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Thanks for the heads up. Haven't checked his stuff in a while. Like I said, I figured some stuff was off here.I recommend you check out YFM’s edit cause it has all those cues properly where they belong as well as a slightly different order.They are? I searched but only got the regular OSTI watched the movie and tried to put the cuesheet that Hybrid posted into chronological order... This is what I was able to gather from watching the movie:<br><br>1. Opening Pt. 1 - HZ<br>2. Opening Pt. 2 - HZ, SM<br>3. The Beach Pt. 1 - HZ<br>4. The Beach Pt. 2 - HZ, AK<br>5. The Air - HZ<br>6. Stretcher Carry - HZ, AK<br>7. Approaching Trawler - HZ<br> 8. Bandit 11 O’Clock / Off You Go - HZ<br>9. One Bandit Down - HZ<br>10. Meeting Rear Admiral - HZ<br> 11. Shivering Soldier - HZ<br> 12. Fortis Leader Down - HZ<br> 13. Stuka Bombing Medical Ship - HZ, Andy Page<br> 14. U-Boat - HZ<br> 15. Boarding Destroyer/Below Deck - HZ, Andy Page<br> 16. I’m Not Going Back to Dunkirk - HZ<br> 17. Heinkel 11 O’Clock - HZ, Satnam Ramgotra <br> 18. Torpedo - HZ, Satnam Ramgotra <br> 19. Soldier Locked Below Deck - HZ<br> 20. Collins Water Landing - HZ<br> 21. Torpedo Aftermath - HZ<br> 22. Wait for Another Lifeboat - HZ<br> 23. Turn it Around! - HZ<br> 24. George Falls - HZ<br> 25. Farrier Attacks Heinkel - HZ, LB<br> 26. The Bodies Come Back - HZ<br> 27. I Can’t See - HZ, Alex Gibson <br> 28. Farrier Turns Back - HZ<br> 29. Activate Small Vessels Pool - HZ<br> 30. Waiting for the Tide - HZ<br> 31. Should We Turn Back - HZ<br> 32. Smoke From the Spitfire - HZ<br> 33. Dutch Sailor Comes Back - HZ<br> 34. Collins Crash Landing - HZ<br> 35. There Was No Chute - HZ<br> 36. Target Practice - HZ<br> 37. Collins Struggles / Ditch Ballast - HZ<br> 38. Sauerkraut Sauce - HZ<br> 39. Collins Underwater HZ<br> 40. Minesweeper Bombed / Trawler Floats - HZ, AK<br> 41. Plug the Hole - HZ<br> 42. Nimrod - HZ, BW<br> 43. Covered in Oil / Abandon Ship - HZ, AK<br> 44. Where Are You From - HZ<br> 45. 109 Approaching - HZ<br> 46. Engineless Flight - HZ, BW<br> 47. Rail Yard - HZ<br> 48. Variation 15 - HZ, BW<br> 49. End Credits / 5MEC1 - HZ, BW, LB<br> 50. End Credits Long Note Harmonics v.12.7 - HZ<br> 51. End Credits Air - HZ v.31.07<br> 52. End Credits Tommy v8.00<br><br>I'm missing the following in this list: Attack Aftermath / Navy Requisition, Decent Altitude, Destroyer By, Farrier Chasing 109, Farrier Chased by 109, and Little Boats. Anyone know where those go?<br>@Knight<br>Yeah I really can’t argue there. As much as I love Mortal Engines even I have to admit that recording was kind of awful, particularly with the studio noise filtering through.
Ditto on the recordings, Mortal Engines was awful in this regard with the harsh mix and on top of that, an unforgiveable amount of session noise/chatter.I’ve been giving this score a few more shakes lately, if only to see if my initial opinion had changed. The biggest issue for me is the lack of a strong set of themes. Alita’s Theme, for example, works well enough in context but hasn’t really left any impression on me. Mortal Engines has about 7 primary themes, all of which are really strong. <br><br>Where I will praise Tom the most is the recording. Everything sounds crisp and clear, as opposed to his usual overmixed style. Here’s hoping that he sticks with this type of recording from now on. <br>And one other plus, the woodwinds! It’s so refreshing to hear the woodwinds play a prominent role here, especially in the almost classical way they are utilized.It seems the Japanese exclusive tracks are available on deezer, but not on any other platform. And weirdly enough, I couldn't find any download link anywhere.Lieber Herr Zimmer,<br><br>würde über Ihre kurze Meldung über mein Stück freuen.