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Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-pBest chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/
There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).
Should be easy to find with google...Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.
Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>Hello Hans.<br><br>May i ask you a question?<br><br>The piano sheet is now on sale, so that your music is now in the market for commercial purposes. It is sold at $ 10, although I do not know whether or not the seller arranged the piano music directly. Please check with us for the availability of other music.<br><br>Please refer to this site: htta://www.yes24.com/24/goods/28085649<br><br>(South Korea book store.)<br><br>Book Introduction :<br>It is the piano music which made the best 22 songs. New Age, movies, games, animations, etc., can be seen in various genres, and each sheet of music is directly attached to the author's QR code video.<br><br>If there is no problem, please respond.<br><br>Have a good day.He’s definitely not a bad reviewer, and his writing style is pretty sharp. The obvious problem is that he has a strong bias against Zimmer. Most of his recent Zimmer reviews are less spent talking about themes and more so the “issues” with his current style.'At World's End' is possibly one of his greatest 'missteps' for sure, but he is a mostly reasonable guy when reviewing, and simply has a taste that doesn't accomodate a lot of the more modern sounding scores, which I think is ok, since we all have our preferences. His 'Solo' review is a must read for any fan of the score though. :DIf you want to understand why he's persona non grata, just go and check out his review of Hans Zimmer's masterpiece At World's End, it sums up pretty nicely the guy's mental issues :p<br><br>But his other reviews are mostly OK and that Solo one is indeed very good, worth a read.
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 LATEST RELEASES
 NEWS
  2008, November 16
The Dark Knight's Score Disqualified From Oscar Consideration




> Hans Zimmer marching to his own tune
Composer discusses his beef with Academy rules
By Hillary Crosley, Billboard




"Like it or not, The Dark Knight is going to keep popping up in headlines all the way through to the Oscars in February, so just be prepared. This latest news is rather disappointing for those who were a fan of Hans Zimmer and James Newton Howard's score - that even I'd been strongly supporting since June. The executive committee of the Academy music branch has disqualified their score from Oscar consideration this year. This actually happened to their Batman Begins score in 2005 as well, so this isn't the first time. The Academy's reason behind the disqualification states that five names were listed as composers, and Zimmer and Howard were only credited for "more than 60%, but less than 70%" of the score."
> See full article at firstshowing.net


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  2008, November 15
Hans ZIMMER



  2008, November 12
Interview Wolfram de Marco

German composer Wolfram de Marco moved in 1999 to LA, capital of the international film industry. As a composer he had alot of experience in writing music for tv films, tv/cinema commercials and corporate commercials. For the latter he won an award. In 2003 he started to collaborate with composer Klaus Badelt, for whom he wrote some additional music and took care of the arrangements. In 2005 Wolfram wrote the score to The Wedding Party. His latest film is Loft, a belgian thriller, directed by Eric Van Looy, story by Bart De Pauw. This film is currently the number 1 film in Belgium.

> www.filmmusicsite.com


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  2008, November 11


Behind the music of Gears Of War 2 : Interview with composer Steve Jablonsky and Epic GAmes Audio Director Mike Larson
> www.music4games.net <


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  2008, November 07
Hans ZIMMER / James Newton HOWARD

Pre-order this album & more details
at TheDarkKnightScore.com




  2008, November 05
Jim Dooley signs on to score Obsessed starring Beyonce, Ali Larter, and Idris Elba. Release date in theaters February 27, 2009 !

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  2008, November 02
MOTION PICTURE SOUND EDITORS SOUND SHOW


  Richard King, Hans Zimmer & Alex Gibson


Thanks to our founder member Etienne Grignon, we can present you a look of the exploration of the sonic world of this summer's blockbuster Batman movie THE DARK KNIGHT presented last October 27th at the Egyptian Theatre, Los Angeles

Oscar and Golden Reel winning supervising sound editor/sound designer Richard King ("War of the Worlds" "Master and Commander: The Far Side of the World" "Signs") as he presents his process of creating the film's soundscape. Excerpts of the movie were presented with special "pre-dubb" mixes to illustrate the variety of elements used to create an environment of serious sound.

  

Also in the mix: award winning music editor Alex Gibson ("Natural Born Killers" "The Prestige" "John Adams") with very special guest Hans Zimmer who revealed the way the musical score was shaped to fit the dark narrative of good and evil.

As an extra special attraction, all of the sound was played through a state-of-the-art audio system developed by Meyer Sound Laboratories so that you could hear every subtle and explosive element.



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