NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
The track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice."Don't believe everything you hear, son."
what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !
Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?
After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
updated by Nicolas 
 LATEST RELEASES
 NEWS
  2007, October 23


One of the most successful and busy composers in Hollywood, Harry Gregson-Williams, talks to Tommy Pearson, recorded in Ghent during the annual World Soundtrack Awards.
[Length : 40 mins / Recorded Oct 2007]

> www.stageandscreenonline.com


Comments (2)

  2007, October 23
PROJECT UPDATES FOR THE RC TEAM

According to the Gorfaine/Schwartz Agency, inc, the following updates in the assignments' lists of the composers have been just noted:

HARRY GREGSON WILLIAMS



"Wolverine"
    
HANS ZIMMER



"Casi Divas"


You can also read further info on this particular new project by visiting this Hollywood Reporter relevant link.

JAMES DOOLEY



"The Little Mermaid III"



Comments (6)

  2007, October 22
Gone Baby Gone
Harry Gregson-Williams




  2007, October 17
Christopher Knight and Steve Jablonsky are delighted to offer this signed copy of Transformers: The Score, the CD of the orchestral soundtrack from the smash-hit movie of 2007.



This artist-signed copy of Transformers: The Score would make a fine and unique addition to your collection, whether your are a die-hard Transformers fan or one who particularly enjoys the art of scoring music for film and television. It would also make a wonderful gift for that special someone, especially with the holiday season just around the corner.

100% of the proceeds from this auction will be used to further music education in Rockingham County Public Schools in Rockingham County, North Carolina. This will include helping to defray the costs of new instruments and also to support music programs for elementary students.

> Link on this auction at Ebay <


Comments (7)

  2007, October 16
August Rush
Various




  2007, October 15
from www.markmancina.com

Mark Mancina will be performing in a concert of music from August Rush live in concert at the NY City Center on November 9, 2007.
Performances will be by Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, Five for Fighting's John Ondrasik, John Legend, David Crosby, The Berklee College of Music Symphony, Impact Repertory Theatre, Jamia Simone Nash, Leon Thomas III and surprise guests! For tickets, visit the NY City Center box office website.

Details : http://www.nycitycenter.org/events/event_detail.cfm?event_code=AFA08


Comments (3)

  2007, October 13
Bee Movie
Rupert Gregson-Williams




  2007, October 06
My Winter Storm
Tarja Turunen




  2007, October 05
Pirates Of The Caribbean
Soundtrack Treasures Collection




  2007, October 05
Desperate Housewives Score Music by Steve Jablonsky CD release Petition

Please visit the online petition page


Comments (5)

  2007, October 05
Transformers Expanded score
Steve Jablonsky




  2007, October 04
Harry Gregson-Williams and Stephen Barton score Call of Duty 4: Modern Warfare


Infinity Ward and Activision, Inc. have announced that award-winning Call of Duty 4: Modern Warfare will feature an original score by Stephen Barton with the Main Theme & Music Production provided by award-winning composer Harry Gregson-Williams.

Gregson-Williams' work has been featured in numerous feature films, television series, and video games with credits including "Enemy of the State," "Man on Fire," "Spy Game," "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe," and "Team America: World Police." The soundtrack for Call of Duty 4: Modern Warfare was performed and recorded by a full orchestra, largely at the legendary Abbey Road Studios in London, England.

"Harry Gregson-Williams was the perfect choice to craft an immersive and rich soundtrack that matches the heightened atmosphere and tension of Call of Duty 4: Modern Warfare," says Grant Collier, Studio Head at Infinity Ward. "Harry's wealth of experience, passion and intensity together with the talents of young composer, Stephen Barton, shine through in the score draws gamers deeper into the epic and cinematic experience that is Call of Duty 4."

Source : www.music4games.net


Comments (3)


 HANS-ZIMMER.com© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou