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i love this movie and soundtracks !I hope LLL didn't microedit this as much as the first one.So, there's music in the Road to 2049 site, and it's pretty cool, but no idea if it's actual score. The lenght seems more like promo track for trailers.<br><br>Would be great to know where it's from, score or otherwise, because it's a great track and hope the score sounds like this!<br><br>Here's the site <br>roadto2049. bladerunnermovie. comI thoroughly enjoyed King Arthur. Good acting, Good Story, Incredible Score, perhaps underrated.iTunes SriLanka is the first itunes store to get the new releases online on friday. But by now you can also go to iTunes New Zeland or something and checkout the album and itís samples.
@Armageddon<br><br>1. i love the movie. 2. rockhound is the most annoying character in the whole movie, but at least he has a cool name. ;) 3. bruce willis is smiling in almost all his emotional scenes and not just in this movie. but you know, in germany the movies are dubbed, so his "german" voice and the music helped alot to make these scenes nontheless convincing. to be honest, the goodbye scene was even more sad than the dying scene of leonardo dicaprio in Titanic. so you see, what impact the music had.<br><br>@Edmund<br><br>i didnt say the movie is bad, just bruce willis in a couple of scenes. so....the music had alot more to do than in Pirates III. the impact of the music in Armageddon must be way stronger to make these scenes work than in Pirates III. in Pirates III these scenes would have been also convincing without the music, because the acting was strong enough. but nontheless the music in Pirates III adds alot to the scenes and makes them stronger. just my opinion.Where did you get this information and samples?Where can I listen to those samples? I would love to hear some bits of the score before watching the movie.The score has 25 tracks and is about 1 hour and 16 minutes long. Samples sound awesome. Great action score with new theme's and variations of the old ones. Looking forward to hearing it in full.Total video game score, circa 98. This is one of those scores -<br> my first - that you just didn't get enough of no matter HOW many cds they released of it. Hell, it wasn't until 2000 when I finally got the complete score on 2 cds. Sadly, by that time I burned out on it...
So rockhound...your argument is that the score is better because the movie is worse? That's a new one, gotta admit... :D<br><br>to Armageddon, do it! The complete score, if you can. It's incredible!To Edmund Meinerts,<br><br>I admit I never really got the chance to listen to the entire At World's End score. But now you sir got me interested and I will check it out.<br><br>Cheers.To rockhound, <br><br>With all due respect, sir, that's a stupid statement. Very stupid. Guess you're mad that Rockhound wasn't the main character. How is Willis acting in those scenes bad? He's not overacting, he's not crying-screaming like a little girl. His character is actually very grounded. In the scene with Liv Tyler at the end, he is actually watching a picture of his real daughter. It makes it all the more real. He's very quiet and the performance is realistic. Nothing over-the-top. And people absolutely love that scene. Go to YouTube and read all the comments under the video. So, having said all of that, what exactly is your problem with it? You want him to go all crazy emotional like Nic Cage in Face/Off? Is that it?King Arthur is the perfect example. A terrible script but a great scoreAfter I saw the movie....very great movie & very great scores, better than the first scores!! And the theme for Poppy is also very good!!
Well there's also the track where Izzy's transformers dies, a few action tracks not included that I'd be interested to hear, but you're right, the track I'm most interested in is We Have To Go's film version. The extra strings in the small excerpt where Megatron's arm gets cut off, and the ones added to the main theme really give the song a more heroic and intense tone.Yep. These tracks are amazingOnly tracks that come to mind that aren't in the OST are a variation of Seglass when introducing Edmund, and the film version of We Have To Go.<br><br>Hell, the OST has more music than the movie.Daniel Pemberton seems like a twat.I own the CD and I agree there are times in the score where it's so bombastic it distorts your speakers.<br><br>Still, I felt this was a great score from Zimmer.  It was peak Russian sounding chorus time for Hans and the action cues were better than other scores of this time like The Rock.
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 Clay Duncan
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Top CD:

 2016

  13 Hours - The Secret Soldiers Of Benghazi (Music Programmer)


 2015

  The Last Witch Hunter (Music Programmer)


 2013

  Pain & Gain (Ambient Music Design)

  The Call (Additional Music)

  Lone Survivor (Ambient Music Design)

  Captain Phillips (Ambient Music Design)

  Hansel & Gretel - Witch Hunters (Ambient Music Design)


 2012

  Battleship (Ambient Music Design)

  The Bourne Legacy (Additional Music)


 2011

  Transformers - Dark Of The Moon (Ambient Music Design)

  Your Highness (Ambient Music Design)

  Crysis 2 (VG) (Ambient Music Design)


 2010

  A Nightmare On Elm Street (Ambient Music Design)

  Tron Legacy (Music Consultant)


 2009

  Friday The 13th (Additional Music)

  Inhale (Additional Music)

  Call Of Duty - Modern Warfare 2 (VG) (Additional Arrangements)

  The Code (Ambient Music Design)

  Transformers - Revenge Of The Fallen (Ambient Music Design)


 2008

  Forever Strong (Additional Music)

  Shuttle (Additional Music)

  Babylon A.D. (Additional Music)

  Gears Of War 2 (VG) (Ambient Music Design)

  Vantage Point (Additional Music)

  Iron Man (Additional Music)


 2007

  Fetch (Short Film) (Composer)

  Michael Clayton (Sound Engineer)

  The Hitcher (Composer)

  The Lookout (Additional Music)

  The Number 23 (Additional Music)

  Transformers (Additional Music)


 2006

  Blade (TV) (Additional Music)

  Blood Rayne (Additional Music)

  Click (Additional Music)

  Pretty Dead Flowers (short film) (Composer)

  The Sentinel (Synth Programmer)

  Deja Vu (Additional Music)

  When A Stranger Calls (Additional Music)

  10.5 - Apocalypse (TV) (Additional Music)

  Pirates Of The Caribbean - Dead Man's Chest (Ambient Music Design)


 2005

  The Amityville Horror (Additional Music)

  The Interpreter (Synth Programmer)

  The Island (Additional Music)

  Threshold (TV Series) (Additional Music)

  The Ring Two (Ambient Music Design)

  The Weather Man (Additional Music)


 2004

  Blade Trinity (Additional Music)

  Collateral (Music Programmer)

  Hellraiser : Deader (V) (Source Cues)

  The Grid (TV Series) (Additional Music)

  Thunderbirds (Additional Arrangements)

  Shark Tale (Music Programmer)


 2003

  Biker Boyz (Source Cues)

  Hollywood Homicide (Synth Programmer)

  Hulk (Additional Music)

  Matchstick Men (Additional Music)

  Skin (TV Series) (Additional Music)

  Tears Of The Sun (Assistant to Hans ZIMMER)

  Threat Matrix (TV Series) (Additional Music)

  Bad Boys II (Additional Music)


 2002

  Phone Booth (Music Programmer)

  Spirit - Stallion Of The Cimarron (Assistant to Hans ZIMMER)


 2001

  Hannibal (Additional Music)

  Invincible (Assistant to Hans ZIMMER)

  Riding In Cars With Boys (Assistant to Hans ZIMMER)

  Pearl Harbor (Assistant to Hans ZIMMER)

  The Pledge (Assistant to Hans ZIMMER)

  The Wings Of A Film (Gent Show Compilation) (Assistant)

  Black Hawk Down (Musician)


 2000

  An Everlasting Piece (Assistant to Hans ZIMMER)

  Mission - Impossible 2 (Assistant to Hans ZIMMER)


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Clay Duncan