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Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait
Honestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight
"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.
AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!
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 LATEST RELEASES
 NEWS
  2007, April 27
Mark Mancina's new website launched

Composer Mark Mancina's new official website has just been opened and it contains a lot of interesting topics and info on the composer such as Latest News, Biography, Projects' list, Songs, Studio and Favorite instruments sections along with numerous sound clips. You can visit the website at MarkMancina.com.

Also, you can check out the audio clips from his upcoming projects, CAMILLE and AUGUST RUSH.


Comments (1)

  2007, April 23
Audio Interview with KLAUS BADELT

ScoreNotes recently had the chance to chat with composer Klaus Badelt, his recent works including "Premonition", and "Teenage Mutant Ninja Turtles", and discussed about his early interests in film music, his top CD score releases, his time at Media Ventures, Pirates of the Caribbean and more.

You can listen to the interview in either Real Audio or MP3 .

Alternatively, you can listen the podcast by visiting ScoreNotes.com


Comments (0)

  2007, April 22
Mr. Brooks
Ramin Djawadi




  2007, April 20
Pirates Of The Caribbean: At World's End
Hans Zimmer




  2007, April 18
Geoff Zanelli on DISTURBIA: An interview with the composer

Following his Emmywinning score for Into the West, Dreamworks hired up and coming composer Geoff Zanelli to score their new thriller, Disturbia and as stated in the latest issue of FilmMusicWeekly.com , DisturbiaĒ is a tense thriller with a score that mirrors two elements of the film: the terror and the romance.

Make sure you read the whole interesting interview with the composer in the latest edition of the free online magazine.


Comments (0)

  2007, April 15
Shooter
Mark Mancina




  2007, April 15
Musik, der unsichtbare Schauspieler - Hans Zimmer in Hollywood (Music, the invisible actor - Hans Zimmer in Hollywood)

This is a documentary about Hans Zimmer made by Henning Lohner and was aired in Germany in 1999. Hans speaks about Renaissance Man, Two Deaths, A World Apart, Rain Man, Black Rain, The Lion King, As Good As It Gets.

Length: 1h
Size: 336 MB
Language: A mixture of English and German
Playable with Quick Time Player

> Link


Comments (4)

  2007, April 15
The Essential Hans ZIMMER Film Music Collection



  2007, April 15
You can now submit us your own cover version of a music composed by artists from RC Prod -- We will put it on this page : Cover versions

  2007, April 14
Premonition
Klaus Badelt




  2007, April 04
HARRY GREGSON WILLIAMS SCORES 'JOLENE '

Harry Gregson-Williams reunites with director Dan Ireland, scoring his new film "Jolene ". For more info please visit FilmMusicWeekly.com and download the current issue of the magazine.


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