<br><br>Liebe Grüße<br>Irakli Shermazanashvili<br><br>https://www.youtube.com/watch?v=a-FWQaMm4p8"BBC Studios has announced that Hans Zimmer, Jacob Shea and Jasha Klebe will compose the theme and score for the upcoming BBC Earth natural history series One Planet, Seven Worlds. The show is presented and executive produced by Sir David Attenborough and will reveal how each distinct continent has shaped the unique animal life found there. Each of the series’ seven episodes will transport viewers to a single continent and tell the story of its spectacular wildlife and iconic landscapes. Zimmer, Shea and Klebe have previously composed music for BBC’s Planet Earth II and Blue Planet II (for Bleeding Fingers Music). One Planet, Seven Worlds will premiere later this year on BBC One in the UK and on BBC America in the U.S."<br><br>From filmmusicreporter.com<br><br>
I wonder if its like no way its ever going to be released or there is a small chance we will see it one day.<br><br>Can anyone recall any scores for directors cut being released?Hello!<br>Have you any Informations for a Relaease to "PAGAN PEAK"? German TV Series "Der Pass" from Jacob Shea, Produced by Hans Zimmer?also was really good fantastic score IMHO his best since Mad Max.Just saw the film Music was hitting on point in all the right spots.Don't know where else to put this... How much music did Hans + co. write for The Last Face? I know the movie flopped so it will probably never get released, but the 15 or so minutes that I've heard between YouTube and Andrew K's soundcloud is really pretty good. It's like Interstellar + The Lion King + Woman in Gold.
Dear Hans Zimmer.<br><br>I have no idea if you ever read this, but i just want to thank you for all the amazing music you have create through the years.<br>You are truly a gifted man.<br>I hope you along your life had time to teach young talents so they will be able to create such amazing music as you in the future.<br>I dont know you, but i think you have a love for music and to experiment with music and be the best you can be.<br>I enjoy your music for movies and impressed how you created the music for "interstellar" with old fashion church ovel/pipes. I think this show you are great and special when you think out of the box and play and experiement with music due to creative talent.<br>( ps.. i cant even play an instrument my self, but i love your music ).<br><br>I wish you the very best, and peace and quiet during old age and hope you will continue to create music as long as you live. Please teach other talented young people to step in your place.<br><br>Thank you for everyting amazing work.<br><br>A fan  ;-)7m4!!! The BEST cue from Hans since years!!!Whoa, that's right, I forgot a Gladiator sequel was being made. But I feel like something would have to shake Heaven and Earth before Hans worked on a Ridley Scott movie again. But then, Powell reunited with Greengrass for Jason Bourne (however uninspired that score was). So I guess anything's possible.I got them from a japanse store after an hour going through hoops VPN paypal and google translate.<br><br>Very strange cause this are one of the best tracks of the entire score<br><br>Very weird the score or the movie havent attracted much attention at all.Hope Zimmer comes back to do Gladiator 2.
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  2018, September 18  updated by Hybrid Soldier
HANS ZIMMER ON WIDOWS, X-MEN - DARK PHOENIX & WONDER WOMAN 1984






