonaJim DooleyJohn Powell
John Van TongerenJustin BurnettKazimir BoyleKlaus BadeltLorne BalfeMarc StreitenfeldMark Mancina
Mark YaegerMatthew MargesonMichael A. LevineMichael Glenn WilliamsNathan StornettaNathan WhiteheadNick Glennie-Smith
Paul LinfordRamin DjawadiRichard HarveyRupert Gregson-WilliamsShirley WalkerStanley MyersStephen Barton
Steve JablonskySteve MazzaroTodd HabermanTom Holkenborg (Junkie XL)Trevor MorrisTrevor Rabin
 Arrangers
Aljoscha ChristenhußAndrew ChristieAndy PageAnthony B. WillisAnthony LledoAntonio AndradeBart Hendrickson
Batu SenerBeth CaucciChristian HaltenChristian VorlanderChristopher WardClaudio OlacheaClay Duncan
Czarina RussellDave MetzgerDieter HartmannEd BullerEmad BorjianEric WhitacreEvan Jolly
Gary DworetskyGraham PreskettHalli CautheryJames McKee SmithJames RobersonJason SoudahJay Flood
Jillian AboodJoel J. RichardJohn Jennings BoydJohn SponslerJon AschalewKevin BlumenfeldLuke Richards
Max ArujMel WessonMichael John MolloMichael TullerMichael YezerskiNick DelaplaneNoah Sorota
P.J. HankePatrick CassidyPaul MounseyPeter G. AdamsPhill BoucherPieter A. SchlosserQueenie Li
Rob SimonRyeland AllisonSophia MorizetSteffen ThumStephanie EconomouStephen HiltonStephen Lipson
Stephen PeroneSteve DavisSteven M. SternStuart Michael ThomasSunna WehrmeijerThomas FarnonTJ Lindgren
Tobias MarbergerToby ChuTom GireTom HoweWolfram De MarcoZak McNeil
 Orchestrators / Conductors
Alastair KingBruce FowlerCarl RydlundConrad PopeDerrick WerléEd NeumeisterElizabeth Finch
Fiachra TrenchGavin GreenawayJennifer HammondJoan MartorellJohannes VogelJohn Ashton ThomasKevin Kaska
Ladd McIntoshMike EinzigerOscar SenenPenka KounevaRick GiovinazzoStephen ColemanSuzette Moriarty
Walt Fowler
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Aleksey IgudesmanAnn Marie SimpsonBob DaspitCraig EastmanFrank RicottiGary KettelHilda (Thórhildur) Örvarsdóttir
Johnny MarrLebo M.Lisa GerrardLisbeth ScottLuis JardimMartin TillmanMary Scully
Michael BrookOfra HazaPedro EustachePete HaycockPeter GregsonPharrell WilliamsSatnam Ramgotra
Tina GuoTony ClarkeTori LetzlerTristan SchulzeWill GreigYolanda Charles
 Technical Staff
Abhay ManusmareAdam SmalleyAl ClayAlan MeyersonAlex BelcherAndrew ZackBen Robinson
Bob BadamiBrian RichardsBruno RousselCatherine WilsonChandra CogburnChas SmithChris Craker
Christian WengerChuck ChoiClaude LetessierCosta KotselasCynthia ParkDaniel KrescoDaniel Pinder
David Paul DornDrew JordanEmma BurnhamFrank J. GarciaGreg VinesGregg SilkHoward Scarr
Jack DolmanJake SchaeferJeff BiggersJochen SchildJohn TraunwieserJohn Witt ChapmanJon Monroe
Jörg HüttnerJoshua LynchJulian PastorelliKatia Lewin JablonskyKelly JohnsonKevin GlobermanLaura Perlman
Lori CastroMalcolm LukerMark WherryMatt WardMaverick DuggerMelissa MuikMeri Gavin
Michael StevensMoanike'ala NakamotoNathaniel KunkelPeter AsherPeter Oso SnellSatoshi NoguchiSeth Waldmann
Shalini SinghSlamm AndrewsStephanie McNallySteven DoarSteven KofskyThomas BroderickVarious
Victor ChagaWilliam Marriott
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