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Danke für das großartige Konzert in Berlin. Es war einfach sensationell !! Mehr als 2 Stunden Gänsehaut. Eine Live-DVD der 2016er Tour wäre mehr als wünschenswert. Alles Gute weiterhin für den "Maestro" und das gesamte Team auf und hinter der Bühne !Same thing for me, I love this intro and can't wait to hear the whole record. Hope it will be released soon...I am also looking for news on this, downloaded the opening medley and it is great, can't wait to hear it all again <br>Any update HybridYou can find everything on the official website hanszimmerlive.com, in the "merchandise" section :-)<br><br>They also sell posters (not available online, I think)<br><br>For the program, I didn't buy it but had a look at other people's, and it looked fine!Can someone tell me, is the program booklet worth buying. And what HZ branded stuff is it possible to buy on the concert?
Ich habe Ihr Konzert in Köln sehr genossen. Das Beste, was ich bisher in meinem Leben gehört habe. Sehr ergreifend. Bitte produzieren Sie eine DVD von den Liveauftritten des Orchesters.Apparently Marvel don't like dark, but nevertheless they have created the Winter Soldier, which was darker than all their previous films. Hope the Civil War will be the same.Dear Master and Mr. Zimmer, i think that your music is the only one that gives me the chills every time I listen it. My favourite is Chevalier de Sangreal from the movie The Davinci Code. We, i think to talk for my entire country, will hope to hear this magnificent music once in a lifetime, and maybe Verona is the perfect setting for this event. A truly enthusiast. Best wishes!Dear Mr. Zimmer, your biggest fans from Czech Republic are also looking forward to hear your spectacular show in Prague. We hope you and all your team enjoy the tour. We all appreciative you organised this tour. It had to be difficult to made that choice of songs from all your wonderful music tracks. You always do a graet job. Thanks a lot.Hmm. I really can't say I've heard the theme in this score. Either I haven't listened enough, or I'm going deaf. I'll listen again.
I cannot really disagree on this, the very best cues are indeed sparsely used (but when they are used, man, they sound absolutely phenomenal).<br><br>My gripe with the MCU is that they don't even have such phenomenal moments, it's just by-the-meter entertainement with a random score, sometimes pretty fun (Ant-Man, Iron Man 3), sometimes really forgettable (the rest). The only time they almost reached greatness was with Doyle's Thor... and we never heard about that one again :-pI was thinking of both the old two-note Nolan Batman motif and the new pounding one when I said that, and also of the low two-note rising pairs you hear all over Man of Steel. I'd have a bit more tolerance for the Clark Kent theme if you didn't hear it in the exact same sparse piano rendition every single time it's played, as well. Sadly I feel like the elements of those themes that are referenced ad nauseam in the DC scores are the least interesting ones, while the more melodic longer-lined stuff that I personally find more interesting and more moving ("Like a Dog Chasing Cars", "If You Love These People", "What Are You...", "Beautiful Lie") usually only gets one or two renditions per score and is not developed nearly as much.<br><br>But yeah, I was probably being too harsh. :pEdmund, you're being a bit harsch here... Do you really find Cark Kent's theme to be "lame" or "slapping you over the head until you're sick of it"? And what about most of the segments of the new Batman theme (I mean everything exept the duuuum-dum-dum-dum-dum, which sounds admittedly a bit cheap)? And the cello riff for Wonder Woman? I could go on, but just those 3 simple examples had a bigger emotional impact on me than anything I heard in any Avengers movies (including this one).Thanks for making a bunch of bullshit assumptions about me based on exactly nothing at all.<br><br>Some of my absolute favorite film music is heavily electronic. I adore Daft Punk's Tron Legacy score. I love what John Powell has done with the Bourne series, and in general, anything he does with electronics works. I think the techno-influenced stuff in the Matrix scores (Reloaded in particular) is phenomenal. So is the electronica in David Arnold's Bond scores. So is the opening action cue ("Touge") from Brian Tyler's third Fast and Furious score. Those scores work for me, not because they are either electronic or orchestral, but because they combine the two brilliantly to create something totally new, unique and memorable.<br><br>When I listen to The Causeway I don't hear anything like that. I hear a wailing screech effect, off-the-shelf drum loops, bland ostinatos and tired Inception-style foghorn blasts. It's as unpleasant and generic a modern action cue as you could possibly hope never to hear. With the possible exception of the screech, you could transpose it into pretty much any other modern action movie without anybody noticing the difference. Electronic, orchestral, it doesn't matter - I don't like The Causeway because it's simply not good music to me.@Edmund Meinerts, because you are a closed minded and you only accept music in orchestral style.<br><br>If you don't like The Causeway stop listening music please, you know NOTHING about composition secuences.<br><br>Ah, and by the way, I assume you are a person who thinks that metalcore, industrial, deathmetal and similar genres are just noise. Like I said, you know nothing, and this is why the "amateur critic" is so irrelevant.
And I don't think that Henry Jackman is the main problem, after X:Men First Class and Kingsman he demostrated that he know how to aproach a comic book film....<br>Maybe the problem is the directors or the production process. Maybe they dont gave Henry time or ideas to make something great.So I guess our choices these days are between decent themes poorly used (Marvel) or lame themes that slap you over the head until you're sick of them (DC). What a world...Ok, it is true. This OST sounds better than The Winter Soldier score, more coherent with the tone of the rest of MCU's film. <br>The problem again, in spite of the fact that the music sounds nice is that it is generic music, without soul, without emotion.<br>Presencial music, simply of landfill and not to give personality to the film.<br>In this particular, DC/Warner demonstrates more respect for the way of doing cinema, respecting the function of the OST in the movie.<br>In only 2 movies already we have musical themes for Superman, Zod, Batman, Wonder Woman and Lex Luthor.<br>And not only they sound well but it has personality, represent excellently his respective character and in the movie they use as narrator and give power to the images.<br>It is a shame that after a notable OST like Age of Ultron again Marvel returns to this musical emptiness that he accustoms. <br>And I do not hate Marvel's OST.<br>I love Tyler Bates's Guardians, Silvestri's First Avenger and Avengers or the nices duo Elfman/Tyler in Ultron. All fenomenal scores whit great and memorable main themes and good musical script. Something that Civil War completely forgotten.This ! But here again, most of the great orchestral work on the first was Dom...I didn't say I heard the full score. I heard the OST. There's a difference.
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 Mark Wherry
      
