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Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!
Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hansí New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :p
Stairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's Leaguemvictor: it's funny, 3:10 To Yuma is perhaps the only Beltrami score I really like :-p<br><br>In my opinion, what made Dunkirk special is that it's a Zimmer score, so it sounds better, massive, impressive, while most horror scores stay in the background except for a few jump scares that are not pleasing at all when you listen to the album. Dunkirk is a tension-builder, but it's more than that.<br><br>You should definitely listen to Gravity a couple more times, it's an absolutely amazing score, in my opinion better than Dunkirk, as it's equally tense and massive, but has more refined electronic manipulation, it's more colorful and it's simply more musical. Go straight to the track 'Shenzou', play it very loud, and you'll see what I mean :-p
Hats off to Hybrid Soldier dealing with all you ungrateful cancerous rude spammers. This was a good score IMHO, but if you didn't like it then try to give constructive criticism. But I guess acting like an inebriated ape with a laptop is easierHere's a chronological listing based on the cue sheet from ASCAP<br><br>1. 2049<br>2. Sapper's tree<br>3. Flight to LAPD<br>4. Rain<br>5. Ossuary<br>6. Wallace<br>7. New model<br>8. Return to sapper's<br>9. Memory<br>10. DNA<br>11. Trash Mesa<br>12. Must Protect the Child<br>13. Orphanage<br>14. Furnace<br>15. Someone lived this<br>16. Bomb<br>17. Shesome (aka "Joi")<br>18. Like a real girl<br>19. Luv in apartment<br>20. Pilotfish (aka "Pilot")<br>21. Mesa hijack<br>22. Joi crushed<br>23. K rescued<br>24. You imagined it was you (aka "That's why we believe")<br>25. Her eyes were green<br>26. Sea wall<br>27. All the best memories are hers<br>28. You're free to meet your daughter (aka a cover of "Tears in rain" by Vangelis)<br>29. Blade Runner<br>30. Blade Runner 2049 theme<br>31. Almost human<br>32. Bibi's<br>33. Bibi advert music<br>34. Bibi's bar bass<br>35. Big band stingThe official credit is now "Music by Geoff Zanelli & Jon Brion"...<br><br>Geoff wrote a good chunk of the score.Why is Zanelli credited as composer. Jon Brion is doing to the music, right?<br><br>I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?I just wish they had included the finale in both the SW story scores all the music complied together would have been great
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 LATEST RELEASES
 NEWS
  2006, November 30
Shirley WALKER's death


1945-2006

Composer, arranger & conductor Shirley Walker has passed away after suffering a brain aneurism. As a composer, she started scoring in the early 80, and worked on movies like "Memoirs of an invisible man", "Escape from LA", "Final Destination" & "Willard".
She worked with many composers as orchestrator, arranger & conductor, like Danny Elfman(Edward's scissorhands, Batman & Dick Tracy).

What's more, her talent served Hans ZIMMER on the amazing scores : CHICAGO JOE & THE SHOWGIRL (Co-composer), BLACK RAIN (Conductor, Orchestrator), BIRD ON A WIRE (Conductor, Orchestrator), DAYS OF THUNDER (Conductor, Orchestrator), PACIFIC HEIGHTS (Conductor, Orchestrator), BACKDRAFT (Conductor, Orchestrator), A LEAGUE OF THEIR OWN (Conductor), RADIO FLYER (Conductor, Orchestrator), TOYS (Conductor, Orchestrator)

A really great talent has gone, Hans-ZIMMER.com's team would like to present its gratitude for her great work on film Music, and her precious help on scores we really love. All our thoughts go to her family and friends.


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  2006, November 27
DEJA VU
Harry GREGSON-WILLIAMS


Happy Feet (Score)
John POWELL



.:: NEW John POWELL's INTERVIEWS ::.



4 interviews available at :

Filmzene.net
Animationmagazine.net
Soundtrack.net
Scorenotes.com (audio version)


  2006, November 27
NEW PROJECTS

Heitor Pereira will score Illegal Tender and Klaus Badelt will score Redline.


  2006, November 13
Sanctuary : Lisa GERRARD (DVD)



For the first time on Film, 'Sanctuary : Lisa Gerrard' (directed by Clive Collier) is an intimate portrait of Lisa Gerrard who shares her deepest most creative and emotional insights on all aspects of her life, beliefs and career.


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  2006, November 12
A SCORE FOR HAPPY FEET

John Powell announced he was currently mixing the score for a CD release for December, probably from Atlantic Records.

A CD release is already available with a lot of Powell's arrangements on songs and one single track from the original score.

Source : Dan Goldwasser


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  2006, November 10
The Ultra Payloaded Satellite Party



Harry Gregson-Williams led a 30-piece orchestra on five songs from the next Perry Farrell & his new band ( The Satellite Party)'s album.

The Ultra Payloaded Satellite Party will be released on march 2007 by Columbia.


Source : Billboard.com


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  2006, November 09
CHILDREN OF GLORY AUDIO SAMPLES

Still no soundtrack release is scheduled in the future, you can listen to two audio samples on the official website from the movie, the Hungarian Theme and the Love Theme.

Thank you Levente


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  2006, November 06
Interviews : Part ...

=> Part 2 for our press conference with John POWELL in Ghent

=> Part 3 for the Soundtrack.net interview with Hans ZIMMER


  2006, November 01
Bruce FOWLER scores for Robert DE NIRO

Composer Marcelo Zarvos and the famous Hans ZIMMER's orchestrator replace composer James HORNER on the next Robert De Niro's film, THE GOOD SHEPHERD, due to "creative differences" between the composer and the director.

Read More...


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