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Oh wait... SCALPEL AND HAMMER is a combinations of two cues and I AM THE STORM is sort of in the middle :DFYI: <br><br>I AM THE STORM comes after SCALPEL AND HAMMER. <br><br>Gotta get my hands on the physical copy. Curious to hear the bonus tracks.He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genreYeah, I didn't think that comment through. Hybrid, feel free to leave this chain up so my shame is forever on display.
Yeah Ben Wallfisch sure sounds a LOT like HZ !<br><br><br>#facepalmyeah I feel like it's been days, weeks even since the last oneDoes Hans really hire people with similar styles to him? Or do the people hired by him end up developing (or being asked to write in) a similar style to Hans'?Could you repeat that, but in legible English this time?Yes, but usually Hans hires people with similar styles to his, or promising new composers. Paesano fits the former fairly well in a lot of ways. I'm just saying it's surprising to me that he's never worked here.
"RCP" is not a "style", it's a place...Kind of shocking to me that John Paesano isn't a member of RCP. Marvel's Spider-Man is basically a more consistent version of this score in many ways with a touch of Danny Elfman's Spider-Man elements.so glad to see HZ back to the superhero genreso great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.<br><br>Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train. <br><br>And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properlyApparently we’re in the wrong country :( If I could afford it, I’d travel just to experience this.Lorne is now listed on IMDB and Wiki as the composer of 'Six Underground'. Clearly Bay likes working with him. Good for Lorne.You're absolutely right. Play's over. Exit's that way. On your feet. Go!<br><br>Good knowing you.
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 LATEST RELEASES
 NEWS
  2007, April 27
Mark Mancina's new website launched

Composer Mark Mancina's new official website has just been opened and it contains a lot of interesting topics and info on the composer such as Latest News, Biography, Projects' list, Songs, Studio and Favorite instruments sections along with numerous sound clips. You can visit the website at MarkMancina.com.

Also, you can check out the audio clips from his upcoming projects, CAMILLE and AUGUST RUSH.


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  2007, April 23
Audio Interview with KLAUS BADELT

ScoreNotes recently had the chance to chat with composer Klaus Badelt, his recent works including "Premonition", and "Teenage Mutant Ninja Turtles", and discussed about his early interests in film music, his top CD score releases, his time at Media Ventures, Pirates of the Caribbean and more.

You can listen to the interview in either Real Audio or MP3 .

Alternatively, you can listen the podcast by visiting ScoreNotes.com


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  2007, April 22
Mr. Brooks
Ramin Djawadi




  2007, April 20
Pirates Of The Caribbean: At World's End
Hans Zimmer




  2007, April 18
Geoff Zanelli on DISTURBIA: An interview with the composer

Following his Emmywinning score for Into the West, Dreamworks hired up and coming composer Geoff Zanelli to score their new thriller, Disturbia and as stated in the latest issue of FilmMusicWeekly.com , Disturbia” is a tense thriller with a score that mirrors two elements of the film: the terror and the romance.

Make sure you read the whole interesting interview with the composer in the latest edition of the free online magazine.


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  2007, April 15
Shooter
Mark Mancina




  2007, April 15
Musik, der unsichtbare Schauspieler - Hans Zimmer in Hollywood (Music, the invisible actor - Hans Zimmer in Hollywood)

This is a documentary about Hans Zimmer made by Henning Lohner and was aired in Germany in 1999. Hans speaks about Renaissance Man, Two Deaths, A World Apart, Rain Man, Black Rain, The Lion King, As Good As It Gets.

Length: 1h
Size: 336 MB
Language: A mixture of English and German
Playable with Quick Time Player

> Link


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  2007, April 15
The Essential Hans ZIMMER Film Music Collection



  2007, April 15
You can now submit us your own cover version of a music composed by artists from RC Prod -- We will put it on this page : Cover versions

  2007, April 14
Premonition
Klaus Badelt




  2007, April 04
HARRY GREGSON WILLIAMS SCORES 'JOLENE '

Harry Gregson-Williams reunites with director Dan Ireland, scoring his new film "Jolene ". For more info please visit FilmMusicWeekly.com and download the current issue of the magazine.


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