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Good lord it's like he was exploding with energy and ideas after the touring gigsMore Hans !! :)If you enjoyed Sonic then youíll probably enjoy this, even though it is far more hyperactive. The score is such a crazy mashup of Carl Stalling/epic orchestral/60ís funk/industrial trap beats/electronic/etc.<br><br>I have to say, while the themes arenít particularly memorable, the last 5 cues or so feature some great choral writing with good use of some ethnic wind instruments (Duduk?)...I have a question about a song from this documentary that is not on the soundtrack. Could anyone please tell me the track at approximately 47:35? Thunder is cracking, Pantani begins his attack on the Galibier, and Matt Rendell is there with eloquent narration. I got so swept up in the score at this point that I spent over an hour rewinding and Shazaming and looking up all of Balfe, Aruj, and Dworetsky's music I cound fine. Any help would be much appreciated!<br><br>Thaks,<br>SamThey all sound the same. Bland.
So what do you think about the westworld competition and what is your most favorite entry?In sound quality (regardless of what certain peope might say about how great LPs sound; it's an analog format) the bootleg already trumps it I guess...I have the same question as wellIt could be possible, but there would be too many seconds of overlap between some of these tracks for that to be a possibility in this specific case. I really hope they haven't cut down the tracks to fit on vinyl, otherwise the bootleg will trump it in terms of content.Maybe the different time lengths is due to tracks slightly overlapping each other (as in many HZ soundtrack releases)?
Comparing the track times listed here, it seems (at first glance) that many of the tracks are edited down from the complete cues as heard on the bootleg. Could the listed track times be simply incorrect, or have edits been made to make the score fit onto four sides? I guess we can find out when the record ships in July.<br><br>Additionally, for those without a record player it sucks that a CD release was not possible for La-La Land. Whatever the reasons are for that, it's a bizarre situation that one independent label can release the same material on vinyl but another cannot on CD. Quite perplexing...@Hybrid, will you make the Scoob Page?Perhaps "The Cistern (Alternate)" is the album version. The music I heard in the film is not 100% the same with the track I heard in the OST.Dang I cant wait to hear the Alternate 'Cistern' cueVinyl only...How dumb can you get
Lol, youíre right! I though that was Rambo III climbing the cliffs for a moment.LLL made MI 1 Complete. So they are trying to make MI 2 Complete. That could move Varese to make MI 3 Complete. But studio (Disney) don't want it.Use the Wayback Machine on Archive.org - it's all there! :)@Zimson<br>404 not found dudeWhy would a studio allow a vinyl release but no CD or digital release? That's utter nonsense. Almost like they're refusing to make money.
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 James Roberson
      
Top CD:

 2018

  Dead Men (Additional Music)


 2016

  Open Season - Scared Silly (V) (Additional Arrangements)

  The Legend Of Tarzan (Technical Score Engineer)

  The Do-Over (Additional Music)

  Hacksaw Ridge (Technical Score Engineer)

  The Crown (TV Series - Season 1) (Technical Score Engineer)


 2015

  KPM - Psychological Drama (Production Music) (Co-Composer)

  The Ridiculous 6 (Additional Music)

  Paul Blart - Mall Cop 2 (Score Coordinator)


 2014

  Postman Pat - The Movie (Additional Music)

  Agatha Raisin And The Quiche Of Death (TV) (Additional Music)

  Winter's Tale (Additional Arrangements)

  Blended (Additional Arrangements)


 2013

  The Lone Ranger (Technical Music Assistant)

  Grown Ups 2 (Assistant To Composer)


 2012

  Les Seigneurs (Assistant To Composer)

  KPM - Big Screen - Disasters And Aftermath (Production Music) (Co-Composer)

  That's My Boy (Assistant To Composer)


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