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It should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.
Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hans’ New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :pStairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!
It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's Leaguemvictor: it's funny, 3:10 To Yuma is perhaps the only Beltrami score I really like :-p<br><br>In my opinion, what made Dunkirk special is that it's a Zimmer score, so it sounds better, massive, impressive, while most horror scores stay in the background except for a few jump scares that are not pleasing at all when you listen to the album. Dunkirk is a tension-builder, but it's more than that.<br><br>You should definitely listen to Gravity a couple more times, it's an absolutely amazing score, in my opinion better than Dunkirk, as it's equally tense and massive, but has more refined electronic manipulation, it's more colorful and it's simply more musical. Go straight to the track 'Shenzou', play it very loud, and you'll see what I mean :-pHats off to Hybrid Soldier dealing with all you ungrateful cancerous rude spammers. This was a good score IMHO, but if you didn't like it then try to give constructive criticism. But I guess acting like an inebriated ape with a laptop is easier
Here's a chronological listing based on the cue sheet from ASCAP<br><br>1. 2049<br>2. Sapper's tree<br>3. Flight to LAPD<br>4. Rain<br>5. Ossuary<br>6. Wallace<br>7. New model<br>8. Return to sapper's<br>9. Memory<br>10. DNA<br>11. Trash Mesa<br>12. Must Protect the Child<br>13. Orphanage<br>14. Furnace<br>15. Someone lived this<br>16. Bomb<br>17. Shesome (aka "Joi")<br>18. Like a real girl<br>19. Luv in apartment<br>20. Pilotfish (aka "Pilot")<br>21. Mesa hijack<br>22. Joi crushed<br>23. K rescued<br>24. You imagined it was you (aka "That's why we believe")<br>25. Her eyes were green<br>26. Sea wall<br>27. All the best memories are hers<br>28. You're free to meet your daughter (aka a cover of "Tears in rain" by Vangelis)<br>29. Blade Runner<br>30. Blade Runner 2049 theme<br>31. Almost human<br>32. Bibi's<br>33. Bibi advert music<br>34. Bibi's bar bass<br>35. Big band stingThe official credit is now "Music by Geoff Zanelli & Jon Brion"...<br><br>Geoff wrote a good chunk of the score.Why is Zanelli credited as composer. Jon Brion is doing to the music, right?<br><br>I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?I just wish they had included the finale in both the SW story scores all the music complied together would have been greatfinally got to listen to a quiet place. it has indeed the atmospheric vibe i got from dunkirk. although i will give it another listen before deciding. anyways, you have great ears Ds. and you said you listened to the background music during the movie even, wow!<br><br>after that i got to listen to 3:10 to yuma, which went straight onto my wishlist. and made me research Marco Beltrami. no idea how i never heard from his scores till now! he is very amazing on those two scores i have listened to so far.<br><br>now, i realized that (most) horror movies might have that atmospheric/ambient sound. so i wondered what makes dunkirk special? pretty sure it is that tension that never seems to fade (not the nimrod theme though). most horror movies are to scare you at particular moments. dunkirk keeps the tension constant. so much that you get comfortable with it. that's what makes it so special for me.<br><br>will keep looking. oh i tried captain philips and gravity too. will give those another listen.
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 LATEST RELEASES
 NEWS
  2007, October 23


One of the most successful and busy composers in Hollywood, Harry Gregson-Williams, talks to Tommy Pearson, recorded in Ghent during the annual World Soundtrack Awards.
[Length : 40 mins / Recorded Oct 2007]

> www.stageandscreenonline.com


Comments (2)

  2007, October 23
PROJECT UPDATES FOR THE RC TEAM

According to the Gorfaine/Schwartz Agency, inc, the following updates in the assignments' lists of the composers have been just noted:

HARRY GREGSON WILLIAMS



"Wolverine"
    
HANS ZIMMER



"Casi Divas"


You can also read further info on this particular new project by visiting this Hollywood Reporter relevant link.

JAMES DOOLEY



"The Little Mermaid III"



Comments (6)

  2007, October 22
Gone Baby Gone
Harry Gregson-Williams




  2007, October 17
Christopher Knight and Steve Jablonsky are delighted to offer this signed copy of Transformers: The Score, the CD of the orchestral soundtrack from the smash-hit movie of 2007.



This artist-signed copy of Transformers: The Score would make a fine and unique addition to your collection, whether your are a die-hard Transformers fan or one who particularly enjoys the art of scoring music for film and television. It would also make a wonderful gift for that special someone, especially with the holiday season just around the corner.

100% of the proceeds from this auction will be used to further music education in Rockingham County Public Schools in Rockingham County, North Carolina. This will include helping to defray the costs of new instruments and also to support music programs for elementary students.

> Link on this auction at Ebay <


Comments (7)

  2007, October 16
August Rush
Various




  2007, October 15
from www.markmancina.com

Mark Mancina will be performing in a concert of music from August Rush live in concert at the NY City Center on November 9, 2007.
Performances will be by Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, Five for Fighting's John Ondrasik, John Legend, David Crosby, The Berklee College of Music Symphony, Impact Repertory Theatre, Jamia Simone Nash, Leon Thomas III and surprise guests! For tickets, visit the NY City Center box office website.

Details : http://www.nycitycenter.org/events/event_detail.cfm?event_code=AFA08


Comments (3)

  2007, October 13
Bee Movie
Rupert Gregson-Williams




  2007, October 06
My Winter Storm
Tarja Turunen




  2007, October 05
Pirates Of The Caribbean
Soundtrack Treasures Collection




  2007, October 05
Desperate Housewives Score Music by Steve Jablonsky CD release Petition

Please visit the online petition page


Comments (5)

  2007, October 05
Transformers Expanded score
Steve Jablonsky




  2007, October 04
Harry Gregson-Williams and Stephen Barton score Call of Duty 4: Modern Warfare


Infinity Ward and Activision, Inc. have announced that award-winning Call of Duty 4: Modern Warfare will feature an original score by Stephen Barton with the Main Theme & Music Production provided by award-winning composer Harry Gregson-Williams.

Gregson-Williams' work has been featured in numerous feature films, television series, and video games with credits including "Enemy of the State," "Man on Fire," "Spy Game," "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," and "Team America: World Police." The soundtrack for Call of Duty 4: Modern Warfare was performed and recorded by a full orchestra, largely at the legendary Abbey Road Studios in London, England.

"Harry Gregson-Williams was the perfect choice to craft an immersive and rich soundtrack that matches the heightened atmosphere and tension of Call of Duty 4: Modern Warfare," says Grant Collier, Studio Head at Infinity Ward. "Harry's wealth of experience, passion and intensity together with the talents of young composer, Stephen Barton, shine through in the score draws gamers deeper into the epic and cinematic experience that is Call of Duty 4."

Source : www.music4games.net


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