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Oh wait... SCALPEL AND HAMMER is a combinations of two cues and I AM THE STORM is sort of in the middle :DFYI: <br><br>I AM THE STORM comes after SCALPEL AND HAMMER. <br><br>Gotta get my hands on the physical copy. Curious to hear the bonus tracks.He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genreYeah, I didn't think that comment through. Hybrid, feel free to leave this chain up so my shame is forever on display.
Yeah Ben Wallfisch sure sounds a LOT like HZ !<br><br><br>#facepalmyeah I feel like it's been days, weeks even since the last oneDoes Hans really hire people with similar styles to him? Or do the people hired by him end up developing (or being asked to write in) a similar style to Hans'?Could you repeat that, but in legible English this time?Yes, but usually Hans hires people with similar styles to his, or promising new composers. Paesano fits the former fairly well in a lot of ways. I'm just saying it's surprising to me that he's never worked here.
"RCP" is not a "style", it's a place...Kind of shocking to me that John Paesano isn't a member of RCP. Marvel's Spider-Man is basically a more consistent version of this score in many ways with a touch of Danny Elfman's Spider-Man elements.so glad to see HZ back to the superhero genreso great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.<br><br>Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train. <br><br>And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properlyApparently we’re in the wrong country :( If I could afford it, I’d travel just to experience this.Lorne is now listed on IMDB and Wiki as the composer of 'Six Underground'. Clearly Bay likes working with him. Good for Lorne.You're absolutely right. Play's over. Exit's that way. On your feet. Go!<br><br>Good knowing you.
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  2017, February 21updated by Hybrid Soldier 
THE FUTURE IS FEMALE - A CONCERT FOR WOMEN IN FILM





FIFConcertsAndEvents.com


Tickets Here...


Donate Here...

THE CONCERT

The Future Is Female : A Concert For Women In Film - presented by "FIF Concerts and Events Inc." - a non profit organization founded by Tori Letzler (composer & vocalist on projects like Girl Rising, Batman V Superman - Dawn Of Justice, Lights Out, Winter On Fire, Beyond 2 Souls among others), with the goal to encourage and inspire female composers.

The goal of this concert is to shed light on how many women are currently working in this industry, talented women who are often overlooked.

This concert features 10 up and coming female composers, all currently working in Film, TV, and Video Games. Each composer will be presenting an original work, performed by a 31 piece orchestra brought to us with the help of The Hollywood Chamber Orchestra, run by Mark Robertson and Noah Gladstone.

Now more than ever, it is important that we support these women! In order for the industry to welcome us as equals, we have to be welcomed as such by our peers. We need your help, to show that there is room for all of us to come together and create beautiful music to help tell stories and inspire.


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  2017, February 18updated by Nicolas 
We Need Your Help !



As we already asked you two years ago, we would really appreciate you to help composer Richard Harvey by voting for his beautiful Concerto Antico for it to reach once again the Classic FM Hall Of Fame.
Two Years ago, it worked and we really thank you for that !

To do so, just go to Classicfm.com then hit the following :

  1. VOTE NOW
  2. CHOOSE
  3. "Search Other Composers"
  4. search Richard Harvey
  5. Select Concerto Antico
  6. then a bit of Mozart/Beethoven or whatever you like (Zimmer ? :) )... You have to vote for three pieces..
    . Any order, except please put Antico first !


We are very grateful in advance ! Many thanks for sharing !


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  2017, February 15updated by Nicolas 
Planet Earth II Theme song Performed Live at the LATE SHOW

Yesterday, Hans Zimmer and his co-composers, Jacob Shea and Jasha Klebe of Bleeding Fingers Music, performed the BBC America theme of 'Planet Earth II.'





The dream team behind the scenes at The Late Show with Stephen Colbert ! Mike Gunton, Executive Producer of #PlanetEarth2,
with composers Jacob Shea, Hans Zimmer, Jasha Klebe and #BleedingFingers CEO Russell Emanuel !
Credit Photo : Bleeding fingers Music


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  2017, February 13updated by Nicolas 
At the GRAMMY Awards, Adele sang George Michael’s 1996 single “Fastlove,”
with an orchestral arrangement from Hans Zimmer




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  2017, February 13updated by Hybrid Soldier 
FILM.MUSIC.MEDIA ALL ACCESS - MARK MANCINA

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  2017, February 05updated by Nicolas 
New Trailer for GENIUS

Theme by Hans Zimmer, music by Lorne Balfe
Coming in April



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  2017, February 05updated by Nicolas 
The Little Prince's music wins an Annie Award

Hans Zimmer, Richard Harvey and vocalist Camille were honored with an Annie Award in the Outstanding Achievement, Music in an Animated Feature Production category for the music for The Little Prince. Director Mark Osborne accepted the award on the composers’ behalf at the awards ceremony at UCLA’s Royce Hall.
Read more at Filmmusicreporter.com



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