NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photo
Hah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracks
Wow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.
I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at leastI find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrack
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Stephen Coleman
      
Top CD:

 2020

  Amazing Stories (TV Series) (Orchestrator)

  Elephant (Documentary) (Orchestrator)

  Extraction (Orchestrator)

  The Comey Rule (TV Series) (Orchestrator)


 2019

  Trial By Fire (Orchestrator)

  IO (Orchestrator)

  21 Bridges (Orchestrator)

  Jumanji - The Next Level (Orchestrator)

  The Queen's Corgi (Orchestrator)

  Gears 5 (VG) (Orchestrator)

  Magic - The Gathering - Theros Beyond Death (Trailer) (Orchestrator)

  Game Of Thrones (TV Series - Season 8) (Orchestrator)


 2018

  Westworld (TV Series - Season 2) (Orchestrator)

  The Predator (Orchestrator)

  Goosebumps 2 - Haunted Halloween (Orchestrator)

  Ralph Breaks The Internet (Orchestrator)

  Tom Clancy's Jack Ryan (TV Series - Season 1) (Orchestrator)

  A Wrinkle In Time (Orchestrator)


 2017

  Kong - Skull Island (Orchestrator)

  The Mountain Between Us (Orchestrator)

  Kingsman - The Golden Circle (Orchestrator)

  Jumanji - Welcome To The Jungle (Orchestrator)

  Game Of Thrones (TV Series - Season 7) (Orchestrator)

  Uncharted - The Lost Legacy (VG) (Orchestrator)


 2016

  Warcraft (Orchestrator)

  The 5th Wave (Orchestrator)

  Money Monster (Orchestrator)

  Captain America - Civil War (Orchestrator)

  Game Of Thrones (TV Series - Season 6) (Orchestrator)

  Gears Of War 4 (VG) (Orchestrator)

  Jack Reacher - Never Go Back (Orchestrator)

  The Great Wall (Orchestrator)

  The Birth Of A Nation (Orchestrator)

  Robinson Crusoe (Orchestrator)


 2015

  Kingsman - The Secret Service (Orchestrator)

  Game Of Thrones (TV Series - Season 5) (Orchestrator)

  Pixels (Conductor)

  Le Petit Prince (Orchestrator)


 2014

  Dracula Untold (Orchestrator)

  Captain America - The Winter Soldier (Orchestrator)

  Game Of Thrones (TV Series - Season 4) (Orchestrator)

  The Interview (Orchestrator)

  Big Hero 6 (Orchestrator)


 2013

  Pacific Rim (Orchestrator)

  G.I. Joe - Retaliation (Orchestrator)

  This Is The End (Orchestrator)

  Captain Phillips (Orchestrator)

  Game Of Thrones (TV Series - Season 3) (Orchestrator)

  Turbo (Orchestrator)

  Kick-Ass 2 (Orchestrator)

  Free Birds (Orchestrator)

  Le Manoir Magique (Orchestrator)


 2012

  Red Dawn (Orchestrator)

  Man On A Ledge (Orchestrator)

  Safe House (Orchestrator)

  Game Of Thrones (TV Series - Season 2) (Orchestrator)

  Abraham Lincoln - Vampire Hunter (Orchestrator)

  Sammy 2 (Orchestrator)

  Medal Of Honor - Warfighter (VG) (Orchestrator)

  Wreck-It Ralph (Orchestrator)

  Person Of Interest (TV Series - Season 2) (Orchestrator)


 2011

  Fright Night (Orchestrator)

  Game Of Thrones (TV Series - Season 1) (Orchestrator)

  X-Men - First Class (Orchestrator)

  Puss In Boots (Orchestrator)

  Person Of Interest (TV Series - Season 1) (Orchestrator)

  Toy Story Toons - Small Fry (Short Film) (Orchestrator)


 2010

  Kick-Ass (Orchestrator)

  Gulliver's Travels (Orchestrator)

  Henri 4 (Orchestrator)

  Medal Of Honor (VG) (Conductor)

  Le Voyage Extraordinaire De Samy (Orchestrator)


 2008

  Iron Man (Orchestrator)

  Fly Me To The Moon (Orchestrator)


 2004

  Blade Trinity (Orchestrator)


 HANS-ZIMMER.com© 2001-2018 OST 
Stephen Coleman