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Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium Falcon
Lovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same time
ht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.
Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !you can't, it's only an info for the complete scoreAccording To Filmmusicreporter.com, it Is true Lorne Balfe Is Scoring Black Widow.<br><br>Wow this guy Is the Best, this is the first time balfe scoring an MCU since Iron Man(worked as an additional music). I can't believe that Alexandre Desplat, who is a good composer left the film just like I remember Rogue One. Well, Now i Hope that Lorne Balfe makes a great score just like he does always.
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  2018, September 28  updated by Hybrid Soldier
X-MEN - DARK PHOENIX (TRAILER) - MUSIC BY HANS ZIMMER






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Kevin reply Replies: 0 || 2018-09-30 05:25:22
What song of hans zimmer is it

mpolonest123 reply Replies: 8 || 2018-10-06 19:03:58
From Den of Geek’s report on the advanced screening at NYCC:

“The music is audibly different from the more traditionally triumphant John Ottman theme in the past several X-films. Sounding in a single pass to my layman’s ear more than a bit like Interstellar, complete with a haunting ticking refrain that is more chorus here, Zimmer’s music could (and may) be recorded on an organ with the way it reaches with a rising sense of doom and uncertainty as the X-Men travel into space.”


mpolonest123 2018-10-06 19:05:13
I hope Zimmer keeps Ottman’s X-Theme, at least for continuity’s sake.


Hybrid Soldier2018-10-06 20:33:16
No way !

Jackman did perfect without it... If Hans could bring one thing back, it'd be Henry's Magneto theme ! :P


mpolonest123 2018-10-06 21:34:28
Normally I’m not a big fan of Ottman’s music, but I do think his X-Men theme is a home-fun. It would be great to hear Zimmer do his twist on it, although if TASM2 is anything to go by it is probably unlikely.

And yes, Jackman’s Magneto theme is awesome! I was disappointed that they ended up ditching it for DOFP...


Mephariel2018-10-06 21:35:17
Looking forward to it. I love the idea of a fusion between interstellar and a superhero score.


HunterTech2018-10-07 09:15:19
The First Class Magneto theme actually is in DOFP, even if it was a producer requested thing.

Anyway, I think that the X-Men series has had such a nice and varied history for their musical scores that adding Zimmer to the mix is fine by me. I'm not sure if it could beat Beltrami's Logan from last year, but it'll definitely add something different to main series.

I'd actually love for Powell's X3 theme to return, but I doubt they'd want to reference much from that film (even though DP kinda looks like an X3 remake so far). So with that, hearing Ottman's X theme one more time wouldn't hurt one bit. :D


Miralsice2018-10-07 13:01:05
I don't like when new composers disregard to music continuity. Hope that Zimmer will make some references to Ottmann's theme, like it was with James Horner's Spider-Man theme.


Mephariel2018-10-07 21:52:29
Zimmer made references to Horner's Spider-Man theme? Which cue?


Miralsice2018-10-07 22:53:44
I'm almost sure that I heard similar motives at the end of the film. I think this is "You're That Spider Guy" track, but I could be wrong.

Jean-Luc reply Replies: 0 || 2018-10-07 02:04:23
Michael Kamen's score by X-Men more like classic & heroic, simply, I like X-Men theme too.

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X-MEN - DARK PHOENIX (TRAILER)