NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Hello everyone! After watching the film I noticed that about half of music that used in film disappeared at sessions or has different arrangement. Why it's not released? What's the reason for this?As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
<br>
<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
<br>
<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.
I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.
Not any more lame than the Balfe cueLorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lol
So is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Bob Badami
      
Top CD:

 2017

  The Boss Baby (Music Supervisor)

  Pirates Of The Caribbean - Dead Men Tell No Tales (Music Supervisor)


 2016

  Batman V Superman - Dawn Of Justice (Music Supervisor)

  The Edge Of Seventeen (Music Supervisor)

  Inferno (Music Supervisor)


 2015

  Woman In Gold (Music Supervisor)

  Mad Max - Fury Road (Music Supervisor)

  Le Petit Prince (Music Supervisor)

  Freeheld (Music Supervisor)


 2014

  Winter's Tale (Music Supervisor)

  The Amazing Spider-Man 2 (Music Supervisor)


 2013

  Mr. Morgan's Last Love (Music Consultant)

  Man Of Steel (Music Supervisor)

  Rush (Music Consultant)

  The Lone Ranger (Music Supervisor)

  Brave Miss World (Documentary) (Music Supervisor)

  12 Years A Slave (Music Supervisor)

  Gangster Squad (Music Supervisor)

  Bullet To The Head (Music Supervisor)


 2012

  The 84th Academy Awards (TV Show) (Music Supervisor)

  Madagascar 3 - Europe's Most Wanted (Music Supervisor)


 2011

  Pirates Of The Caribbean - On Stranger Tides (Score Producer)

  Sherlock Holmes - A Game Of Shadows (Music Supervisor)

  Rango (Music Consultant)


 2010

  Megamind (Music Consultant)

  How Do You Know (Music Supervisor)


 2009

  Transformers - Revenge Of The Fallen (Music Consultant)

  Sherlock Holmes (Music Supervisor)

  Angels & Demons (Music Supervisor)

  Call Of Duty - Modern Warfare 2 (VG) (Music Supervisor)

  Public Enemies (Music Supervisor)


 2008

  Hancock (Music Consultant)

  Vantage Point (Music Consultant)


 2007

  National Treasure - Book Of Secrets (Music Supervisor)

  Pirates Of The Caribbean - At World's End (Score Producer)


 2006

  Deja Vu (Music Supervisor)

  Pirates Of The Caribbean - Dead Man's Chest (Score Producer)

  Glory Road (Music Supervisor)

  Open Season (Music Consultant)

  The Da Vinci Code (Music Supervisor)


 2005

  Stealth (Music Supervisor)


 2004

  Spanglish (Music Editor)

  King Arthur (Music Producer)


 2003

  Bad Boys II (Music Supervisor)

  Something's Gotta Give (Music Supervisor)

  Kangaroo Jack (Music Supervisor)

  Tears Of The Sun (Music Editor)

  The Texas Chainsaw Massacre (Assistant Music Editor)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Music Supervisor)


 2002

  Bad Company (Music Supervisor)


 2001

  Pearl Harbor (Score Producer)

  Black Hawk Down (Music Producer)

  Riding In Cars With Boys (Executive Score Producer)


 2000

  Gone In 60 Seconds (Music Supervisor)

  Remember The Titans (Music Supervisor)


 1998

  Enemy Of The State (Music Supervisor)

  Armageddon (Music Supervisor)


 1997

  Con Air (Music Editor)


 1996

  The Rock (Music Editor)


 1995

  Crimson Tide (Music Editor)


 HANS-ZIMMER.com© 2001-2018 OST 
Bob Badami