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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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 Andrew Kawczynski
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Top CD:

 2019

  In Full Bloom (Composer)

  The Corrupted (Composer)

  八佰 (AKA The Eight Hundred) (Composer)


 2018

  Todo Mal (Composer)

  Puppy Love (Composer)

  Believer (Documentary) (Additional Music)

  Hotels (Album) (Composer)

  Aquaman (Additional Music)

  Truth Or Dare (Ambient Music Design)


 2017

  Rings (Additional Music)

  The Last Face (Additional Music)

  Wonder Woman (Additional Music)

  Dunkirk (Additional Music)

  Thor - Ragnarok (Additional Music)

  The Escape (Short Film) (Composer)

  Laboratory Conditions (Short Film) (Composer)

  Built To Fail (Documentary) (Composer)

  Blood Brothers (Short Film) (Composer)

  KPM - European Cinema (Production Music) (Co-Composer)

  空天猎 (AKA Sky Hunter) (Composer)


 2016

  The 5th Wave (Additional Music)

  Batman V Superman - Dawn Of Justice (Additional Music)

  Hans Zimmer Live On Tour (Shows) (Musician)

  Inferno (Additional Music)


 2015

  Premier Boxing Champions (TV Series) (Additional Music)

  Woman In Gold (Additional Music)

  Chappie (Additional Music)

  Terminator Genisys (Additional Music)

  KPM - Extreme Impact Revolution (Production Music) (Co-Composer)

  KPM - Psychological Drama (Production Music) (Co-Composer)

  KPM - Big Screen - Hustle And Heist (Production Music) (Co-Composer)


 2014

  The Amazing Spider-Man 2 (Co-Composer)

  Interstellar (Additional Arrangements)

  Hans Zimmer Revealed & Friends (Shows) (Musician)

  KPM - Superheroes (Production Music) (Co-Composer)

  KPM - Tension Suspension (Production Music) (Co-Composer)


 2013

  G.I. Joe - Retaliation (Additional Arrangements)

  The Frozen Ground (Score Technical Assistant)

  Salinger (Documentary) (Ambient Music Design)

  The Lone Ranger (Additional Music)

  Mr. Morgan's Last Love (Music Editor)

  Not Another Happy Ending (Additional Arrangements)

  Man Of Steel (Additional Music)


 2012

  Skylanders - Giants (VG) (Additional Music)

  Images Of Life (Additional Arrangements)

  The Sweeney (Additional Music)

  Restless (TV) (Additional Arrangements)

  The Dark Knight Rises (Additional Arrangements)

  Madagascar 3 - Europe's Most Wanted (Score Technical Assistant)

  Assassin's Creed III (VG) (Additional Music)

  KPM - Big Screen - Disasters And Aftermath (Production Music) (Co-Composer)


 2011

  Ironclad (Sequencer Programmer)

  The Dilemma (Additional Arrangements)

  Crysis 2 (VG) (Additional Music)

  Rango (VG) (Additional Music)

  Transformers - Dark Of The Moon (Additional Music)

  Skylanders - Spyro's Adventure (VG) (Additional Music)

  Rango (Technical Score Engineer)

  Assassin's Creed - Revelations (VG) (Additional Music)

  Kung Fu Panda 2 (Technical Score Engineer)

  Sherlock Holmes - A Game Of Shadows (Sequencer Programmer)

  J.A.W. (Short Film) (Additional Music)


 2010

  Sodales (Short Film) (Sequencer Programmer)

  Megamind (Technical Score Engineer)

  Inception (Sequencer Programmer)

  Assassin's Creed - Brotherhood (VG) (Trailer) (Arranger)


 2009

  Angels & Demons (Technical Music Assistant)

  Call Of Duty - Modern Warfare 2 (VG) (Additional Arrangements)

  Crying With Laughter (Musician)

  Sherlock Holmes (Technical Score Engineer)

  Transformers - Revenge Of The Fallen (Ambient Music Design)


 2008

  Madagascar - Escape 2 Africa (Score Technical Assistant)

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Andrew Kawczynski