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Dimitris Krommidas reply Replies: 0 || 2018-10-03 14:53:15
Congratulations to mr. Zimmer for his Order of Merit medal!

Anonymous reply Replies: 4 || 2018-09-26 09:15:36
Sorry, I don't buy that story about his return to the genre. His words are stuff you say in front of a camera to look good and avoid complications. Everyone dreams of working on (and watching/enjoying) a project with good story, cast, and everything. It is just that these things are monumentally rare to happen these days. And when they do happen they usually come from small teams who cannot afford the likes of Hans Zimmer in the first place. Whatever is behind his return, I am sure it is not story or director. it's largely about expanding influence, and a good dose of financial incentives.

On a different note, I recall the WW motif was being attributed to Tina Guo in the past, but now Hans Zimmer is claiming it for himself. It does not matter who made it happen but I am curious, what was going about with Guo and this motif in the past, was it an attempt to overstate her contribution in order to get her recognized and hired - i.e. the things HZ usually does for friends at the beginning of their solo film composer careers?


Knight2018-09-26 12:07:50
All Tina Guo did in relation to the WW theme is performed it. Hans was the one that created and wrote it.


Mephariel2018-09-26 18:29:28
I am not sure why it is so hard to believe that story or director matters. They matter to virtually every top name composers because having good story and directors will increase reputation and legacy. Composers have repeatedly turn down projects in a franchise when their collaborating directors did not return. It is not just a Hans Zimmer thing.

Also, Zimmer has done plenty of small films like Freeheld for example. He is clearly looking for legacy and I agree about expanding influence. But I am not sure how much financial incentives matter at this point. His net worth is like close to $100 million.

As for Wonder Woman, I think Zimmer always say they worked together on the theme. I don't think he ever said Tina Guo composed the entire thing.


Ds2018-09-26 19:07:57
He composed it, she played it. But performers can leave their mark on the music, and I'm sure Guo put a lot of her personality in her performance. So this theme as we know it could be attributed to both. That's why Zimmer said he "couldn't get it right" until he brought Tina in. But on paper it's still a HZ track.


Anonymous2018-09-27 09:51:46
@Mephariel

What I meant to in the early paragraph was that every composer wishes to work on a project with good story. But good scripts and stories are rare these days.

Like I was trying to say, when good stories do happen, they occasionally appear in films and projects helmed by a crew of lesser-known or unknown talents. (comes naturally really as they don't have nervous producers to appease.) But then again those running these projects of that scope know they cannot get someone like Hans Zimmer on board so that never happens. Cases like Freeheld are too rare to be considered a norm.

Regarding financial incentives, I am sure it is present there in full force. He doesn't need it of course, and he is not taking several projects every year. But he sure doesn't look like he is taking anything that does not have a healthy paycheck guaranteed. I do not believe making music for FIFA, national geographic, volvo, netflix and alike can be considered small and humble.

Zack Snyder reply Replies: 0 || 2018-09-24 15:07:40
He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?

Poor Zack snyder reply Replies: 0 || 2018-09-24 15:04:43
I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genre

fanuelalex reply Replies: 1 || 2018-09-22 08:19:28
so glad to see HZ back to the superhero genre


Edmund Meinerts2018-09-23 12:58:47
yeah I feel like it's been days, weeks even since the last one

nvictor reply Replies: 0 || 2018-09-21 17:45:44
so great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.

Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )

Antos7 reply Replies: 5 || 2018-09-20 23:08:52
Balfe is doing Michael Bays next movie !!! What’s happened with Jablonsky?


Scorefan2018-09-21 02:33:25
Maybe, Bay thinks Balfe is better than Jablonsky in terms of military tones and music.


Mike2018-09-21 02:59:20
Huh. I like Jablosnky, but I really liked the 13 Hours score, so it's hard for me to complain.


ThePhantasm2018-09-21 03:08:37
Steve is just trying to spend a little time with his family i think, he's not as busy as he used to be but i think it's cause he chooses that. Film Composing is an insanely time consuming job. I like Balfe a lot though.


MikeM2018-09-21 14:35:08
Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properly


Bayhem2018-09-21 15:24:39
Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train.

And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.

isildur reply Replies: 0 || 2018-09-21 15:15:57
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?

José Damián reply Replies: 0 || 2018-09-20 22:52:19
Review widows: It's also scored by Hans Zimmer, which means it is immediately in the running for best score of the year...

Hybrid Soldier reply Replies: 7 || 2018-09-18 20:45:25
Little HZ interview about a few things...


Dimitris Krommidas2018-09-18 20:58:51
Thanks.


Knight2018-09-19 12:31:50
Hybrid, all over the site there are no longer music extracts to listen to. For me at least, is it a universal thing?


Mike2018-09-19 17:04:02
@Knight, it's not just you.


Hybrid Soldier2018-09-19 19:54:22
Audio is down unfortunately.

Legal reasons... Nothing to do with Hans or any composer who have always been very supportive.

Maybe it'll return, maybe not...


Knight2018-09-19 20:30:08
Article 13?


Hybrid Soldier2018-09-19 20:37:28
Nope.


Even if it wouldn't have helped, I guess ! lol


Knight2018-09-19 20:40:43
Hope it gets fixed, I love listening to the suites you add to scores here.

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