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Agreed! <br><br>It has an almost “heavy-metal waltz”-like quality to it. I love the use of the electronic-vocal effect that is used throughout the score, especially in certain unreleased cues.The big highlight of this score is Mayhem Downtown. Normally I'm not into that thrashing pounding metal/techno-esque sound but that cue sounds like if Verdi's Requiem had an unholy spawn with modern EDM and I find it strangely awesome.03.ExplosionFlushed Away Complete Motion Picture <br>Score (2006)02.Credits (2:07)
01. London Intro (1:16)great news!This sounds like good news. I always love Suites!!!!<br><br>Let's hope is does come in 10 days!The label?<br><br>Between this and KOTM... OMGYESSSS!!!!!!!!<br><br>So glad to see this get the MoS treatment, I’m sure that there will be plenty of great cues in film missing from the album (as usual with any Zimmer release) but having the suites and experimentations has me very excited!
Two CDs?! :O<br>Wish he had done this for another film that I won't name for the sake of not derailing this thread which begged for an extended release - oh well, Hans.<br><br>His music hyped me to see the movie and the Quicksilver clip sounds incredible. I can't wait.<br>So, info about the OST. It's gonna be 2 CDs. First CD will be film score. Second will be more suites & ideas (as I told you Hans wrote a lot of music within the past 1.5 year). No release date yet, but you bet they are rushing to have it ready in 10 days...I think we are all in for a nice surprise...Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choir
Seems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
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 Jörg Hüttner
      
Top CD:

 2018

  How It Ends (Digital Instrument Design)


 2017

  The Hitman's Bodyguard (Ambient Music Design)


 2016

  Superhuman (Album) (Music Engineer)


 2015

  Last Knights (Additional Arrangements)


 2014

  Dark Hearts (Additional Music)


 2013

  Hansel & Gretel - Witch Hunters (Digital Instrument Design)

  Bullet To The Head (Additional Music Recordist)

  The Mortal Instruments - City Of Bones (Synth Programmer)

  Rush (Additional Music Recordist)


 2012

  The Dark Knight Rises (Additional Music Recordist)


 2011

  Transformers - Dark Of The Moon (Additional Recordings)

  Pirates Of The Caribbean - On Stranger Tides (Technical Music Assistant)


 2009

  The Fourth Kind (Sound Engineer)

  The Code (Technical Score Engineer)


 2008

  Babylon A.D. (Sound Engineer)

  Zunar-J5/9-Doric-48 (Short Film) (Composer)

  Vantage Point (Ambient Music Design)


 2005

  Batman Begins (Technical Music Assistant)

  Santa's Slay (V) (Synth Programmer)

  The Ring Two (Assistant To Composer)


 2004

  Catwoman (Synth Programmer)

  La Torcedura (Short Film) (Additional Music)


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