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I'd like Hans to win another Oscar but please, not for this.YES HANS!!! The second Oscar is COMMING! :DMesa is a cue in the film and it has to match with what's happening in the scene. <br><br>Blade Runner is an end credits suite which allows the themes to breathe a little. I think the two versions are identical when it comes to pitch.If it's nominated for the Oscar, the complete score will be released. So it should be out these weeks.It's unofficial, someone took some sound from the movie and tried his best to separate the music from it.<br>https://www.youtube.com/watch?v=hFcAe7gH6O8
Correct me if I am wrong, but isn't that track just "Blade Runner" on the Album. There is lower pitch version of "Mesa" within that cue.Is this score actually out there? Never seen it aroundLooks like some of the OST titles are actual cue names. "Shesome" is most likely "Joi","You're Free To Mee Your Daughter" is probably "Tera's In the Rain", which is really Vangelis, "Crushing Joi" when Luv steps on the vile that Joi is stored in. You could figure out several. Any composers beyond HZ/BW attached?Some cue titles on ASCAP<br><br>2049<br>ALL THE BEST MEMORIES ARE HERS<br>BIBI ADVERT MUSIC<br>BIBI BAR BASS<br>BIBI'S<br>BIG BAND STING<br>BLADE RUNNER<br>BLADE RUNNER 2049 THEME (alternate title is apparently BLADE RUNNER 2049 CREDITS)<br>BOMB<br>CRUSHING JOI<br>DNA<br>FLIGHT TO LAPD<br>FURNACE<br>HER EYES WERE GREEN<br>K RESCUED<br>LIKE A REAL GIRL<br>LUV IN APARTMENT<br>MEMORY<br>MESA HIJACK<br>MUST PROTECT THE CHILD<br>NEW MODEL<br>ORPHANAGE<br>OSSUARY<br>PILOTFISH<br>RAIN<br>RETURN TO SAPPER'S<br>SAPPER'S TREE<br>SEA WALL<br>SHESOME<br>SOMEONE LIVED THIS<br>TRASH MESA<br>WALLACE<br>YOU IMAGINED IT WAS YOU<br>YOU'RE FREE TO MEET YOUR DAUGHTERYou may be right, but I actually think Jackman did a pretty good job with his scores this year. I enjoyed Jumanji, and i may be in the minority here but i actually really enjoyed Kong as well. I tend to think he and Margeson just have a great collaborating chemistry because those Kingsman scores are two of the best scores either one of them has done.
I hope he does a better job than in WW. I like the main theme, but I'm not much of a fan of the RGW score. The most striking moments of it are those in which it mentions King Arthur or The Last Samurai.Finally got around to watch this - heavily underappreciated- sequel, and listening to its fantastic score I'm almost positive Jackman had nothing to do with it and it was all Matt Margeson's work. <br><br>I liked his Jumanji, to be honest, but it "only" felt like Jackman slowly coming to his senses after years of lackluster input (Kong, Civil War, Jack Reacher etc.) - it was by no means a strong, thematic, action packed, masterfully orchestrated score as Kingsman 2 (or the first one, for that matter) was. This alone tells me volumes about the composer-listing shennanigans of this soundtrack. If this isn't Margeson through and through, I will eat my hat and chug it down with whiskey.I completely agree!Lol okay I trust you, its awesome how RGW has broken from the comedic scores and is getting some really good opportunities to create some pretty incredible musicCan't divulge the source. But it's happening.
Source???? If true I'm pumped. No more of that Elfman crap lolRup's is scoring Aquaman!Iím talking about the Bruce Wayne Dream sequences (and at the beginning of preparation montage). They use the world engine effect in the background, im not sure if itís the score or just the sfxI am pretty sure they were not incorporated in the film either.<br>You just hear them whenever the engine fires. And sometimes its timed pretty well with the musicQuestion for anyone whos actually heard this, are the world engine sound effects incorporated in the score like they are in the film?
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 Peter Asher
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 2017

  The Boss Baby (Music Consultant)


 2016

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 2014

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 2012

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 2011

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