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It should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.
Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hansí New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :pStairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!
It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's Leaguemvictor: it's funny, 3:10 To Yuma is perhaps the only Beltrami score I really like :-p<br><br>In my opinion, what made Dunkirk special is that it's a Zimmer score, so it sounds better, massive, impressive, while most horror scores stay in the background except for a few jump scares that are not pleasing at all when you listen to the album. Dunkirk is a tension-builder, but it's more than that.<br><br>You should definitely listen to Gravity a couple more times, it's an absolutely amazing score, in my opinion better than Dunkirk, as it's equally tense and massive, but has more refined electronic manipulation, it's more colorful and it's simply more musical. Go straight to the track 'Shenzou', play it very loud, and you'll see what I mean :-pHats off to Hybrid Soldier dealing with all you ungrateful cancerous rude spammers. This was a good score IMHO, but if you didn't like it then try to give constructive criticism. But I guess acting like an inebriated ape with a laptop is easier
Here's a chronological listing based on the cue sheet from ASCAP<br><br>1. 2049<br>2. Sapper's tree<br>3. Flight to LAPD<br>4. Rain<br>5. Ossuary<br>6. Wallace<br>7. New model<br>8. Return to sapper's<br>9. Memory<br>10. DNA<br>11. Trash Mesa<br>12. Must Protect the Child<br>13. Orphanage<br>14. Furnace<br>15. Someone lived this<br>16. Bomb<br>17. Shesome (aka "Joi")<br>18. Like a real girl<br>19. Luv in apartment<br>20. Pilotfish (aka "Pilot")<br>21. Mesa hijack<br>22. Joi crushed<br>23. K rescued<br>24. You imagined it was you (aka "That's why we believe")<br>25. Her eyes were green<br>26. Sea wall<br>27. All the best memories are hers<br>28. You're free to meet your daughter (aka a cover of "Tears in rain" by Vangelis)<br>29. Blade Runner<br>30. Blade Runner 2049 theme<br>31. Almost human<br>32. Bibi's<br>33. Bibi advert music<br>34. Bibi's bar bass<br>35. Big band stingThe official credit is now "Music by Geoff Zanelli & Jon Brion"...<br><br>Geoff wrote a good chunk of the score.Why is Zanelli credited as composer. Jon Brion is doing to the music, right?<br><br>I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?I just wish they had included the finale in both the SW story scores all the music complied together would have been greatfinally got to listen to a quiet place. it has indeed the atmospheric vibe i got from dunkirk. although i will give it another listen before deciding. anyways, you have great ears Ds. and you said you listened to the background music during the movie even, wow!<br><br>after that i got to listen to 3:10 to yuma, which went straight onto my wishlist. and made me research Marco Beltrami. no idea how i never heard from his scores till now! he is very amazing on those two scores i have listened to so far.<br><br>now, i realized that (most) horror movies might have that atmospheric/ambient sound. so i wondered what makes dunkirk special? pretty sure it is that tension that never seems to fade (not the nimrod theme though). most horror movies are to scare you at particular moments. dunkirk keeps the tension constant. so much that you get comfortable with it. that's what makes it so special for me.<br><br>will keep looking. oh i tried captain philips and gravity too. will give those another listen.
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 LATEST RELEASES
 NEWS
  2013, August 23updated by Antas 


MOVIESCORE MEDIA/KRONOS RECORDS RELEASES TWO SCORES BY 'MORTAL INSTRUMENTS' COMPOSER ATLI ÷RVARSSON


MovieScore Media/Kronos Records will release two new CDs featuring new film scores by composer Atli ÷rvarsson whose other current films include The Mortal Instruments: City of Bones, based on the bestselling books by Cassandra Clare, and Hansel & Gretel: Witch Hunters.

MovieScore Media/Kronos Records' first release with the composer will be David M. Rosenthalís A Single Shot (2013), which opens theatrically in the USA on September 20, 2013, distributed by Well Go. The film stars Sam Rockwell, William H. Macy and Ted Levine. Based on the novel by Matthew F. Jones, A Single Shot tells the story of John Moss (Rockwell), a hunter whose life goes to hell after killing a girl during a hunting accident. Recorded with a chamber group of musicians from the London Metropolitan Orchestra, ÷rvarssonís music provides low-key suspense for the deadly game of cat-and-mouse between John Moss and his pursuers. The album will feature a special suite featuring the complex atonal and aleatoric parts of the score entitled "The John Moon Variations".

The second release will be the score to the Czech/Slovakian co-production Colette (2013), Milan Cieslarís powerful screen adaptation of A Girl from Antwerp, a novel by Pulitzer Prize nominated author Arnoöt Lustig. Based on the writerís own experiences of several escape attempts from the hell of Auschwitz, the film follows the story of Vili, a Holocaust survivor who shares his memories of Colette, a Belgian Jewess who happened to be his first true love. Elegant and tragic like the main character, ÷rvarssonís score for Colette highlights the composerís more lyrical side we rarely get to hear in his more mainstream commissions. Colette opens theatrically in the Czech Republic on September 12, 2013, and is expected to get international distribution later in the year.

Both albums will be released in September 2013. The digital release date for A Single Shot is September 17, 2013, followed by a physical release date of September 24, 2013. The digital release date for Colette is September 10, 2013, followed by a physical release date of October 8, 2013.

Visit MovieScore Media at http://www.moviescoremedia.com
Visit Kronos Records at http://www.kronosrecords.com


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  2013, August 22updated by Hybrid Soldier 
Hans Zimmer & Lorne Balfe on composing BEYOND: Two Souls Soundtrack





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  2013, August 14updated by Hybrid Soldier 
HANS ZIMMER to receive Key Prize at Classic Brits





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  2013, August 13updated by Hybrid Soldier 
STAN LEE & HANS ZIMMER to be Honored at The Hollywood Reporter's KEY ART AWARDS





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  2013, August 12updated by Hybrid Soldier 
Sony/ATV's EXTREME MUSIC & HANS ZIMMER Form Joint Venture: The Bleeding Fingers Custom Music Shop





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  2013, August 08updated by Hybrid Soldier 
MARK MANCINA interview




Once again a new interview conducted by Kaya Savas, this time with Mark Mancina for FilmMusicMedia.com.




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  2013, August 07updated by Hybrid Soldier 
Geoff Zanelli to score KILLING KENNEDY (TV)





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  2013, August 05updated by Hybrid Soldier 
MATTHEW MARGESON interview



Check this new interview with Matthew MARGESON regarding his work on the upcoming Kick-Ass 2 for FilmMusicSite.com.


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