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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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 2015

  Re-Kill (Composer)

  Blackhat (Additional Music)

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  KPM - Psychological Drama (Production Music) (Co-Composer)


 2014

  The Equalizer (Additional Music)

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  KPM - Tension Suspension (Production Music) (Co-Composer)


 2013

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 2012

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  KPM - Big Screen - Disasters And Aftermath (Production Music) (Co-Composer)


 2011

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 2010

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 2009

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 2008

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 2007

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 2006

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  10.5 - Apocalypse (TV) (Additional Music)


 2005

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 2004

  Man On Fire (Additional Music)

  Metal Gear Solid 3 - Snake Eater (VG) (Additional Music)

  Sunflower (Composer)


 2003

  Passionada (Additional Music)

  Veronica Guerin (Additional Music)


 2002

  Phone Booth (Music Programmer)


 2001

  Band Of Brother (TV Series) Promotional Trailer (Composer)

  Manhattan Midnight (Trailer) (Composer)

  Metal Gear Solid 2 - Sons Of Liberty (VG) (Additional Music)

  Spy Game (Additional Arrangements)


 2000

  Dungeons & Dragons (Composer)

  Justin Burnett Film Music (Composer)

  Red Planet (Trailer) (Composer)

  SportsCentury: The Century's Greatest Atheletes (TV Series) (Technical Score Advisor)

  Die Motorrad-Cops - Hart Am Limit (TV series) (Composer)

  Gladiator (Technical Score Advisor)

  The Road To El Dorado (Additional Music)


 1999

  A.W.O.L. (Composer)

  Dragon Tales (TV Series) (Additional Music)

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  Golf Lessons (Composer)

  Rescue 77 (TV Series) (Composer)


 1998

  Drive (Short Film) (Composer)

  Possums (Composer)

  Armageddon (Assistant To Composer)

  The Thin Red Line (Technical Score Advisor)

  The Prince Of Egypt (Assistant to Hans ZIMMER)


 1997

  Face/Off (Technical Support)

  As Good As It Gets (Assistant to Hans ZIMMER)

  The Peacemaker (Assistant to Hans ZIMMER)


 1996

  The Preacher's Wife (Assistant to Hans ZIMMER)

  Broken Arrow (Assistant to Hans ZIMMER)

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  The Fan (Assistant to Hans ZIMMER)


 No date specified

  KPM Library - Extreme Impact (Composer)


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