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Just want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.It's a variation of the theme Anthem from the first Top Gun film by Harold Faltermeyer.whats the name of the song being played in this trailer?<br>is it available onlineThis is the perfect companion piece to the original. It is like the high level concert version that Zimmer never did with the original Lion King.
Is there any form of chronological order to the original with the deluxe tracks?Looks like your wish was granted ;)<br>It's out for me and "Ask The Sea" is exactly the cue I wanted :D It's so good! I actually tweeted at him asking if he'd consider including it in the release - he didn't react to my tweet then and now I wonder if he read it or he planned to include it all along. <br><br>I've only seen the movie once and I haven't listened to the score much so I need to revisit it soon.Thanks, that's great!!<br><br>Hooe those sessions will be here soon. Still a lot of music music. Would have liked it better if those remixes, were actually score tracksMera Montage is the big rock vocal cue used during the Sicily Battle & the Wine scene.<br><br>Home Invasion the opening soldiers barging in to capture Atlanna, as well as a part of the Black Manta / Orm negotiation scene.<br><br>Saving Pops is... the saving pops scene...<br><br>Ahab Wave is the tsunami scene + and when Aquaman arrives to the sub to fight Manta's gang.<br><br>Ask the Sea is when Aquaman refuses to help Manta's dad.<br><br>Olbigation is the soft piece in the plane when Aquaman & Mera talk.<br><br>Dunes is the comedic Dunes slide scene...
I just want the Sicily Battle music!Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesnít have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didnít feel anything throughout. Also doing a shot-for-shot remake probably wasnít the best approach. <br><br>Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, itís a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.ďAsk The SeaĒ <br>Oh please be the cue I want...Deluxe edition releases tomorrow<br>http :// filmmusicreporter .com /2019/07/18/aquaman-deluxe-edition-soundtrack-to-be-released /Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.<br><br>My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.<br><br>As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.
Recently in China, a movie was released called Looking Up, and the soundtrack was released with Steffen Thum's score and main theme/additional music by Lorne Balfe.I have to agree. It's a stellar score and I love it, but it was written 25 years ago, nevertheless.<br>Still, credit where credit's due, as you mentioned, the new 'Stampede' is a beast of a track, really added to the original, as well as the 'Battle' cue, awesome stuff for sure. <br>Haven't seen the movie yet, but I really hope it measures up, at least in the same way the score does.Most of it sounds like a high quality youtube remix to me, honestly. it's serviceable but unnecessary.Probably Zimmer, in 1994. It's part of the demoes he included on the Legacy set so I'd say it's a safe bet.panpipes or flute doesnt matter, i just wondering who composed this :D
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  2018, September 18  updated by Hybrid Soldier
HANS ZIMMER ON WIDOWS, X-MEN - DARK PHOENIX & WONDER WOMAN 1984






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Dimitris Krommidas reply Replies: 0 || 2018-10-03 14:53:15
Congratulations to mr. Zimmer for his Order of Merit medal!

Anonymous reply Replies: 4 || 2018-09-26 09:15:36
Sorry, I don't buy that story about his return to the genre. His words are stuff you say in front of a camera to look good and avoid complications. Everyone dreams of working on (and watching/enjoying) a project with good story, cast, and everything. It is just that these things are monumentally rare to happen these days. And when they do happen they usually come from small teams who cannot afford the likes of Hans Zimmer in the first place. Whatever is behind his return, I am sure it is not story or director. it's largely about expanding influence, and a good dose of financial incentives.

On a different note, I recall the WW motif was being attributed to Tina Guo in the past, but now Hans Zimmer is claiming it for himself. It does not matter who made it happen but I am curious, what was going about with Guo and this motif in the past, was it an attempt to overstate her contribution in order to get her recognized and hired - i.e. the things HZ usually does for friends at the beginning of their solo film composer careers?


Knight2018-09-26 12:07:50
All Tina Guo did in relation to the WW theme is performed it. Hans was the one that created and wrote it.


Mephariel2018-09-26 18:29:28
I am not sure why it is so hard to believe that story or director matters. They matter to virtually every top name composers because having good story and directors will increase reputation and legacy. Composers have repeatedly turn down projects in a franchise when their collaborating directors did not return. It is not just a Hans Zimmer thing.

