NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Mel Wesson
Website     Media  
Top CD:

 2021

  No Time To Die (Ambient Music Design)


 2016

  Hans Zimmer Live On Tour (Shows) (Musician)

  Miss Peregrine's Home For Peculiar Children (Ambient Music Design)

  Inferno (Synth Programmer)


 2015

  Terminator Genisys (Ambient Music Design)


 2014

  Titanfall (VG) (Ambient Music Design)

  Hans Zimmer Revealed & Friends (Shows) (Musician)

  KPM - Superheroes (Production Music) (Co-Composer)

  KPM - Tension Suspension (Production Music) (Co-Composer)


 2013

  Olympus Has Fallen (Additional Music)

  The Secret Life Of Walter Mitty (Ambient Music Design)

  Pacific Rim (Additional Arrangements)

  Vikings (TV Series - Season 1) (Ambient Music Design)

  Bates Motel (TV Series) (Ambient Music Design)

  Dracula (TV Series) (Ambient Music Design)

  Captain Phillips (Ambient Music Design)

  Brave Miss World (Documentary) (Additional Music)

  Rush (Ambient Music Design)


 2012

  Snow White & The Huntsman (Ambient Music Design)

  The Bourne Legacy (Ambient Music Design)

  The Dark Knight Rises (Ambient Music Design)


 2011

  Green Lantern (Ambient Music Design)

  Season Of The Witch (Ambient Music Design)

  Sherlock Holmes - A Game Of Shadows (Ambient Music Design)


 2010

  The Tourist (Ambient Music Design)

  Inception (Ambient Music Design)


 2009

  inFamous (VG) (Composer)

  Angels & Demons (Ambient Music Design)


 2008

  The Happening (Additional Music)

  Frost/Nixon (Ambient Music Design)

  The Dark Knight (Ambient Music Design)


 2007

  Position Music - Orchestral Series Volume 2 (Additional Music)

  My Winter Storm (Ambient Music Design)

  Michael Clayton (Ambient Music Design)

  Electroland (Short Film) (Composer)

  Transformers (Ambient Music Design)

  Pirates Of The Caribbean - At World's End (Ambient Music Design)


 2006

  The Da Vinci Code (Ambient Music Design)

  Lady In The Water (Ambient Music Design)

  Freedomland (Additional Music)

  Blood Diamond (Ambient Music Design)

  The Texas Chainsaw Massacre - The Beginning (Ambient Music Design)

  Pirates Of The Caribbean - Dead Man's Chest (Ambient Music Design)


 2005

  The Interpreter (Music Programmer)

  Batman Begins (Additional Music)

  King Kong (Additional Music)

  The Ring Two (Ambient Music Design)

  The Island (Additional Music)


 2004

  King Arthur (Additional Arrangements)

  Thunderbirds (Additional Arrangements)

  Man On Fire (Additional Arrangements)


 2003

  The Rundown (Additional Arrangements)

  Shrek 4-D (Short Film) (Additional Arrangements)

  Tears Of The Sun (Ambient Music Design)

  Matchstick Men (Ambient Music Design)

  Bad Boys II (Additional Music)

  The Texas Chainsaw Massacre (Ambient Music Design)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Ambient Music Design)


 2002

  Spirit - Stallion Of The Cimarron (Additional Arrangements)

  Phone Booth (Music Programmer)

  Beat The Devil (Short Film) (Additional Arrangements)


 2001

  Hannibal (Ambient Music Design)

  Black Hawk Down (Ambient Music Design)


 2000

  Mission - Impossible 2 (Additional Music)


 1990

  Arcadia (Short Film) (Music Designer)


 1989

  Paperhouse (Synth Programmer)

  Diamond Skulls (Additional Music Programmer)


 1988

  Track 29 (Arranger)

  A World Apart (Arranger)

  The Love I Lost (Album) (Synth Programmer)


 1987

  Wish You Were Here (Arranger)

  Terminal Exposure (Additional Music)


 1985

  Out Of The Darkest Night (Album) (Synth Programmer)


 HANS-ZIMMER.com© 2001-2018 OST 
Mel Wesson