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I feel like someone is homophobic (using the word 'fag' - and not meaning cigarette)I feel like someone is samefaggingand what has this mainstream shit to do with Hans Zimmer? Only because it´s for a movie where also is Zimmers music included or did he produce or composed it? (I hope not)lol.....@Mariusz I translated it for you. You're welcome. ;) Use Google translate next time please. <br><br>Welcome. I come from Poland and I wanted to share my impressions about this MASTERPIECE. When I first saw the film, I immediately drew attention to the music, and I knew I had to have it! And so it began. Since then, I have listened to it many times and I still can't get over it! This, what Hans created, is just ... brilliant! I can't find another word to describe it. From the first to the last note it is breathtaking! I have shed a quantity of tears I can't count. At the moment it is my NUMBER 1 Hans Zimmer soundtrack and will remain long in this position. It's probably enough. Greetings to all fans of Hans, and Man Of Steel!<br><br>
Have you noticed the links of internet have two songs titled "Insert"? These one are the alternate versions of "Looking Into Limbo" and "Mr. Charles".<br><br>By the by, what is the E Tragic Strings Suite?Witam. Pochodzę z Polski i chciałem się podzielić moimi wrażeniami na temat tego ARCYDZIEŁA. Gdy po raz pierwszy obejrzałem film, od razu zwróciłem uwagę na muzykę i wiedziałem, że muszę ją mieć! No i tak to się zaczęło. Od tamtej pory słuchałem już wiele razy i nadal nie mogę wyjść z podziwu! To co stworzył Han, jest po prostu...Genialne!!!Innego słowa nie znajduję. Od pierwszej do ostatniej nuty zapiera dech w piersiach! A ilości wylanych łez nie zliczę. W tym momencie jest to mój NUMER 1 Hansa Zimmera i chyba długo nim pozostanie. To chyba tyle. Pozdrawiam wszystkich fanów Hansa, a także Człowieka Ze Stali!You can contact me at antas@hans-zimmer.comDoes anyone know if the digital version of the soundtrack is crossfaded, or were those taken out like with Man of Steel? The crossfades make putting the album in film order rather irksome.^^^ I love this comment so much.
So, he is not returning for Dragon 3 Or Kung fu Panda 3?Of all the film composers I know, Powell was one of the few I did not want to step aside.i seriously just keep repeating the last 30 seconds of cold war....idk why but it's awesome.Yup. Shot in the dark, but it got me thinking that maybe Andrew Kawczynski was in charge of it. Doesn't sound like HZ IMO, kind of sounds like Lorne, plus that beat is from "Underground Army"...Wasn't Cold War the cue when Paul Giammati was driving the truck?
I know that the beginning of the movie is:<br>There He Is<br>(Unreleased cue, opening scene)<br>I'm Spider-Man<br>Cold War<br>No Place Like Home<br><br>And at the end, merged into each other:<br>You're That Spider Guy<br>It's On Again<br><br>Well I don't think he's taking another break...<br><br>It's still the continuity of his 2012 decision to step back... Rio 2 & HTTYD 2 being some kind of parenthesis... If he has a project he cares about, he'll score it... But like I said before, don't expect him to go berserk scoring 7 films a year and saying yes to everything, like in the past... Far from it...Interesting development: filmmusicreporter.com/2014/04/23/john-powell-to-take-break-f rom-film-music-to-compose-concert-music/It's way beyond my ability, because it's really confusing. Like it starts out the movie with a slowed down version of There He Is, then it goes to unreleased cues, I'm Spiderman, and then has like an excerpt of You're That Spider Guy...I think when 'The Rhino'?? is driving the truck in the city, then Gwen's theme picks up (which is like a variation of We're Best Friends and then when Electro or Max Dillon is walking around the city with his blue prints there is excerpts of The Electro Suite (I think?) heard throughout him being on screen. And then when Electro goes to the city and first faces Spider-man, well the My Enemy cue is definitely split up between this part of the movie and when he faces Electro in other scenes in the movie. I think There He Is is when Gwen searches Max Dillon's info at Oscorp..Just my input.So, does anyone know the chronological order of the tracks?
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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.



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Jacalyn reply Replies: 0 || 2011-06-14 10:39:12
Now I know who the biarny one is, IÂ’ll keep looking for your posts.

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