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Olive - it totally is unwarranted. <br><br>Your points are very un-educated .<br><br>Ask yourself this .... why has Balfe worked on every Transformere film ?The Majority of Zimmerís films in the last 15 years and according to ASCAP been an equal composer .Captain Philips for Jackman.Ironman for Ramin .....<br><br><br>Okay, I'll wait for the more detailed credits in the release.Yeah, Mazzaro and AK would be more interesting choices, even Balfe.<br><br>Maybe Zimmer has more confidence in Wallfisch? He delivered Verbinsky's "Cure" gratuitously for him and then tied him up on two of his major projects last year.<br><br>When I refer to security, I talk about the "assurance of delivering a good job".Olive - wrong.Balfe has said it is used in the film on Twitter.Geostorm is fun, with a nostalgic nods to the old MV scores.<br><br>And much better than 12 Strong
I know this story... It would be good if JP were like HZ in his public promises. xD<br><br>Well, the fact that Djawadi was not mentioned in the credits confirms that Balfe had not used the theme written by him, right?About the score: Dunkirk's unimaginative copy (regardless of who is the lead author of the Nolan movie score).<br><br>Lego, really, was one of the best scores for animation last year. Churchill is a good accompaniment to the film and Genius is a fun listening with many moments that catch the ear.<br><br>Unfortunately, 12 strong and Geostorm were disappointing, but it is normal for any composer's career to have ups and downs, especially when working with so many numbers in a single year.<br><br>I agree with Mike that there is a very clear difference from when Hans is on a project and when one of his assistants goes to work alone. Pirates, WW and even Tarzan are there as more recent examples, all excellent scores, but you know there's something missing there.<br><br>On the problem with "hate" for Balfe, it is not unwarranted. It is a reaction to the exaggerated attention he has received over the past year, which overlaps with that received by other composers who work with universes with fan platforms far superior to those in which Balfe works. Jablonsky has the billion dollar franchise of the Transformers, Djawadi GoT and Henry Jackman has worked with the Marvel movies. Even Powell's entrance to SW might have made some noise, but nothing. None of these projects received such warm reception from the members of this site as Balfe's latest projects (with the exception of HZ, of course). That bothers me a little.<br><br>Curious to know what he will do with "Pacific Rim".<br><br>A lot of the time when a score's final action/battle sequence is split up among several tracks I edit them together into one track myself in Audacity. The most recent example was Black Panther with "The Great Mound Battle/Glory to Bast/The Jabari, Pt II". And my edit of the final battle music from King Arthur runs nearly 15 minutes. Maybe something similar will be possible for the last few tracks of this score.yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon.
"Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.where got you did tracklist have been?
Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.
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 2019

  Everest (Composer)


 2018

  Terminal (Composer)

  The Alienist (TV Series) (Composer)

  The Happytime Murders (Composer)

  Dead Men (Score Producer)


 2017

  Sandy Wexler (Composer)

  Wonder Woman (Composer)

  The Crown (TV Series - Season 2) (Composer)


 2016

  The Legend Of Tarzan (Composer)

  Veep (TV Series - Season 5) (Composer)

  Agatha Raisin (TV Series) (Composer)

  Open Season - Scared Silly (V) (Composer)

  The Do-Over (Composer)

  Hacksaw Ridge (Composer)

  The Crown (TV Series - Season 1) (Composer)


 2015

  The Ridiculous 6 (Composer)

  Veep (TV Series - Season 4) (Composer)

  Paul Blart - Mall Cop 2 (Composer)

  Virtuoso (TV) (Composer)

  KPM - Extreme Impact Revolution (Production Music) (Co-Composer)

  KPM - Psychological Drama (Production Music) (Co-Composer)


 2014

  Blended (Composer)

  Postman Pat - The Movie (Composer)

  Winter's Tale (Composer)

  Veep (TV Series - Season 3) (Composer)

  Agatha Raisin And The Quiche Of Death (TV) (Composer)

  KPM - Superheroes (Production Music) (Co-Composer)

