NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Hybrid, is Zimmer's Scoring the Drive going to be available on itunes/Amazon, etc.?<br><br>"Thief & A Forger" and "An Idea is Like a Virus" are two other good cues. The latter is a powerful rendition of the Time theme.@thedicksqueezer eres malévolo jajajajaYou know this score can be quite good sometimes. i find myself getting really into the new themes and ideas and thinking this score really had potential.. but then the track awkwardly switches to a painfully obvious temp from AWE that doesn't make any sense any way you think about it and my eyes roll so hard it hurts.<br><br>Fantastic score, very much in the vein of Chicken Run and his other animated scores at that time
One of the few Powell scores I still haven't heard. I remember the music working well in the movie, but I really need to listen to the whole thing separately. Any opinions on it from Powell fans?I agree. Though the album selection is pretty solid, those tracks you mentioned are definitely missing!It's criminal that Mr Charles, Strategy, and It's a Trap weren't included on the OST. I guess we did get It's a Trap as a bonus track, but it wasn't the film version.Well with that score we got pretty lucky in term of theme suites being released, with 5 of them. I don't know for sure if there's more but I think we have it covered.Hybrid, do you know if any suites were written besides the ones that they released?
“Our World” is a pretty amazing track, the “Murph” suite is also incredible just in how it gradually builds to that finale...Dust, Who's They, and Our World are other favorites, for sure. Our World is some fantastic ambient music. Before the film was released, I expected most of the score to sound like "Our World."Mountains too... The Tick Tock suite.<br><br>"Our World" is a fav' of mine too, how could they not release it ?Coward is amazing. Ntfc is overratedDon’t forget Coward! :D
I don't think Cornfield Chase is underappreciated because that is the cue everyone is talking about besides No Time for Caution and Mountains. The most underappreciated cue to me is Dust. The amount of mystery, wonder, and curiosity from that cue is amazing.The development of the music in season 2 is great.<br>Love the Westworld suite, a lot of Person of Interest in this cue :)<br>Listening With A Million Ears In the West :)Mike, I definitely agree with you. I think that Cornfield Chase is an excellent example of Zimmer's diversity in music. It shows that He can compose themes that are adventurous and light-hearted rather than being so dark, which is quite different from a lot of his works including his other collaborations with Nolan.So everybody talks about No Time for Caution, and that is a great cue, but I think an underappreciated track from this score is Cornfield Chase. It sounds so whimsical and uplifting. It captures the wonder and fun of childhood really well. The fact that it's so driven by the pipe organ makes it even better. I love how Hans incorporated the organ into most of the tracks.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





  2013, August 23  updated by Antas


MOVIESCORE MEDIA/KRONOS RECORDS RELEASES TWO SCORES BY 'MORTAL INSTRUMENTS' COMPOSER ATLI ÖRVARSSON


MovieScore Media/Kronos Records will release two new CDs featuring new film scores by composer Atli Örvarsson whose other current films include The Mortal Instruments: City of Bones, based on the bestselling books by Cassandra Clare, and Hansel & Gretel: Witch Hunters.

MovieScore Media/Kronos Records' first release with the composer will be David M. Rosenthal’s A Single Shot (2013), which opens theatrically in the USA on September 20, 2013, distributed by Well Go. The film stars Sam Rockwell, William H. Macy and Ted Levine. Based on the novel by Matthew F. Jones, A Single Shot tells the story of John Moss (Rockwell), a hunter whose life goes to hell after killing a girl during a hunting accident. Recorded with a chamber group of musicians from the London Metropolitan Orchestra, Örvarsson’s music provides low-key suspense for the deadly game of cat-and-mouse between John Moss and his pursuers. The album will feature a special suite featuring the complex atonal and aleatoric parts of the score entitled "The John Moon Variations".

The second release will be the score to the Czech/Slovakian co-production Colette (2013), Milan Cieslar’s powerful screen adaptation of A Girl from Antwerp, a novel by Pulitzer Prize nominated author Arnošt Lustig. Based on the writer’s own experiences of several escape attempts from the hell of Auschwitz, the film follows the story of Vili, a Holocaust survivor who shares his memories of Colette, a Belgian Jewess who happened to be his first true love. Elegant and tragic like the main character, Örvarsson’s score for Colette highlights the composer’s more lyrical side we rarely get to hear in his more mainstream commissions. Colette opens theatrically in the Czech Republic on September 12, 2013, and is expected to get international distribution later in the year.

Both albums will be released in September 2013. The digital release date for A Single Shot is September 17, 2013, followed by a physical release date of September 24, 2013. The digital release date for Colette is September 10, 2013, followed by a physical release date of October 8, 2013.

Visit MovieScore Media at http://www.moviescoremedia.com
Visit Kronos Records at http://www.kronosrecords.com




Create Topic

Hybrid Soldier reply Replies: 2 || 2013-08-24 00:20:32
Very cool... :)


Ds2013-08-24 00:40:32
Indeed, i love most of Atli's works and think he deserves better movies than Hansel & Gretel or Season of the Witch!!


Evenstar2013-08-25 23:20:09
Interesting

 HANS-ZIMMER.com© 2001-2017 OST 
MOVIESCORE MEDIA/KRONOS RECORDS RELEASES TWO SCORES BY ATLI ÖRVARSSON