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Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.
Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).@Ahmad i only need "The Oil (Film Version)" :D Then i'll be happy :D
*That was a thumbs up but it didn't work :D<br><br>^This how I feel lol.I hope Dunkirk wins just to make the so-called "reviewers" and those who say it isn't music, more frustrated and annoyed.@badbu &#128077;<br><br>I honestly don't know how a complete score is going to work. They weren't kidding when they said the music is done like one long track. <br><br>What I understood from a Q&A with Nolan is that they didn't do it the usual way which means there are cues that are cut together / exist as segments. This was done in a different way where to create such cues, they used automation graphs to bring the layers in and out. Very complex. <br><br>One of the reasons why I think this deserves to win so many awards.Well it has officially been nominated. Fingers crossed for the complete score nowyep ahmad! 100% right
The score is brilliant. It does its purpose very well and it is an essential part of the movie. It's also the most creative of the bunch with the way it was recorded and edited.I'd like Hans to win another Oscar but please, not for this.YES HANS!!! The second Oscar is COMMING! :DMesa is a cue in the film and it has to match with what's happening in the scene. <br><br>Blade Runner is an end credits suite which allows the themes to breathe a little. I think the two versions are identical when it comes to pitch.If it's nominated for the Oscar, the complete score will be released. So it should be out these weeks.
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  2009, February 27
Henry Jackman



  2009, February 19
Harry Gregson-Williams interview done the day after his concert in Madrid, June 2006.
The interview was done by Sylvain Rivaud for cinezik.org and filmed by Maxime Marion.



Comments (4)

  2009, February 18
Steve Jablonsky



  2009, February 09
The 51st Annual Grammy Awards Winner

For recordings released during the Eligibility Year October 1, 2007 through September 30, 2008



Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media :

The Dark Knight
James Newton Howard & Hans Zimmer, composers


Source : www.grammy.com


Comments (13)

  2009, February 09
ASCAP EXPO 2009

Hans Zimmer & James Newton Howard are appearing as panelists at the 2009 ASCAP "I Create Music" Expo.
They will be discussing their experiences building their career as composers, and should have some things to say about their creative process.
The Expo will held in L.A. at the Hollywood Renaissance Hotel, April 23-25.

More infos HERE

(Thanks to Edan Dover)


Comments (0)

  2009, February 01
Interview with the man behind IRON MAN's music, RAMIN DJAWADI



Inter-activities.com interviewed the man behind the heavy metal-oriented and guitar-driven score for the IRON MAN comic book film adaptation and you can find out what they talked about.

You can read the complete Interview at the following link: http://www.inter-activities.com/IRONMANRAMINDJAWADI.html

There's also a feature on the animated movie FLY ME TO THE MOON for which Ramin also provided the musical accompaniment and you can read the complete Interview here: http://www.inter-activities.com/filmsfmttmdjawadi.html



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  2009, February 01
Interview with PUSHING DAISIES' composer James Dooley



Christine Blanc of inter-activities.com interviewed the man behind the Emmy Winning TV score for the first season of the PUSHING DAISIES series.

You can read the complete Interview at the following link: http://www.inter-activities.com/JimDOOLEY/JimDooley.html

Visit the official website of the composer at the following link: http://www.jimdooley.com/


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  2009, February 01
Interview with BABYLON A.D.'s composer Atli Örvarsson



Christine Blanc of inter-activities.com had the opportunity to interview the man behind the powerful last year's score for BABYLON A.D. and shares the experience with us

You can read the complete Interview at the following link: http://www.inter-activities.com/bad/FilmBAD.html

Visit the official website of the composer at the following link: http://www.atlimusic.com/


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