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Zimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.I hope this one will leak very soon! A lot of great music that isnt released
Hybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.
Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?In a year, like Enos saysIs there a page for the complete score of this film? Thanks."LOL" Relax, Ahmad. <br><br>People are working really hard to release the movie and with it will come Junkie's score too.<br><br>LOL! The only thing thatís coming is his brass library which he has been working on for quite some time.
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  2018, July 25  updated by Hybrid Soldier
BAFTA CONVERSATION WITH HANS ZIMMER






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David Wolf reply Replies: 0 || 2018-09-03 06:24:35
I watched Interstellar for the 6th time. It's the score that makes it. It is hypnotic. I almost never leave comments online, however, for this I had to make an exception. Well done Mr. Zimmer.

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George reply Replies: 1 || 2018-07-26 02:02:10
Not gonna lie, to me, he came off more pretentious in this interview than ever before. Tommy, the interviewer, was asking really good questions and we kept getting the same old rehashed stories heís always told. Wouldíve loved to here more specifics on the actual craft and recording and ideas behind these scores rather than the typical broad spectrum stories weíve all heard before. Oh well. I love Hans and would love to get another classic here soon!


Mike (OTM)2018-07-29 04:17:45
I don't think he seemed pretentious, but I was rolling my eyes at the same stories....BRAAHHHHHM was in the Inception script....Interstellar was a letter about his son...Lion King was for his daughter and father....The only thing I hadn't heard before was his comment about wanting to make Don Giovanni seem larger than life, like he felt when he was a kid. And his story about "Stay" from Interstellar not being finished, but it fit anyway.

But yeah. I do wish Hans would talk about the ideas behind individual scenes more often than he does.

Mike (OTM) reply Replies: 0 || 2018-07-26 01:09:17
It's fascinating to me that Hans says he hasn't listened to "Am I Not Merciful?" since the film had been made. It never got used in concerts in the last 18 years?

Dimitris Krommidas reply Replies: 0 || 2018-07-25 20:54:22
Thanks! Always great to hear the legend talk about his work.

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BAFTA CONVERSATION WITH HANS ZIMMER