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Come to Portugal again.> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.Maybe try using your ears or brain next time before spewing out more hyperbolic nonsense.Ok tracks? Easy. About half the score is some decent anthemic tracks<br><br>Ghosts<br>Haunt the Living<br>I Am the Danger<br>You Can Change the World<br>Thrones<br>A Million Battles<br>One, But Not Done
Oh wow, Balfe's had a potentially too productive year. I am still convinced if he took more time to compose His Dark Materials, it would be a classic on the level of Shore. Now, it is fine and impressive. <br><br>But what the fuck. I know Bay is a lucrative customer and you have to do what he wants but this 'score' is a travesty that will be buried soon. Seriously. This is the worst of the worst, I ask anyone on this site to name one track that is 'ok', there's an ethical limit, Balfe, Baby!Do not forget LisboaThanks for sharing the tracklist :)Sooooooooooo excited for the film and the score!<br><br>I got the real tracklist, and is supposed to be 19 tracks from the score. Can wait to hear the score and see the movie tomorrow<br><br>1.Point of Extraction   2:24<br>2.Ghosts  3:22<br>3.Welcome To Florence   3:54 <br>4.Lose The Chopper      1:54<br>5.Haunt The Living      2:06<br>6.One Rule              2:07<br>7.I Am The Danger       3:17<br>8.You Can Change The World  2:15<br>9.Thrones             3:22<br>10.Memories           1:58<br>11.Beautiful Sunday   1:17<br>12.The Past            0:51<br>13.Shit Ton Of Blood   2:35<br>14.Leave No Man Behind  1:50<br>15.A Million Battles    4:18<br>16.Day Of The Dead      4:08<br>17.Sabotage             3:16<br>18.Live Or Die          1:56<br>19.One, But Not Done    3:08
Trailer music<br>https://www.youtube.com/watch?v=cWnops4JvpUVisit Ukraine!Ho visto il concerto a Berlino The World of Hans Zimmer il 29 aprile 2018. Vorrei vedere lui con la sua orchestra a Napoli.A Napoli non &#232; possibile?sound clips<br><br>https:// music.apple.com/nz/album/6-underground -music-from-the-netflix-film/ 1490017912
lateYou came to this conversation two years later :PI wish the Sia song from the trailers were included too.To Rick LiPani - years later, but your version of Honor Him from Gladiator is spot on! Well done!Bear McCreary was chosen as composer for Godzilla: King of the Monsters.
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  2018, August 16  updated by Hybrid Soldier
BRYCE JACOBS, THE STORY BEHIND THE MUSIC




Bryce Jacobs is an Australian born composer now living in LA with an expansive history working in film and TV production work. He recently released two albums, Out of Shadows and Random Precision which were recorded at Abbey Road studios. In conversation with Bryce, we discussed why these albums meant so much to him and learnt the story behind one track in particular...

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BRYCE JACOBS, THE STORY BEHIND THE MUSIC