NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Chuck Choi
      
Top CD:

 2019

  The Lion King (Technical Score Engineer)

  Dark Phoenix (Technical Score Engineer)


 2018

  The World Of Hans Zimmer - A Symphonic Celebration (Shows) (Technical Staff)

  Believer (Documentary) (Technical Score Engineer)

  Icebox (Technical Score Engineer)


 2017

  The Last Face (Technical Score Engineer)

  The Boss Baby (Technical Score Advisor)

  Dunkirk (Technical Score Engineer)

  Blade Runner 2049 (Technical Score Engineer)


 2016

  Batman V Superman - Dawn Of Justice (Technical Score Engineer)

  Kung Fu Panda 3 (Technical Score Engineer)

  Inferno (Technical Score Engineer)

  Hidden Figures (Technical Score Engineer)


 2015

  Le Petit Prince (Technical Score Advisor)

  Chappie (Technical Score Engineer)

  Terminator Genisys (Technical Score Engineer)

  Freeheld (Technical Score Engineer)


 2014

  Winter's Tale (Technical Score Engineer)

  The Amazing Spider-Man 2 (Technical Score Engineer)

  Interstellar (Technical Score Engineer)


 2013

  12 Years A Slave (Technical Score Advisor)

  Rush (Technical Score Advisor)

  Man Of Steel (Technical Score Advisor)

  The Lone Ranger (Score Technical Assistant)

  Bullet To The Head (Technical Score Engineer)


 2012

  Madagascar 3 - Europe's Most Wanted (Technical Score Advisor)

  The Dark Knight Rises (Technical Score Advisor)

  The 84th Academy Awards (TV Show) (Technical Score Advisor)


 2011

  Pirates Of The Caribbean - On Stranger Tides (Technical Score Advisor)

  Kung Fu Panda 2 (Technical Score Engineer)

  Sherlock Holmes - A Game Of Shadows (Technical Score Engineer)

  Crysis 2 (VG) (Technical Score Engineer)

  Rango (Technical Score Engineer)


 2010

  Inception (Technical Score Engineer)

  How Do You Know (Sequencer Programmer)

  Despicable Me (Score Recordist)

  Megamind (Technical Score Engineer)


 2009

  Hurricane Season (Music Scoring Mixer)

  Imagine That (Technical Score Advisor)


 2007

  Shooter (Technical Score Advisor)

  August Rush (Technical Score Advisor)

  Camille (Technical Score Advisor)


 2006

  Brother Bear 2 (V) (Technical Score Advisor)


 2005

  Blood+ (TV Animated Series) (Music Supervisor)

  Asylum (Score Recordist)

  Tarzan II (V) (Technical Score Advisor)


 2003

  The Haunted Mansion (Technical Music Assistant)

  Brother Bear (Technical Score Advisor)

  Early Bloomer (Short Film) (Technical Score Advisor)


 2001

  Domestic Disturbance (Score Producer)

  Training Day (Score Producer)


 2000

  Bait (Technical Score Advisor)

  Auggie Rose (AKA Beyond Suspicion) (Technical Score Advisor)


 HANS-ZIMMER.com© 2001-2018 OST 
Chuck Choi