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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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 Kevin Globerman
      
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 2019

  Dark Phoenix (Digital Score Recordist)

  The Lion King (Digital Score Recordist)


 2018

  Christopher Robin (Score Recordist)

  Ralph Breaks The Internet (Score Recordist)

  Aquaman (ProTools Engineer)


 2017

  Pirates Of The Caribbean - Dead Men Tell No Tales (Digital Score Recordist)

  Rings (Digital Score Recordist)

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  Jumanji - Welcome To The Jungle (Digital Score Recordist)


 2016

  Batman V Superman - Dawn Of Justice (ProTools Engineer)

  The 5th Wave (Digital Score Recordist)

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  Teenage Mutant Ninja Turtles - Out Of The Shadows (ProTools Engineer)

  Jack Reacher - Never Go Back (Digital Score Recordist)

  The Birth Of A Nation (Digital Score Recordist)

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 2015

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 2014

  Winter's Tale (Score Recordist)

  G I R L (Album) (Score Recordist)

  The Amazing Spider-Man 2 (ProTools Engineer)

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  Heaven Is For Real (Digital Score Recordist)

  Transformers - Age Of Extinction (ProTools Engineer)

  Legends Of Oz - Dorothy's Return (Digital Score Recordist)

  Big Hero 6 (Digital Score Recordist)

  The Interview (ProTools Engineer)


 2013

  Kick-Ass 2 (Digital Score Recordist)

  The Lone Ranger (ProTools Engineer)

  G.I. Joe - Retaliation (ProTools Engineer)


 2012

  Wreck-It Ralph (Digital Score Recordist)

  Savages (Digital Score Recordist)


 2011

  Transformers - Dark Of The Moon (ProTools Engineer)

  Pirates Of The Caribbean - On Stranger Tides (Score Recordist)

  Winnie The Pooh (Digital Score Recordist)

  Rango (Additional Recordings)


 2010

  How Do You Know (Digital Score Recordist)


 2009

  Transformers - Revenge Of The Fallen (ProTools Engineer)


 2008

  Vantage Point (ProTools Engineer)


 2007

  National Treasure - Book Of Secrets (Additional Music Recordist)

  The Simpsons Movie (Digital Score Recordist)

  The Simpsons Game (VG) (ProTools Engineer)

  Pirates Of The Caribbean - At World's End (Technical Music Assistant)


 2004

  Steamboy (Digital Score Recordist)


 2003

  Agent Cody Banks (ProTools Engineer)

  The Italian Job (ProTools Engineer)


 2002

  Spirit - Stallion Of The Cimarron (Technical Score Engineer)


 2001

  Hannibal (Technical Score Engineer)

  Shrek (Assistant Score Engineer)

  Pearl Harbor (Additional Engineering)

  Riding In Cars With Boys (Assistant Score Engineer)

  The Pledge (Assistant Score Engineer)

  Black Hawk Down (Assistant Score Engineer)

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  Evolution (Technical Score Engineer)


 2000

  An Everlasting Piece (Assistant Score Engineer)

  Gladiator (Assistant Score Engineer)

  Mission - Impossible 2 (Assistant Score Engineer)

  The Road To El Dorado (Assistant Score Engineer)


 1999

  Chill Factor (Music Recording Assistant)


 1998

  The Prince Of Egypt (Assistant Score Mixer)


 1997

  As Good As It Gets (Assistant Score Engineer)


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