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hobbit score was good..I liked the actual hobbit theme...<br><br>but the previous poster is right...this is a Zimmer site...<br><br>and to be honest, I wouldn't be posting here regularly if i didnt think Zimmer's music is the more popular choice, with me.<br><br>and yes - i am very aware of his flaws as a composer.@Edmund: i enjoyed The Hobbit score as well, but it's really weak when compared to The Lord of the Rings. Also, the only new theme was repeated over and over and over throughout the entire movie. A really cool tune but after 2h45 i was tired of it...<br><br>For me TDKR is definitely the most epic score of 2012. But it's only a matter of taste :)Oh wait, that's not by someone from RCP, naturally nobody here will give two shits... ;pTDKR, most epic score of 2012?? Uh...The Hobbit, anyone?and SHERLOCK!! Jesus....I lost my brain...Must have been too focused on Jablonsky's efforts that year with TF 2 to remember Zimmer. <br><br>05 - Batman Begins<br>06 - Pirates 2<br>07 - Pirates 3<br>08 - TDK<br>09 - SH/AD<br>10 - Inception<br>11 - Pirates 4<br>12 - TDKR<br>13 - MOS<br><br>GOT IT!
THANK YOU!<br><br>THATS WHAT Hans was doing in 09...Angels and Demons...<br><br>I was wracking my brain between 05-13 what major scores he was doing each year. 2009 was lost to me....<br><br>Thanks for answering it.TDKR is/will be one of my all time favorite from HZ alongside Galdiator i can see myself listening it day to day for the next 10years never get tired of that A-M-A-Z-I-N-G part in Imagine The Fire... How to get motivated and hyped up in 7 minutes!True. And some of his smaller scores are overlooked too. For example Madagascar 3 was a perfect sequel score, really fresh and constantly inventive. The track "Game On" alone is a proof that:<br><br>a) Hans hasn't lost it<br>b) Hans is not "doing always the same thing"<br><br>But at the same time people were bashing him for being "unsubtle" in TDKR - which was still the most epic score of 2012.Actually, I didn't include this one above because I thought we were referring to "beautiful" music rather than "epic" music, but now that the scope isn't so limited, I would definitely include Wayne Manor in this list. That's a modern one, Cabox.'til the album is not out keep your crap to yourself. <br><br>people keep talkin' about how Hans has loose his creativity but wind back the clock: 6 years: <br>at world's en<br>the dark knight<br>frost/nixon<br>sherlock<br>Angels & demons<br>Inception<br>The Pacific<br>Rango<br>TDKR<br>MoS<br><br>
It' s a theme suite (have a look on the expanded score tracklist).Please take a creative break Hans Zimmer. I love your music but lately, only the same pabulum comes out -,-The "Just Good Buisness" track is an unused film cue or a theme suite too?sounds like more of TerraformingSure, but all of those were years ago, why doesn't Hans write something like that anymore :/ maybe for Winter's Tale
john ottman, x men 2, fantastic four, supermanAir and Science and Religion from Angels and Demons, Heart of Davy Jones.Well, Alan Silvestri first did Captain America, then The Avengers. So it's not always people involved with Batman.Why is it always Batman composers who end up scoring films for different superhero characters? First Danny Elfman, now Hans Zimmer!Aye, many great masterpieces! Don't forget the instrumental Lion King score and the bittersweet anthem for Crimson Tide!
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 2012

  Yoko (Additional Arrangements)

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 2011

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  The Prodigies (Score Technical Assistant)

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  Seven Days In Utopia (Additional Arrangements)

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 2010

  A Bout Portant (Assistant)

  Small World (Musician)


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