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I mean sure, but I can't think of many Giacchino scores that actually match that description. The Star Trek reboot scores for example, where he has a (pretty good) main theme that he plays the same way roughly sixteen thousand times over and over again. :pFor me, a theme is a distinguishable motif or piece of music that is related to a specific location, event or most commonly character, and that the viewer notices as such. If your score contains 20 themes that are never repeated in a similar form and are so uncharacteristic that they all sound the same, I'm just calling that orchestra noise. And I don't see any appeal in that kind of scoring...Ds, am I reading that correctly that you're using the fact that JJ works with Giacchino as evidence that the score might *not* be melodic or thematic? Because say what you want about Giacchino (and I'm far from his biggest fan either), it's an objective fact that he writes film music that is almost exclusively thematic/melodic. Whether you like those themes and melodies is another question, but they are undeniably themes and melodies.Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.Now released: http:/ /filmmusicreporter.com/2018/04/19/soundtrack-album-for-sky-h unter-to-be-released/<br><br>https: //www.amazon.com/gp/product/B07C26S729/ref=as_li_qf_asin_il_ tl?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creat iveASIN=B07C26S729&linkId=18cb85bfc0aaee3094cdba507fe05649
I hope Balfe delivers but he has not done a score that I really listen to more than once so I hope this will be it.I agree with Edmund for the most part, except that JJ Abrams usually works with Giacchino, and Cruise's recent productions include Jack Reacher 2 and Edge of Tomorrow. So I wouldnt exactly take a melodic or thematic score for granted...<br>That being said, at this point I expect something like Penguins, but I secretely hope for something really amazing and surprising that would explain why McQuarrie broke up with Kraemer.BOOKLET CREDITS (From The Album):<br><br>Score Composed, Produced And Mixed By<br>TOM HOLKENBORG<br><br>Additional Music By<br>ALJOSCHA CHRISTENHUB<br>ANTONIO DI IORIO<br><br>Orchestra Conducted By<br>JOHN ASHTON THOMAS<br><br>Technical Score Engineer<br>ALEX RUGER<br><br>Additional Programming By<br>EMILY RICE<br>JACOPO TRIFONE<br><br>Music Editor<br>SIMON CHANGER<br><br>Assistant Music Editors<br>BEN SMITHERS<br>ARABELLA WINTER<br><br>Music Consultant<br>BOB BADAMI<br><br>Score Orchestrated And Copied By<br>JONATHAN BEARD<br>EDWARD TRYBEK<br>HENRI WILKINSON<br>TOM HOLKENBORG<br><br>Librarian<br>JILL STREATER<br><br>Orchestra Contractors<br>ISOBEL GRIFFITHS<br>SUSSIE GILLIS<br><br>Orchestral Recording Engineer And Mixer<br>NICK WOLLAGE<br><br>Orchestra Recorded At<br>AIR STUDIO<br><br>Air Studios Managers<br>ALISON BURTON<br>CHARLOTTE MATTHEWS<br>LUCY MATTHEWS<br><br>Music Production Services<br>MICHIEL GROENEVELD<br><br>Agent<br>AMOS NEWMAN<br><br>Legal Representation<br>DAVID ALTSCHUL<br><br>Music Recorded <br>6-7 January 2018<br>At<br>AIR STUDIOS, London<br><br>Score Published By<br>UNITED LION MUSIC, INC. (BMI)<br><br>Booklet Editing & Design<br>WLP LTD<br><br>Soundtrack Acquisitions<br>MARK CAVELL<br><br>Sony Classical Product Development<br>KLARA KORYTOWSKA<br><br>Special Thanks To:<br>ROAR UTHAUG, GRAHAM KING, SASKIA, JULIAN and DARREN, ANNE COBB, SHANE GLASSThe Stark theme always left a big impression on me, but the way it plays when Jon Snow dies gives me the chills<br><br>Andrew Kawczynski scored the movie Sky Hunter. The score is available on Spotify now. <br><br>The score is probably the most melodic/heroic that I heard from him.
wtf is this? did zimmer score a porno?why hybrid when lorne himself confirmed it? <.<@Hybrid, can you confirm Lorne is scoring MI6?I feel like the only way I could be excited about this would be if they adopted the sound of M:I-2, which I find very unlikely. Primarily because the sound is very dated, but also because Fallout is likely to be a more serious movie than II ever will be. Still, I'm cautiously optimistic, especially if it was true that he did the trailer music.<br><br>And it was Rogue Nation that Kraemer worked on, not Ghost Protocol.It's sort of been implied here before that Lorne Balfe worked on the "Bumblebee" suite... Is that correct (as far as anybody knows, at least)?
Both scores are absolutely masterpieces, personally I prefer the second one. Outstanding. <br>This story deserves a perfect close also musically.I think we may be surprised with this one, guys. Tom Cruise and JJ Abrams both are into melodic sounding scores, amd when Lorne is allowed to go all out melodic on us he creates perfection (ie: LEGO Batman, Home, parts of Geostorm, his contributions to kung fu panda and Sherlock)... I do hope he has somewhat of a throwback sound from it, but I also want that signature RCP sound too! Not gonna lie this is good news for me.I'm sure the Balfe brigade will still find some way to tar and feather me for this, but I think he could do a decent job here. After all, you can't just write a generic action score for Mission Impossible. It has to have that throwback espionage feel, the suaveness, the sense of cool, and I think Balfe will do okay with that - look at Penguins of Madagascar. I just hope he gets to use a real orchestra for once (no excuse not to on a film of this type and size), and that he doesn't ignore Lalo Schifrin's theme.<br><br>I'd still rather have had Kraemer back considering the excellent job he did on Ghost Protocol (and the fact he never gets any assignments otherwise) but Balfe could do well here.Damn I was hoping Zimmer, Giacchino or Kraemer would do this.Ha ha! Yes again and again ! This is excellent news
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 LATEST RELEASES
 NEWS
  2007, July 31
JAMES DOOLEY's latest project: BACHELOR PARTY 2

