NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Dumb thing to rumour but okay...So Pinar Toprak didn't work on the Wonder Woman cue after all? That rumor was all over the place...If the time ever comes ;(I should remove this page.<br><br>This infamy doesn't belong here. Love you Geoff but sorry... lol<br><br><br>I'll rather add the page for Zack Snyder's Justice League, when the time comes, hopefully...Composer credits for this:<br><br>Danny Elfman, T.J. Lindgren<br><br>BATMAN ON THE ROOF<br><br><br>Danny Elfman, Geoff Zanelli<br><br>THE AMAZON MOTHER BOX<br>ANTI-HERO'S THEME<br><br><br>Danny Elfman, Geoff Zanelli, T.J. Lindgren<br><br>THE TUNNEL FIGHT<br>THE FINAL BATTLE (John Williams)<br><br><br>Danny Elfman, Pinar Toprak<br><br>HIPPOLYTA'S ARROW<br>FRIENDS AND FOES (John Williams)<br><br><br>Danny Elfman (Hans Zimmer)<br><br>WONDER WOMAN RESCUE
What about his last cover of "Wicked Games"? What a great surprise! Actually, all the themes are being updated every week. Ramin's stealing the show again!Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.
Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.
This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinion
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Andrew Zack
      
Top CD:

 2012

  The 84th Academy Awards (TV Show) (Music Producer)

  The Simpsons - The Longest Daycare (Short Film) (Score Coordinator)

  Madagascar 3 - Europe's Most Wanted (Score Coordinator)

  The Dark Knight Rises (Score Coordinator)


 2011

  The Dilemma (Score Coordinator)

  Rango (Score Coordinator)

  Pirates Of The Caribbean - On Stranger Tides (Music Production Coordinator)

  Kung Fu Panda 2 (Score Coordinator)

  Sherlock Holmes - A Game Of Shadows (Score Coordinator)


 2010

  The Pacific (TV Series) (Music Production Coordinator)

  How Do You Know (Music Production Services)

  Megamind (Score Coordinator)

  Inception (Score Coordinator)


 2009

  It's Complicated (Production Coordinator)

  Transformers - Revenge Of The Fallen (Score Coordinator)

  Monsters Vs Aliens (Assistant to Hans ZIMMER)

  Call Of Duty - Modern Warfare 2 (VG) (Music Production Coordinator)

  Angels & Demons (Score Coordinator)

  Sherlock Holmes (Score Coordinator)


 2008

  Casi Divas (Production Coordinator)

  Kung Fu Panda (Score Coordinator)

  Madagascar - Escape 2 Africa (Score Coordinator)

  Running The Sahara (Documentary) (Music Production Coordinator)

  The Burning Plain (Music Production Coordinator)

  The Dark Knight (Music Production Coordinator)

  Frost/Nixon (Score Coordinator)


 2007

  Bee Movie (Score Coordinator)

  The Simpsons Movie (Music Production Coordinator)

  Pirates Of The Caribbean - At World's End (Music Production Coordinator)

  The Simpsons Game (VG) (Music Production Coordinator)


 2006

  Curious George (Assistant)

  Over The Hedge (Assistant to Hans ZIMMER)

  The Holiday (Music Production Coordinator)

  Pirates Of The Caribbean - Dead Man's Chest (Music Production Coordinator)

  The Da Vinci Code (Assistant to Hans ZIMMER)


 2005

  Batman Begins (Assistant to Hans ZIMMER)

  Der Kleine Eisbär 2 - Die Geheimnisvolle Insel (Assistant to Hans ZIMMER)

  Madagascar (Assistant to Hans ZIMMER)

  The Weather Man (Assistant to Hans ZIMMER)

  Wallace & Gromit - The Curse Of The Were-Rabbit (Assistant to Hans ZIMMER)

  The Ring Two (Score Coordinator)


 2004

  Thunderbirds (Assistant to Hans ZIMMER)

  Lauras Stern (Assistant to Hans ZIMMER)

  Shark Tale (Assistant to Hans ZIMMER)

  Spanglish (Assistant to Hans ZIMMER)

  King Arthur (Assistant to Hans ZIMMER)


 HANS-ZIMMER.com© 2001-2018 OST 
Andrew Zack