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Don't forget Chevaliers De Sangreal, Now We Are Free, and The Heart of Davy Jones! ;)<br>Amen to that! "Marry Me", "Time", and "A Dark Knight" would definitely have to go on my list of "Hans Zimmer's most amazing themes ever".... i missed it :(The Marry Me suite is one of the most beautiful things I've ever heard. :)"The Dark Knight Rises used it any time Batman did anything even remotely sudden..."<br><br>lol, you can just imagine Hans or Lorne or whoever eagerly watching a scene they need to score and just WAITING excitedly<br> for the chance to employ that music. XD
And I should add that, in my opinion, TDK was the one to perfectly balance the use of the DUN DUN DUN end credits theme. Batman Begins didn't use it enough, while The Dark Knight Rises used it any time Batman did anything even remotely sudden.Whoa, man, don't hate on The Dark Knight. The reason a lot of cues were reused was because Chris Nolan loved the music in Begins and determined he "wouldn't need much in the way of new music for The Dark Knight" (see the booklet that comes with TDK's 2-CD release). I agree that TDK isn't as thematically developed (we have the Joker theme, which is used incessantly, Dent's theme, which is reimagined from the first movie, and the new Batman theme, which isn't used nearly enough), but I think the score is an admirable one. There are more new cues than you might at first think, but, in keeping with the Joker and the whole "chaos" theme of the film, they're more like "noise" than "melodious".IMHO this is a much better sequel score than The Dark Knight was. There's so much new stuff in it. Most of the cues are new stuff. Tracks 12, 15-18, 32, 42-43, 48, and 50-53 (12 cues out of 54) recycle old material, but most of it still incorporates new stuff in some way. TDK recycled a lot of old cues (LSI Extraction, Trip to Hong Kong, You're Gonna Love Me, Gordon Is Dead, & Gordon Returns Home, and Wired) and didn't feel like its themes were as developed.tracklist...<br>fuck, i missed it? -____-Indeed, the article is misleading. He said he wants to see the movie; his pains were predominantly related to Christopher Reeve.
Find another site to post your tracklist, please.it won't be leaked today in any time. That was a fake Anonymous. When a score will be leak i post a tracklist. That was a fake anonymous123. Yes, some selected people has the sessions from the last samurai. But, they are using this to trade and get other sessions. The sessions will see the face of the sun but it will take a long time. Just like Titanic and all Harry potter sessions. <br><br>Trust in me.Lorne confirmed to me he did some consulting on it. Just some advice to Vidal... :)<br><br>And yeah, I watched the film this morning, lots of RCP samples used indeed !You've got a pretty name :) xxxOh, come on. Just listen to the score, and if you hear a solo violin, that's Joshua Bell. If you really need pointers, start with the cue "503", which is also the end titles. It's basically a remix of "Chevaliers de Sangreal" at a slightly faster pace and with Bell over the top.
Did he watch any of the other Superman Movies he didn't score? Oh wait those movies still kept to his standard... <br><br>I don't see what the big deal is. He should be aware of the reboot phenomena by now and it's a different animal from his.<br> <br>TOTALLY different animal.I saw that article too, but it's misleading. The reason he says it'll be hard to watch is NOT the music, but rather because of Chris Reeve no longer playing Superman.<br><br>Good news about Star Wars, though!blog . zap2it . com/pop2it/2013/05/man-of-steel-will-be-hard-for-me-to-see-s ays-superman-composer-john-williams.html<br><br><br>I don't think he should be worried, there's only one Master in film music.I heard somewhere that Vidal now works in HGW's old studio, is that true?<br><br>Also, more to the point, is the score from FF6 going to get a release? The movie's already out and I haven't heard anything, which is making me a little nervous. I really like Vidal's scores (Cold Light of Day was excellent) and this is his biggest movie yet so I'm interested to hear it, especially if he actually keeps continuity with Tyler's themes. A different composer keeping the previous themes? I must be dreaming!Thank you! :) I'm actually not really that sure about Lorne's specific credit (it could be "musical consultant") - but I'm sure it isn't "additional music". <br><br>I'm curious about the situation with this one, because it sounded like one of those "complicated scores" (and I don't mean a bad score - just a last minute rewrite, or something like that - the score itself is actually quite enjoyable). It borrows heavily from Brian Tyler's material for last two movies (mainly Letty's and the "family" theme) and it also features quite a few temp-track inspired cues (Mombasa, Time), but of course that's not a fault of a composer. :)
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