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Hybrid, what cue is it actually?Theory is a good score actually...<br><br>But the disappointing thing is that the best cue in it, for the final scene, is not even Johannsson's, it's a temp cue...The Theory of Everything's score is such a "typical" drama score, though. It's pretty enough, but it could have been written for practically any Oscar-bait biopic. Interstellar on the other hand is a big, ambitious work that really strives to create a unique sound for its picture. There's no contest, if you ask me (unfortunately nobody is).Really? Where did you hear this?!Any updates on the vinyl version? Apparently its going to be significantly different from the released OST...
What instrument library can be used to get these sounds of Interstellar?The composer for Uncharted 4 has been confirmed as Henry Jackman!Okay, maybe I was a little too critical by calling Interstellar "sound effects".  I don't totally dislike Interstellar, just not what I was expecting or hoping for.  There are indeed some beautiful moments in the score, I just didn't care for all the wind noises and such and a great deal of it was atmospheric in my opinion, which is okay to a point.  I would love to hear Hans create some great memorable themes again like he did in so many of his awesome scores of the 1990's and early 2000's.Heaven knows, if any recent Zimmer score deserves an award, Interstellar is the one.I've just seen "The Theory Of Everything", and I have to say it's a beautiful score. I think it's just the Academy's cup of tea. But let's not forget they gave the Award to "The Social Network", which was everything but classic.<br><br>Now I'm upset because I think Hans may lose. I really want him to win his 2nd Oscar!
I've just seen "The Theory Of Everything", and I have to say it's a beautiful score. I think it's just the Academy's cup of tea. But let's not forget they gave the Award to "The Social Network", which was everything but classic.<br><br>Now I'm upset because I think Hans may lose. I really want him to win his 2nd Oscar!I also see that Mombasa Suite is no longer credited...Is that just because there's nothing "official" to go by? And then also, was a suite written for the Fischer theme?This is not a commercially available album. If you look, it says, "Unofficial release".This is even more ridiculous than the Gladiator lawsuit back in 2006. It seems if you're a frustrated c-list composer, you're trying new ways to get a piece of the cake.When does this album release?<br><br>I've got almost dying<br><br>And What's the format? CD? FLAC(Digital DL)?
What total bullshit.  If anything, Hans sued himself and won for the similarities to Time lol.<br><br>Please......Well this is a load of shit! Doesn't even sound similar at all. Friedman is a fucking scumbag.<br>h t t p://m.tmz.com/#Article/2015/01/23/12-years-a-slave-soundtrac k-lawsuit-stole-music-hans-zimmerIt's on Spotify too. Some kind of lame promo trick?It sounds more like something with Two Steps From Hell than with Hans Zimmer, if you ask me... :PI don't know what it is... Strange. This Davide Anselmi appears to be a young italian musician. He's got 2000 followers on his facebook account, where he announced his new single Overture as "with Hans Zimmer". Without any comment.<br><br>Hybrid, do you know anything about that?
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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.




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Jacalyn reply Replies: 0 || 2011-06-14 10:39:12
Now I know who the biarny one is, I’ll keep looking for your posts.

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