Top CD:

 2016

  Batman V Superman - Dawn Of Justice (Digital Instrument Design)

  13 Hours - The Secret Soldiers Of Benghazi (Digital Instrument Design)


 2015

  Captive (Digital Instrument Design)

  Above And Beyond (Documentary) (Digital Instrument Design)

  Chappie (Digital Instrument Design)

  Manny (Documentary) (Digital Instrument Design)

  Woman In Gold (Digital Instrument Design)

  Terminator Genisys (Digital Instrument Design)

  Le Petit Prince (Digital Instrument Design)

  American Hero (Digital Instrument Design)

  Freeheld (Digital Instrument Design)

  Skylanders - SuperChargers (VG) (Digital Instrument Design)


 2014

  The Distortion Of Sound (Short Documentary) (Digital Instrument Design)

  Harry's South Pole Heroes (TV Documentary) (Digital Instrument Design)

  Pantani - The Accidental Death Of A Cyclist (Documentary) (Digital Instrument Design)

  The Driver (TV) (Digital Instrument Design)

  Skylanders - Trap Team (VG) (Digital Instrument Design)

  Interstellar (Digital Instrument Design)

  Blackwood (Digital Instrument Design)

  The Last Man On The Moon (Documentary) (Digital Instrument Design)


 2013

  Girl Rising (Documentary) (Digital Instrument Design)

  Assassin's Creed III - The Tyranny Of King Washington (VG) (Digital Instrument Design)

  Red Wing (Digital Instrument Design)

  The Bible (TV Series) (Digital Instrument Design)

  The Frozen Ground (Digital Instrument Design)

  Salinger (Documentary) (Digital Instrument Design)

  The Lone Ranger (Digital Instrument Design)

  Beyond - Two Souls (VG) (Digital Instrument Design)

  Skylanders - Swap Force (VG) (Digital Instrument Design)

  Man Of Steel (Digital Instrument Design)

  Mr. Morgan's Last Love (Digital Instrument Design)

  Not Another Happy Ending (Digital Instrument Design)

  Rush (Digital Instrument Design)

  Brave Miss World (Documentary) (Digital Instrument Design)


 2012

  Images Of Life (Digital Instrument Design)

  Skylanders - Giants (VG) (Digital Instrument Design)

  The Sweeney (Digital Instrument Design)

  Restless (TV) (Digital Instrument Design)

  Assassin's Creed III (VG) (Digital Instrument Design)

  Madagascar 3 - Europe's Most Wanted (Digital Instrument Design)

  The Dark Knight Rises (Digital Instrument Design)


 2011

  Ironclad (Digital Instrument Design)

  The Dilemma (Digital Instrument Design)

  Crysis 2 (VG) (Digital Instrument Design)

  Skylanders - Spyro's Adventure (VG) (Digital Instrument Design)

  Rango (Digital Instrument Design)

  Assassin's Creed - Revelations (VG) (Digital Instrument Design)

  Sherlock Holmes - A Game Of Shadows (Digital Instrument Design)

  Kung Fu Panda 2 (Digital Instrument Design)

  Pirates Of The Caribbean - On Stranger Tides (Digital Instrument Design)


 2010

  Sodales (Short Film) (Digital Instrument Design)

  Inception (Digital Instrument Design)


 2009

  Angels & Demons (Digital Instrument Design)

  Sherlock Holmes (Digital Instrument Design)

  It's Complicated (Digital Instrument Design)


 2008

  Frost/Nixon (Digital Instrument Design)

  Madagascar - Escape 2 Africa (Digital Instrument Design)

  The Dark Knight (Digital Instrument Design)


 2007

  Pirates Of The Caribbean - At World's End (Digital Instrument Design)

  The Simpsons Movie (Digital Instrument Design)

  The Simpsons Game (VG) (Digital Instrument Design)


 2006

  The Da Vinci Code (Technical Score Engineer)

  The Holiday (Technical Music Assistant)


 2005

  Batman Begins (Technical Score Engineer)

  Wallace & Gromit - The Curse Of The Were-Rabbit (Technical Score Engineer)

  Madagascar (Technical Score Engineer)

  The Weather Man (Technical Music Assistant)

  The Ring Two (Assistant To Composer)

  Der Kleine Eisbär 2 - Die Geheimnisvolle Insel (Technical Music Assistant)


 2004

  Shark Tale (Technical Score Engineer)

  King Arthur (Technical Music Assistant)

  Thunderbirds (Score Technical Assistant)

  Lauras Stern (Score Technical Assistant)


 2003

  The Last Samurai (Music Consultant)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Additional Recordings)


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