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Nope@HybridSoldier <br><br>Hope so. Will see the movie this thursday.Hello everyone! After watching the film I noticed that about half of music that used in film disappeared at sessions or has different arrangement. Why it's not released? What's the reason for this?As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !
Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldn’t help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ‘Terence Malick-y’, “Thin Red Line” feel throughout.<br><br>I’m definitely not familiar with Max Richter so I can’t comment on what he might have written, but Balfe’s broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.So I created a page for it, move away from Ghost In The Shell !! :P
I wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cueLorne says it will be released and insists it’s not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.
He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how it’s gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?
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 Malcolm Luker
      
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 2018

  Breath (Music Scoring Mixer)


 2014

  The Equalizer (Music Scoring Mixer)


 2011

  Cowboys & Aliens (Music Scoring Mixer)


 2010

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 2009

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 2008

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 2007

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 2006

  ...So Goes The Nation (Music Scoring Mixer)

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 2005

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  Mrs. Palfrey At The Claremont (Music Scoring Mixer)

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  Der Kleine Eisbär 2 - Die Geheimnisvolle Insel (Music Scoring Mixer)


 2004

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  Team America - World Police (Music Scoring Mixer)


 2003

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  Roar - Lions Of The Kalahari (Short Documentary) (Music Scoring Mixer)

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 2002

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 2001

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 2000

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 1999

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  The Adventures of Young Indiana Jones: The Phantom Train of Doom (V) (Music Scoring Mixer)

  The Lodger (1927) (Music Scoring Mixer)

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  Whatever Happened To Harold Smith? (Music Scoring Mixer)


 1998

  Max Q (TV) (Music Scoring Mixer)

  Mein Kind muß leben (TV) (Music Scoring Mixer)

  The Man In The Iron Mask (Music Scoring Mixer)

  The Thin Red Line (Music Scoring Mixer)

  Tod auf Amrum (TV) (Music Scoring Mixer)

  The Lion King II - Simba's Pride (V) (Music Scoring Mixer)


 1997

  Die Apothekerin (Music Scoring Mixer)

  Home Alone 3 (Music Scoring Mixer)

  Lea Katz - Die Kriminalpsychologin: Das wilde Kind (TV) (Music Scoring Mixer)

  Lea Katz - Die Kriminalpsychologin: Einer von uns (TV) (Music Scoring Mixer)


 1996

  Entertaining Angels: The Dorothy Day Story (Music Scoring Mixer)

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 1995

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  Dr. Stefan Frank - Der Arzt dem die Frauen vertrauen (TV Series) (Music Scoring Mixer)

  Young Indiana Jones and the Attack of the Hawkmen (TV) (Music Scoring Mixer)


 1994

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  Young Indiana Jones and the Hollywood Follies (TV) (Music Scoring Mixer)


 1993

  Stalingrad (Music Scoring Mixer)

  The Piano (Music Scoring Mixer)

  The Young Indiana Jones Chronicles : Istanbul, September 1918 (TV) (Music Recording Engineer)

  The Young Indiana Jones Chronicles : Northern Italy, June 1918 (TV) (Music Recording Engineer)

  The Young Indiana Jones Chronicles : Palestine, October 1917 (TV) (Music Recording Engineer)

  The Young Indiana Jones Chronicles : Paris, May 1919 (TV) (Music Recording Engineer)

  The Young Indiana Jones Chronicles : Transylvania, January 1918 (TV) (Music Recording Engineer)

  The House Of The Spirits (Music Scoring Mixer)


 1992

  The Adventures of Young Indiana Jones: Daredevils of the Desert (V) (Music Scoring Mixer)


 1991

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  The Strauss Dynasty (mini TV Series) (Music Scoring Mixer)


 1990

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 1988

  The Bourne Identity (TV) (Music Scoring Mixer)


 1987

  Amazing Grace and Chuck (aka Silent Voice) (Music Scoring Mixer)


 1986

  Anastasia: The Mystery of Anna (TV) (Music Scoring Mixer)

  Peter the Great (Mini TV Series) (Music Scoring Mixer)


 1985

  Ewoks: The Battle for Endor (TV) (Music Scoring Mixer)

  Mussolini: The Untold Story (Mini TV Series) (Music Scoring Mixer)

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 1984

  The Ewok Adventure (TV) (Music Scoring Mixer)


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