Also, Zimmer has done plenty of small films like Freeheld for example. He is clearly looking for legacy and I agree about expanding influence. But I am not sure how much financial incentives matter at this point. His net worth is like close to $100 million.

As for Wonder Woman, I think Zimmer always say they worked together on the theme. I don't think he ever said Tina Guo composed the entire thing.


Ds2018-09-26 19:07:57
He composed it, she played it. But performers can leave their mark on the music, and I'm sure Guo put a lot of her personality in her performance. So this theme as we know it could be attributed to both. That's why Zimmer said he "couldn't get it right" until he brought Tina in. But on paper it's still a HZ track.


Anonymous2018-09-27 09:51:46
@Mephariel

What I meant to in the early paragraph was that every composer wishes to work on a project with good story. But good scripts and stories are rare these days.

Like I was trying to say, when good stories do happen, they occasionally appear in films and projects helmed by a crew of lesser-known or unknown talents. (comes naturally really as they don't have nervous producers to appease.) But then again those running these projects of that scope know they cannot get someone like Hans Zimmer on board so that never happens. Cases like Freeheld are too rare to be considered a norm.

Regarding financial incentives, I am sure it is present there in full force. He doesn't need it of course, and he is not taking several projects every year. But he sure doesn't look like he is taking anything that does not have a healthy paycheck guaranteed. I do not believe making music for FIFA, national geographic, volvo, netflix and alike can be considered small and humble.

Zack Snyder reply Replies: 0 || 2018-09-24 15:07:40
He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?

Poor Zack snyder reply Replies: 0 || 2018-09-24 15:04:43
I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genre

fanuelalex reply Replies: 1 || 2018-09-22 08:19:28
so glad to see HZ back to the superhero genre


Edmund Meinerts2018-09-23 12:58:47
yeah I feel like it's been days, weeks even since the last one

nvictor reply Replies: 0 || 2018-09-21 17:45:44
so great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.

Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )

Antos7 reply Replies: 5 || 2018-09-20 23:08:52
Balfe is doing Michael Bays next movie !!! Whatís happened with Jablonsky?

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Scorefan2018-09-21 02:33:25
Maybe, Bay thinks Balfe is better than Jablonsky in terms of military tones and music.


Mike2018-09-21 02:59:20
Huh. I like Jablosnky, but I really liked the 13 Hours score, so it's hard for me to complain.


ThePhantasm2018-09-21 03:08:37
Steve is just trying to spend a little time with his family i think, he's not as busy as he used to be but i think it's cause he chooses that. Film Composing is an insanely time consuming job. I like Balfe a lot though.


MikeM2018-09-21 14:35:08
Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properly


Bayhem2018-09-21 15:24:39
Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train.

And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.

isildur reply Replies: 0 || 2018-09-21 15:15:57
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?

Josť DamiŠn reply Replies: 0 || 2018-09-20 22:52:19
Review widows: It's also scored by Hans Zimmer, which means it is immediately in the running for best score of the year...

Hybrid Soldier reply Replies: 7 || 2018-09-18 20:45:25
Little HZ interview about a few things...


Dimitris Krommidas2018-09-18 20:58:51
Thanks.


Knight2018-09-19 12:31:50
Hybrid, all over the site there are no longer music extracts to listen to. For me at least, is it a universal thing?


Mike2018-09-19 17:04:02
@Knight, it's not just you.


Hybrid Soldier2018-09-19 19:54:22
Audio is down unfortunately.

Legal reasons... Nothing to do with Hans or any composer who have always been very supportive.

Maybe it'll return, maybe not...


Knight2018-09-19 20:30:08
Article 13?


Hybrid Soldier2018-09-19 20:37:28
Nope.


Even if it wouldn't have helped, I guess ! lol


Knight2018-09-19 20:40:43
Hope it gets fixed, I love listening to the suites you add to scores here.

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HANS ZIMMER ON WIDOWS, X-MEN - DARK PHOENIX & WONDER WOMAN 1984