  KPM - Tension Suspension (Production Music) (Co-Composer)


 2013

  Grown Ups 2 (Composer)

  The Lone Ranger (Additional Music)

  Veep (TV Series - Season 2) (Composer)


 2012

  Here Comes The Boom (Composer)

  Veep (TV Series - Season 1) (Composer)

  That's My Boy (Composer)

  KPM - Big Screen - Disasters And Aftermath (Production Music) (Co-Composer)


 2011

  Jack And Jill (Composer)

  Just Go With It (Composer)

  Zookeeper (Composer)


 2010

  Grown Ups (Composer)


 2009

  The Maiden Heist (Composer)

  The Prisoner (TV Series) (Composer)

  Freefall (TV) (Composer)


 2008

  Bedtime Stories (Composer)

  Made Of Honor (Composer)

  You Don't Mess With The Zohan (Composer)


 2007

  A Class Apart (TV) (Composer)

  I Now Pronounce You Chuck & Larry (Composer)

  Bee Movie (Composer)


 2006

  Born Equal (TV) (Composer)

  Click (Composer)

  The Holiday (Conductor)

  Over The Hedge (Composer)


 2005

  Battlefield 2 - Modern Combat (VG) (Composer)

  Hotel Rwanda (Composer)

  Love + Hate (Composer)

  Walk Away And I Stumble (TV) (Composer)

  Wallace & Gromit - The Curse Of The Were-Rabbit (Co-Composer)


 2004

  Long Way Round (TV documentary series) (Composer)

  King Arthur (Additional Music)


 2003

  Crime Spree (Composer)

  Second Nature (TV) (Composer)

  The Night We Called It A Day (Composer)

  What a Girl Wants (Composer)

  William and Mary (TV Series) (Composer)


 2002

  Plots with a View (Composer)

  The Last Detective (TV series) (Composer)

  Spirit - Stallion Of The Cimarron (Additional Arrangements)

  Thunderpants (Composer)


 2001

  Jack and the Beanstalk: The Real Story (TV series) (Composer)

  My Beautiful Son (Composer)

  Princess of Thieves (Composer)

  Storm (Music Producer)

  Hannibal (Choir Conductor)

  The Wings Of A Film (Gent Show Compilation) (Musician)


 2000

  At Home with the Braithwaites (TV series) (Composer)

  Happy Birthday Shakespeare (TV series) (Composer)

  Hawk (TV series) (Composer)

  Take a Girl Like You (TV series) (Composer)

  The World Cup Soccer Finals in Japan (Composer)

  Chicken Run (Technical Staff)

  The Road To El Dorado (Conductor)


 1999

  Extremely Dangerous (TV Series) (Composer)

  Muppets From Space (Additional Music)

  Shockers - Dance (TV) (Composer)

  Virtual Sexuality (Composer)


 1998

  Urban Ghost Story (Composer)

  The Prince Of Egypt (Additional Music)

  Antz (Choir Conductor)


 No date specified

  KPM Library - Adagio (Composer)

  KPM Library - Burning Groove (Composer)

  KPM Library - Deadly Pursuits (Composer)

  KPM Library - Drones ans Soundscapes (Composer)

  KPM Library - Essential Beats vol1 (Composer)

  KPM Library - Extreme Impact (Composer)

  KPM Library - Liquid Audio (Composer)

  KPM Library - Logos‚ Links and Stings part1 (Composer)

  KPM Library - Logos‚ Links and Stings part2 (Composer)

  KPM Library - Media Machine (Composer)

  KPM Library - Morphology (Composer)

  KPM Library - Peaktime TV 2 (Composer)

  KPM Library - Strictly Jingles Vol2 (Composer)

  KPM Library - The Asia Experience (Composer)

  KPM Library - The Hollywood Series - Orchestral Promo (Composer)

  KPM Library - The Human Experience Vol1 (Composer)

  KPM Library - The Human Experience Vol2 (Composer)

  KPM Library - Upbeats (Composer)

  KPM Library - Velocity (Composer)


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