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That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channel
Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>Iíll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connollyís First Meeting<br>Make A Case Against Him<br>McGuireís Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>Thereís Nothing More Iím Going To Know<br>Utmost Respect<br>Weíre Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because Youíre Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>Iím Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>Whatís The Number, Jim?<br>Hit Man Price<br>Jimmyís Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance Youíve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
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  2007, June 07
FilmMusicRadio interviews LISA GERRARD

Film music journalist Daniel Schweiger interviews LISA GERRARD in a composer whose haunting vocals have put a transcendent spin on soundtracks Filmmusicradio.com.

You can listen to the very interesting interview by visiting the afore-mentioned link.




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ctblass reply Replies: 0 || 2007-06-15 00:00:00
The Ridley Scott phrase is very common (perhaps Lisa's phrase is too like Teo thinks it might be) but still. This is what I hear when people use these phrases:

"What you got to understand is..." = I freaking know everything there is to know and you obviously don't

"Do you understand?" = I comprehend this brilliance that is coming out of my mouth, but I'm not sure you do

"ya know" = can you relate to what I am saying?

so I'll take Ridley Scott's bad habit over Lisa's any day

Teo reply Replies: 0 || 2007-06-14 00:00:00
I think the 'do you understand' probably comes more from a casualness that's okay with most Australians. Perhaps that's rubbish...i don't know. But either way she's eccentric. Personally I gave her room for that during the listening.

Levente reply Replies: 0 || 2007-06-14 00:00:00
Somehow I understood her saying 'do you understand'. Ridley Scott always says in interviews 'you know'.

ctblass reply Replies: 0 || 2007-06-13 00:00:00
I found that interview incredibly unbearable to listen to. Although Lisa made some really nice points, and she was quite insightful, she really sounded condescending. The phrase "you understand?" is just above "what you got to understand is..." in my book of most annoying things a human being can say in a conversation.

tyler reply Replies: 0 || 2007-06-10 00:00:00
this is to hans zimmer
hello
i am in high school and i am in the concert and marching band at my high school
i have thoroughly enjoyed your music
especially pirates of the caribbean
i would really love to meet you
or hear some of your work in concert or something of that sort
i could listen to pirates of the caribbean all day
and in middle school
we played pirates of the carribean and i LOVED it
thank you for writing great music

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LISA GERRARD film music radio interview