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Dunno if this is a troll post or a legit one... but I do agree to an extent. Both Mortal Engines and Alita show a HUGE improvement in Tom’s compositional technique, regardless of Conrad Pope’s contribution (which I’m sure still has something to do with it.) <br><br>I actually enjoy his early works (300, Point Break, Run All Night, Divergent) but you can definitely hear the vast difference in quality over time, and as Tom grows as a composer I’m sure his future scores will be the same way.5 years and it sounds like a blend of bvs and fury road. both of which come after it.Woah, this sounds outdated already, like a bad 90s video game. For the record, it was composed 4 years ago. This fetishization of technology over compositional technique is absolutely ridiculous. <br><br>Now, Tom has seen the errors of his ways and hired some actual orchestrators (not the RCP clown bunch) and Mortal Engines and Battle Angel Alita are actually excellent scores. They show that he masters compositional technique to the hilt. This early stuff - I suspect it will be buried soon. <br>Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.
I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cuesArtemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)
Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues please
I imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?

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  2011, March 15
HANS ZIMMER ; Des Mélodies Pour Hollywood

This 52' program was broadcasted on the german-french TV-channel ARTE yesterday,
that's why the versions availables are only French & German

(not available anymore)

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zox reply Replies: 0 || 2011-03-27 00:00:00
Why is video taken down?

Lutz reply Replies: 0 || 2011-03-22 00:00:00
Thanks a lot, Patrak. My day is sweetened.

Patrak reply Replies: 0 || 2011-03-22 00:00:00
Hi Lutz,

it's from Director's Cut 5 - Epic Themes and it's the track Liberty.


Lutz Gräper reply Replies: 0 || 2011-03-22 00:00:00
What is the music that Hans tries at 14:45-15:50 minutes?

Nuno reply Replies: 0 || 2011-03-21 00:00:00
It would be REALLY great if I could actually understand what is being said most of the time...

Looks like it's such an interesting and informative documentary, yet the germans only think about themselves and decided to overdub EVERYTHING that is not in german. Why not simply put german subtitles over the english spoken parts? Or even english subtitles over the whole thing?

Honestly, I'm kind of pissed off because of this. Well, it's better than nothing I guess...

norm reply Replies: 0 || 2011-03-20 00:00:00
Its on youtube

Patrak reply Replies: 0 || 2011-03-19 00:00:00

Certainly the best documentary about Hans EVER !

Tons of infos about his childhood and his musical evolution.

Amazing, simply AMAZING !

Steve reply Replies: 0 || 2011-03-19 00:00:00
Are any of you Hans fans in the States able to watch it? It's still not working for me. Know of any other links? Thanks!

Dakota reply Replies: 0 || 2011-03-19 00:00:00
Nope. If it is working in the states, then it must not be working in New York.

Bast reply Replies: 0 || 2011-03-19 00:00:00
I can play the video.

MK reply Replies: 0 || 2011-03-18 00:00:00
Is there any way to watch this without that horrible dub. It is very hard to follow.

Levente reply Replies: 0 || 2011-03-18 00:00:00
Yeah Shirley was awesome. I really love this kind of stuff to watch. It really shows how Zimmer likes to work.

fabien reply Replies: 0 || 2011-03-17 00:00:00
Un hommage exceptionel. je l'ai partagé sous facebook. Quel dommage que l'ai râté en direct sous arte!!

Levente reply Replies: 0 || 2011-03-17 00:00:00
What is the music that Hans tries at 27-28 minutes? Is it King Arthur?

Prott reply Replies: 0 || 2011-03-17 00:00:00
Levente: I think Black Hawk Down (it`s a part from the final battle scene).

Brunet Julien reply Replies: 0 || 2011-03-17 00:00:00
Vu en direct. Subjugué. Ce docu fera définitivement taire les critiques de Hans Zimmer du style "il n'est pas tradi comme Williams et Morricone". Normal c'est un visionnaire, un génie en avance sur son temps qui a le sens le plus sublime de la mélodie. Immense.

Prott reply Replies: 0 || 2011-03-17 00:00:00
It`s an excellent documentary!
Also that piece from Renaissance Man in the last minutes of the interview sounds fantastic. :-)

Ehsan reply Replies: 0 || 2011-03-16 00:00:00
I can't see this video
please upload in youtube

Nicolas, Webmaster reply Replies: 0 || 2011-03-16 00:00:00
No problem, i totally understand this kind of fans' reflex :)

Norm reply Replies: 0 || 2011-03-16 00:00:00
Sorry Nicolas - didn't know about the whole link-exchange-issue. Just wanted to help out all the zimmer fans who could not see this awesome documentary - so if you search for it on a well-known video-website you may find it ;)

duddly reply Replies: 0 || 2011-03-16 00:00:00
it's not working...

aaa reply Replies: 0 || 2011-03-16 00:00:00
the problem is with host cause the video is on their server, not here... None of their videos are working, they will probably fix it soon...

john reply Replies: 0 || 2011-03-16 00:00:00
no for me it works, so i guess only people from germany and france can see the video!
i absolutely love this docu, i had many moments where i laughed loud and some moments where it touches me. seriously one of the most interested docus i've seen in my life.

and the end where hans is playing gladiator on the piano, oh man. i mean, i can play it too, but seeing the maestro playing it, it's just something different...

Lovely documentation, really really good. Thanks for making this!

Nicolas, Webmaster reply Replies: 0 || 2011-03-16 00:00:00
I wrote to the TV-Channel Arte to obtain permissions to broadcast this documentary. To be continued...

Anonymous reply Replies: 0 || 2011-03-16 00:00:00
Doesn't work. :-(

Peter Bezemer reply Replies: 0 || 2011-03-16 00:00:00
Doesn't work here either, I live in the Netherlands...

Prott reply Replies: 0 || 2011-03-16 00:00:00
Same in Czech Republic (it probably works just in France and Germany), too bad.

Hale reply Replies: 0 || 2011-03-16 00:00:00
Awesome video!! A pure ode to the maestro!!

And Hans is playing "Honor Him" from Gladiator at the end of the documentary, just ... breathtaking!

Ehsan reply Replies: 0 || 2011-03-16 00:00:00
The video doesn't work...

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Hans ZIMMER ; Melody for Hollywood