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Hybrid why is Hans taking on so many projects this year? Any insights into that?Why remove them?Because there was no time for him to do WW 1.<br><br>He was on tour for months... Had 2 tours in early 2016/17 + Dunkirk to handle. Wouldn't have worked at all.Really loved that song 'n lirycs. Always became my lulaby on the night.He did...once... ;)
So why exactly did Hans fight for Rupert with Wonder Woman and why is he scoring '84? Not criticizing, I just remember him thinking that it was better for more women to be involved as composers or performers on Wonder Woman projects. <br><br>I don't even necessarily agree with the concept that a woman needs to score a movie about women, I'm just curious why he wanted Rupert in and why he himself took over for the sequel if he felt that way?I would have gone with...<br>Music was good, didn't fit the DCEU, film was the worst thing ever. <br><br>Hans is fine, prefer his older stuff.Hybrid, do you have the Inception credits?Hybrid? Any chance you could upload some unreleased tracks from this to your channel? Or just that suite, that you did but was removed :/Welp, necro thread i guess.
Back then people still used CDs from time to time and a CD can only fit a little more than an hour worth of MP3s on it.Music was good, film was better. Nay, good. nothing, better than Hans<br><br>Hans, for you. <3<br><br>Sincerely,<br>RicardoSometimes, I wish the world was, one with iself. This, music and harmony set into one man's vision. Hans, you inspire us. You, alone. <br><br>Sincerely,<br>RicardoIt's not officially available but a clear version can be found on the bleeding fingers website under Andrew Christie.Can someone ask Powell or Zimmer to put up some demos or suites from this score for study. It's such a great score and a real demonstration that a team effort can produce real quality.
@Hybrid Soldier<br>Did HZ just do the first season of wormhole and then his stuff gets reused/rearranged by Jacob Shea or did he consistently write throughout several seasons?Thanks for the great insight as always Hybrid!Any idea when can we expect a track list of Tom's score ?It depens on person, you don't like it but this ost got millions of likes. You are only free to express your opinion.Mmmh yeah let's say he acted like a music producer until Rupert was in, even as early as 2016 (right after BVS) he met with Patty Jenkins, he was never gonna do it because he was on tour anyway but he had the ideas as to who could/should score it. He had many ideas, submitted names etc.<br><br>Rupert got the gig in the end. Rupert I think could actually have come back to WW84, WW was a tough project but there was no problem (hell, he nailed it with Aquaman too, which was much easier cause there was no "legacy" to follow), but it really is Hans who showed interest to actually do it. Hans got really attached to Wonder Woman, playing the theme in his 2017 Live Tour. I think he wanted more than be the "WW Theme Writer", he wanted to have a full WW score.

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  2010, March 19
Composer Interview: Geoff Zanelli

Geoff Zanelli is one of today's most promising talents in the film music world. Working alongside Hans Zimmer at RCP he has been living the success story of separating himself as one of the premiere voices in the score industry. Geoff is an Emmy Award winning composer who has done a number of solo projects such as Outlander, Disturbia, Hitman, Ghost Town & House Of D. He also scored the miniseries Into The West, which won him his Emmy. I recently got the chance to ask Geoff some questions about his work on the highly anticipated HBO miniseries The Pacific. He along with Blake Neely and Hans Zimmer were in charge of the emotional backbone of the series also known as the score.

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Jo reply Replies: 0 || 2010-03-21 00:00:00
Absolutely great and in-depth interview, thank you so much, you've done a great job!! Now I'm even more confused as to who wrote what lol but it's great to see how they divided it off and still collaborated so amazingly well.

Kaya reply Replies: 0 || 2010-03-20 00:00:00
Thanks! I really tried to get some questions in that me as a writer/director would like to know versus treading over the same old ground that most interviews do. Praise Geoff though for going into unbelievable detail. I plan on doing David Buckley next and Atli if he agrees to it so keep a lookout :).

Jaweco reply Replies: 0 || 2010-03-20 00:00:00
Just listened to The Pacific score and wow, it's really excellent ! Solemn and moving, one of the best music ever made for television as far as I can tell !

Good interview by the way... Zanneli can be proud, The Pacific is easily the best score I heard from him ! :)

Hybrid Soldier reply Replies: 0 || 2010-03-20 00:00:00
Kaya I think you won't have any problem with David & Atli... ;)

Hybrid Soldier reply Replies: 0 || 2010-03-19 00:00:00
Great interview Kaya !!! :)

Ele reply Replies: 0 || 2010-03-19 00:00:00
Wow, today i have read it earlier, and i knew it will soon be posted here :D

ZED reply Replies: 0 || 2010-03-19 00:00:00
Amazing score! Great interview!!! I learn so much from these interviews. You ask very good questions that are so insightful!

Fellow Zimmer and Co fans, and even Hans and his crew - I have some music on myspace.. please check it out and hope you find something to enjoy there!

How i want to be creating with the RCP crew! Dreams sometimes come true!!! I HOPE SO!!! Take care people!

Brian reply Replies: 0 || 2010-03-19 00:00:00
Finally real, in depth, interviews about the best composers in film today. Thank you. 2001-2018 OST 
Composer Interview: Geoff Zanelli