According to The Gorfaine/Schwartz Agency, Inc., the composer's latest project is "Bachelor Party 2", a new Blue Star Pictures comedy directed by James Ryan.


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  2007, July 28
New composer in our website

We introduce german composer Wolfram de Marco who frequently worked with Klaus Badelt on many of his scores , while working on his own project.



Recently, he composed for The Wedding Party which received a DVD release in USA.
Klaus Badelt was the executive music producer, Wolfram de Marco the composer, Steve McLaughlin recorded the London Metropolitan Orchestra in Studio 2 at Abbey Road and mixed the score in his Northpole studio in London.(Read more & pictures).


Comments (1)

  2007, July 27
THE SIMPSONS MOVIE featurette



The Official THE SIMPSONS MOVIE website now features a video about the music of the movie composed by Hans Zimmer and can be viewed in the above link.


Comments (13)

  2007, July 26
New scores for Hans ZIMMER



On 2008, the composer will score MADAGASCAR 2(us movie release on 2008, november the 7th.), Ron Howard's FROST/NIXON, and will compose for the Christopher NOLAN's THE DARK KNIGHT.

*** UPDATE ***

Hans Zimmer also mentioned at the Composer Expo in LA that he will probably also score Ron Howard's Da Vinci Code sequel Angels & Demons.


Comments (19)

  2007, July 25
The Recruit Complete Score
Klaus Badelt




  2007, July 23
The Bourne Ultimatum
John Powell




  2007, July 20
No more Oscars for Hans ZIMMER

The german website ONLINE FOCUS revealed that Hans ZIMMER didn't want to be nominated for the Oscars anymore.
"I was 7 times nominated ; Each time, it brought my life out its balance ; call, interviews and stress. That's why i decided it was enough. From now, I forbid the Filmstudios to submit my music to the Academy."


Comments (27)

  2007, July 16
Disturbia
Geoff Zanelli




  2007, July 15
The Simpsons Movie
The Music (Promo EP)


Transformers The Game
Steve Jablonsky / Jonathan Flood




  2007, July 13
RAMIN DJAWADI scores THE TOURIST

According to The Gorfaine/Schwartz Agency inc., composer Ramin Djawadi is responsible for providing the musical score for Marcel Langenegger's new action/thriller THE TOURIST .

For more info on the movie you can visit The Tourist on imdb.com


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  2007, July 12
JOHN POWELL on STOP LOSS: Scoring session coverage from soundtrack.net



Image Copyright © Soundtrack.net

Composer John Powell has recorded orchestral music for the upcoming drama, Stop Loss and Soundtrack.net has the scoring session coverage.

The full article with photos, can be viewed in the above link.


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  2007, July 10
New Interview with STEVE JABLONSKY



IFMagazine now features an exclusive new interview with the composer behind TRANSFORMERS, Steve Jablonsky.

The interview is by Daniel Schweiger, Soundtrack Editor and it is Published 7/10/2007. You can read the whole article in the above link.


Comments (53)

  2007, July 03
VARESE SARABANDE releases PRISON BREAK score

Soundtrack label Varese Sarabande releases the CD with the score composed for the popular TV series "Prison Break" by composer Ramin Djawadi.

As Varese states in their website: " The calls for a soundtrack release to the blockbuster Fox television show PRISON BREAK have now been answered. Ramin Djawadi’s music for the first two thrilling seasons of PRISON BREAK has now been gathered together for this exciting CD. "

Release date is set at 08/28/07 and the catalog number for the CD is 302 066 839 2


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