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Hybrid, is Zimmer's Scoring the Drive going to be available on itunes/Amazon, etc.?<br><br>"Thief & A Forger" and "An Idea is Like a Virus" are two other good cues. The latter is a powerful rendition of the Time theme.@thedicksqueezer eres malévolo jajajajaYou know this score can be quite good sometimes. i find myself getting really into the new themes and ideas and thinking this score really had potential.. but then the track awkwardly switches to a painfully obvious temp from AWE that doesn't make any sense any way you think about it and my eyes roll so hard it hurts.<br><br>Fantastic score, very much in the vein of Chicken Run and his other animated scores at that time
One of the few Powell scores I still haven't heard. I remember the music working well in the movie, but I really need to listen to the whole thing separately. Any opinions on it from Powell fans?I agree. Though the album selection is pretty solid, those tracks you mentioned are definitely missing!It's criminal that Mr Charles, Strategy, and It's a Trap weren't included on the OST. I guess we did get It's a Trap as a bonus track, but it wasn't the film version.Well with that score we got pretty lucky in term of theme suites being released, with 5 of them. I don't know for sure if there's more but I think we have it covered.Hybrid, do you know if any suites were written besides the ones that they released?
“Our World” is a pretty amazing track, the “Murph” suite is also incredible just in how it gradually builds to that finale...Dust, Who's They, and Our World are other favorites, for sure. Our World is some fantastic ambient music. Before the film was released, I expected most of the score to sound like "Our World."Mountains too... The Tick Tock suite.<br><br>"Our World" is a fav' of mine too, how could they not release it ?Coward is amazing. Ntfc is overratedDon’t forget Coward! :D
I don't think Cornfield Chase is underappreciated because that is the cue everyone is talking about besides No Time for Caution and Mountains. The most underappreciated cue to me is Dust. The amount of mystery, wonder, and curiosity from that cue is amazing.The development of the music in season 2 is great.<br>Love the Westworld suite, a lot of Person of Interest in this cue :)<br>Listening With A Million Ears In the West :)Mike, I definitely agree with you. I think that Cornfield Chase is an excellent example of Zimmer's diversity in music. It shows that He can compose themes that are adventurous and light-hearted rather than being so dark, which is quite different from a lot of his works including his other collaborations with Nolan.So everybody talks about No Time for Caution, and that is a great cue, but I think an underappreciated track from this score is Cornfield Chase. It sounds so whimsical and uplifting. It captures the wonder and fun of childhood really well. The fact that it's so driven by the pipe organ makes it even better. I love how Hans incorporated the organ into most of the tracks.
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  2018, July 25  updated by Hybrid Soldier
BAFTA CONVERSATION WITH HANS ZIMMER






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George reply Replies: 1 || 2018-07-26 02:02:10
Not gonna lie, to me, he came off more pretentious in this interview than ever before. Tommy, the interviewer, was asking really good questions and we kept getting the same old rehashed stories he’s always told. Would’ve loved to here more specifics on the actual craft and recording and ideas behind these scores rather than the typical broad spectrum stories we’ve all heard before. Oh well. I love Hans and would love to get another classic here soon!


Mike (OTM)2018-07-29 04:17:45
I don't think he seemed pretentious, but I was rolling my eyes at the same stories....BRAAHHHHHM was in the Inception script....Interstellar was a letter about his son...Lion King was for his daughter and father....The only thing I hadn't heard before was his comment about wanting to make Don Giovanni seem larger than life, like he felt when he was a kid. And his story about "Stay" from Interstellar not being finished, but it fit anyway.

But yeah. I do wish Hans would talk about the ideas behind individual scenes more often than he does.

Mike (OTM) reply Replies: 0 || 2018-07-26 01:09:17
It's fascinating to me that Hans says he hasn't listened to "Am I Not Merciful?" since the film had been made. It never got used in concerts in the last 18 years?

Dimitris Krommidas reply Replies: 0 || 2018-07-25 20:54:22
Thanks! Always great to hear the legend talk about his work.

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BAFTA CONVERSATION WITH HANS ZIMMER