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Or "Tennessee" from Pearl Harbor.Don't forget Chevaliers De Sangreal, Now We Are Free, and The Heart of Davy Jones! ;)<br>Amen to that! "Marry Me", "Time", and "A Dark Knight" would definitely have to go on my list of "Hans Zimmer's most amazing themes ever".... i missed it :(The Marry Me suite is one of the most beautiful things I've ever heard. :)
"The Dark Knight Rises used it any time Batman did anything even remotely sudden..."<br><br>lol, you can just imagine Hans or Lorne or whoever eagerly watching a scene they need to score and just WAITING excitedly<br> for the chance to employ that music. XDAnd I should add that, in my opinion, TDK was the one to perfectly balance the use of the DUN DUN DUN end credits theme. Batman Begins didn't use it enough, while The Dark Knight Rises used it any time Batman did anything even remotely sudden.Whoa, man, don't hate on The Dark Knight. The reason a lot of cues were reused was because Chris Nolan loved the music in Begins and determined he "wouldn't need much in the way of new music for The Dark Knight" (see the booklet that comes with TDK's 2-CD release). I agree that TDK isn't as thematically developed (we have the Joker theme, which is used incessantly, Dent's theme, which is reimagined from the first movie, and the new Batman theme, which isn't used nearly enough), but I think the score is an admirable one. There are more new cues than you might at first think, but, in keeping with the Joker and the whole "chaos" theme of the film, they're more like "noise" than "melodious".IMHO this is a much better sequel score than The Dark Knight was. There's so much new stuff in it. Most of the cues are new stuff. Tracks 12, 15-18, 32, 42-43, 48, and 50-53 (12 cues out of 54) recycle old material, but most of it still incorporates new stuff in some way. TDK recycled a lot of old cues (LSI Extraction, Trip to Hong Kong, You're Gonna Love Me, Gordon Is Dead, & Gordon Returns Home, and Wired) and didn't feel like its themes were as developed.tracklist...<br>fuck, i missed it? -____-
Indeed, the article is misleading. He said he wants to see the movie; his pains were predominantly related to Christopher Reeve.Find another site to post your tracklist, please.it won't be leaked today in any time. That was a fake Anonymous. When a score will be leak i post a tracklist. That was a fake anonymous123. Yes, some selected people has the sessions from the last samurai. But, they are using this to trade and get other sessions. The sessions will see the face of the sun but it will take a long time. Just like Titanic and all Harry potter sessions. <br><br>Trust in me.Lorne confirmed to me he did some consulting on it. Just some advice to Vidal... :)<br><br>And yeah, I watched the film this morning, lots of RCP samples used indeed !You've got a pretty name :) xxx
Oh, come on. Just listen to the score, and if you hear a solo violin, that's Joshua Bell. If you really need pointers, start with the cue "503", which is also the end titles. It's basically a remix of "Chevaliers de Sangreal" at a slightly faster pace and with Bell over the top.Did he watch any of the other Superman Movies he didn't score? Oh wait those movies still kept to his standard... <br><br>I don't see what the big deal is. He should be aware of the reboot phenomena by now and it's a different animal from his.<br> <br>TOTALLY different animal.I saw that article too, but it's misleading. The reason he says it'll be hard to watch is NOT the music, but rather because of Chris Reeve no longer playing Superman.<br><br>Good news about Star Wars, though!blog . zap2it . com/pop2it/2013/05/man-of-steel-will-be-hard-for-me-to-see-s ays-superman-composer-john-williams.html<br><br><br>I don't think he should be worried, there's only one Master in film music.I heard somewhere that Vidal now works in HGW's old studio, is that true?<br><br>Also, more to the point, is the score from FF6 going to get a release? The movie's already out and I haven't heard anything, which is making me a little nervous. I really like Vidal's scores (Cold Light of Day was excellent) and this is his biggest movie yet so I'm interested to hear it, especially if he actually keeps continuity with Tyler's themes. A different composer keeping the previous themes? I must be dreaming!
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 Jacob Shea
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Top CD:

 2013

  Gears Of War - Judgment (VG) (Composer)

  Gangster Squad (Additional Music)


 2012

  Battleship (Additional Music)


 2011

  Crysis 2 (VG) (Additional Arrangements)

  Pirates Of The Caribbean - On Stranger Tides (Additional Arrangements)

  Who Are The Roma? (Short Documentary) (Arranger)

  Transformers - Dark Of The Moon (Additional Music)

  Gears Of War 3 (VG) (Additional Music)

  Rango (Synth Programmer)


 2010

  Despicable Me (Additional Arrangements)

  Inception (Sequencer Programmer)

  Prince Of Persia - The Forgotten Sands (VG) (Additional Music)

  Through The Wormhole (TV Series Documentary) (Composer)


 2009

  Call Of Duty - Modern Warfare 2 (VG) (Additional Music)

  Directors Cuts 44 - Fantasy 3 (Composer)

  Public Enemies (Music Programmer)

  Sherlock Holmes (Music Programmer)

  Transformers - Revenge Of The Fallen (Synth Programmer)

  Angels & Demons (Synth Programmer)


 2008

  Directors Cuts 38 - Action 4 (Composer)

  Frost/Nixon (Assistant)

  The Dark Knight (Sequencer Programmer)

  Madagascar - Escape 2 Africa (Additional Arrangements)

  Iron Man (Technical Score Engineer)


 2007

  Pirates Of The Caribbean - At World's End (Music Assistant)

  Pitstop (Short Film) (Composer)

  The Simpsons Movie (Music Assistant)

  Trashed (Short Film) (Composer)


 2006

  Ambassadors Day (Short Film) (Composer)

  Mei (Short Film) (Composer)


 2005

  Perspectives (Short Film) (Composer)

  Sarang Song (Short Film) (Composer)


 2004

  Coif (Short Film) (Composer)

  Into The Depths (Short Film) (Composer)
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