NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Thanks Hybrid for explaining that. Makes more sense now.Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol<br><br>Real final mixes would look like the OST, not like the FYC...You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!
me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.
Cuesheet is blank.oh yes please, including Balfe - don´t start yelling, I´m just really curious who did whatFinally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is “We Strike First”.@Edmund<br>I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new. <br><br>Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suites
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Klaus Badelt
Website Facebook    Media  
Top CD:

 2012

  Yoko (Executive Score Producer)

  30° Couleur (Composer)

  Shanghai Calling (Composer)


 2011

  Motorstorm Apocalypse (VG) (Composer)

  Marco W. - Meine 247 Tage Im Türkischen Knast (TV) (Executive Score Producer)

  Hexe Lilli - Die Reise Nach Mandolan (Co-Composer)

  Dylan Dog - Dead Of Night (Composer)

  The Prodigies (Composer)

  Entre Lobos (Composer)

  The Howling - Reborn (Executive Score Producer)

  Jock Of The Bushveld (Composer)

  Seven Days In Utopia (Composer)

  La Guerre Des Boutons (Composer)

  L'Ordre Et La Morale (Composer)


 2010

  The Extra Man (Composer)

  Small World (Composer)

  Shanghai (Composer)

  L'Immortel (Composer)

  L'Arnacoeur (Composer)

  Fire Bay (Composer)

  Die Jagd Nach Der Heiligen Lanze (TV) (Composer)

  A Bout Portant (Composer)


 2009

  Solomon Kane (Composer)

  Le Petit Nicolas (Composer)

  Killshot (V) (Composer)

  Hexe Lilli - Der Drache Und Das Magische Buch (Composer)

  Waking Madison (Composer)

  WWII In HD (TV Documentary) (Co-Composer)


 2008

  Starship Troopers 3 - Marauder (V) (Composer)

  Pour Elle (Composer)

  Die Jagd Nach Dem Schatz Der Nibelungen (TV) (Composer)

  Closing Ceremony Of The Olympic Games 2008 (Composer)

  Chasseurs De Dragons (aka : Dragon Hunters) (Composer)

  The Scorpion King 2 - Rise Of A Warrior (V) (Composer)


 2007

  Skid Row (Documentary) (Composer)

  Redline (Additional Music)

  Random! Cartoons (TV Series) (Composer)

  Premonition (Composer)

  TMNT (Composer)

  Vartan LLP (Short Film) (Score Producer)


 2006

  Poseidon (Composer)

  Miami Vice (Additional Music)

  Rescue Dawn (Composer)

  16 Blocks (Composer)


 2005

  Die Bluthochzeit (aka : The Wedding Party) (Music Producer)

  Constantine (Composer)

  The Promise (aka : Mo Gik) (Composer)

  Ultraviolet (Composer)


 2004

  Firefighter F.D.18 (VG) (Arranger)

  Die Nibelungen (Music Producer)

  Wimbledon (Rejected Score) (Composer)

  Catwoman (Composer)


 2003

  Ned Kelly (Composer)

  Saving Jessica Lynch (TV) (Music Producer)

  Basic (Composer)

  Beat The Drum (TV) (Executive Score Producer)

  The In-Laws (Composer)

  The Recruit (Composer)

  Something's Gotta Give (Additional Music)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Additional Music)


 2002

  Teknolust (Composer)

  Manfast (Composer)

  Equilibrium (Composer)

  K-19 - The Widowmaker (Composer)

  The Time Machine (Composer)


 2001

  Klaus Badelt Music For Films (Composer)

  Extreme Days (Composer)

  Directors Cuts 01 - Audio Trailer (Production Music) (Composer)

  The Pledge (Co-Composer)

  Pearl Harbor (Additional Music)

  Hannibal (Additional Music)

  Invincible (Composer)


 2000

  Suspense Cues (Composer)

  Die Motorrad-Cops - Hart Am Limit (TV series) (Composer)

  King Of The Jungle (Additional Music)

  The Tigger Movie (Additional Music)

  X-Men (Additional Music)

  Mission - Impossible 2 (Additional Music)

  Gladiator (Co-Composer)

  The Road To El Dorado (Additional Music)


 1999

  Der Grosse Bagarozy (Score Producer)

  The Hunger (TV Series) (Additional Music)

  Chill Factor (Additional Music)


 1998

  Tatort (TV Series) (Composer)

  Der Eisbär (Composer)

  Endurance (Sound Engineer)

  The Thin Red Line (Additional Music)

  The Prince Of Egypt (Additional Music)


 1997

  The Peacemaker (Technical Score Advisor)


 1995

  Peter Strohm (TV Series) (Composer)


 HANS-ZIMMER.com© 2001-2018 OST 
Klaus Badelt