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Didn't make it. Was supposed to, ended up on KFP 3 & Bat V Sup instead.That's a damned good question actually, given that there's barely any choral writing in the score (and what there is is very basic Zimmery "aeiou" stuff).Look here - download-soundtracks.comEdmund, I thought there were scheduling conflicts with Alice 2 and Tim wanted him to do that one. Not entirely sure as these movies were pretty far apart, but there production could have ended around the same time.Wait a minute! Guys, where is Eric Whitacre? Was he working on Inferno or not?
Anybody have this??Probably has something to do with the fact that Burton is now divorced while Elfman is happily married. Different lifestyles now, so they probably aren't on the same page anymore.<br><br>my thoughts exactly.I assume that there were scheduling conflicts with The Girl on the Train, but that can't be the whole story; surely you'd expect Elfman to prioritize the Tim Burton movie in that case...Do you know why Elfman didn't score this?
A true collaboration then! Cool. It's a decent score, but at a lot of points it felt like an Elfman score without his personality or any really memorable themes...Yeah they really worked together, doing cues together, arranging eacher, sometimes one more in charge of something etc. As for the "techno track", it's the work of Jason Soudah actually.So, Hybrid, will you be able to tell us more about this one? How exactly did Margeson and Higham divide up duties? It sounds pretty unified, stylistically, except for the one techno track...Lieber Hans<br>Ich bin begeistert von dem was ich höre.<br>Ich würde gerne einige Zeit mit Dir in Kohchanghut in Whitesand Beach auf meiner Terasse zubringen und gemeinsam dem wirklich wilden Meer lauschen.<br>Wann immer ... ich bin hier Bungalow 21<br>Dein forever Hubert<br><br><br>Hallo, Herr Zimmer,<br><br>mein Name ist Monika Zimmer, doch leider habe ich wahrscheinlich keine Ver-wandtschaft zu Ihnen.<br><br>Gemeinsamkeiten gibt es trotzdem, zumindest bezogen auf den Musikgeschmack.<br><br>Und in gewisser Weise bin ich „Zimmer-Nachwuchs“, denn ich habe soeben mei-nen ersten Song komponiert, der mit Projektmusikern eingespielt wurden, die z. T. aus Dio- oder ehemaligen IRON MAIDEN-Coverbands stammen.<br><br>CLAWS OF HATE© ist ein einnehmender, vielschichtiger Musical Rock Song mit charismatischem Gesang und würde sich auch als Filmmusik oder ausschnittsweise als Untermalung für Werbeproduktionen eignen, die mit Energie, Sport, Reisen, Versicherungen oder dem Freiheitsgefühl zu tun haben. Er passt vielleicht sogar zu der bald beginnenden Weihnachtszeit.<br><br>Es wäre schön, wenn Sie meinen Song mit der verbundenen Idee unterstützen könnten. Hier ist der YOUTUBE Link dazu:<br> <br><br><br>Vielen Dank für Ihre Aufmerksamkeit an den besten „Verwandten“, den ich niemals hatte.<br><br>Freundliche Grüße<br><br>Monika Zimmer<br>(Projekt Band PHANTOM STRINGS)<br>
Does he say he scoring something awesome like "Heaven is for Real"?Nick !!!Atli posted this on twitter. Sound so beautiful. Hopefully there is more score and it will be released soon.<br><br> http: // eview-edge-seventeen/What a pleasant surprise. I didn't think Jackman had this class of sound in him. Hope he gets to write this more often.Great album.

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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.

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Jacalyn reply Replies: 0 || 2011-06-14 10:39:12
Now I know who the biarny one is, IÂ’ll keep looking for your posts.© 2001-2015 OST