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Some Sky Hunter extracts in here !<br><br>I hope the OST will actually come out, will let you know when I get any info !look what I found www . change.org/p/warner-bros-zack-snyder-s-director-s-and-tom-ho lkenborg-s-score-for-home-release-e90fef07-11c6-4a9a-9ae8-37 5c7717dafa@Gotham Rogue  That's what I think exactly. And when the complete score of BvS gets released/leaked we could have enough music for filling all the moments in the JL. <br>If they had kept MoS theme, I think people wouldn't be so angry at Elfman.The CD has been shipped finally!Ok HERE GOES...<br><br>THE FILM - a mixed bag that takes advantage of it's characters but fails as a compelling narrative and has a villain with so much backstory and potential from the comics and merely turns him into a typical TV villain of the week who amounts to very little.<br><br>THE SCORE - haha honestly if it weren't for Wonder Woman's first shot and the epic scene at 2:40 in "Final Battle" you would swear there was no score composed because Mr. Elfman's boring, generic and STRONG THEME lacking score is completely buried and forgettable.<br><br>Everyone on this site will agree that when Hans, Junkie and co. compose... THEY  let you know they are there and mean business.<br><br><br>I love Firefly, Serenity and Avengers 1 but FUCK JOSS WHEDON FOR REPLACING JUNXIE XL.
i swear people, whoever they are, and are rating soundtracks have not understood this music.<br><br>oh by the way hybrid, my man, you are wrong too! i am no movie dude, and i have enjoyed every single soundtrack without watching any of them movies! for me, it's the soundtrack that draw me to the movie...Olive i love your pseudonym : ) i wrote that comment in a rush, i was overwhelmed by the music!<br><br>listen to the latest soundtracks by the remote control people, slow each of them a tad bit, and let me know if you still don't understand : )this is my world!oh noes can't find that page!?Themes*
Hybrid, shortly after BvS was released I read that zimmer had written themes/motifs for the justice league characters (Flash, Aquaman and cyborg) and that junkie would use those in his justice league score. <br><br>Was that the case and is there a half completed score by junkie containing some unheard zimmer genes?I don't think everybody thinks it's bad you just have to look at the development of the franchise. In the first pirates we got very nice melodys and tunes that are still legendary and so they set the tune for all the other pirates movies. In the second one we got a much darker yet very good developed score that has again new themes for new characters but uses themes from the first one as well. Then the third movie came along and everybody can think about the film what he wants but the music... man the music from the third one is really the cherry on the top of the entire franchise cause here we got all themes in new majestic versions plus one of the most beautyful love themes ever. So now you would think "Ok, I guess by judging by the development, the next one will be at least as great as the last one" but instead of this case we just got old themes in flat versions and the music is not bad but it just has not this kind of drive like the others. For sure if this score would have been the first one, the crowd would have reacted differently but hey, the movie wasn't that good as well so I guess it all equals out :DBecause they mixed several passages of past scores into scenes completely disconnected from those for which the music was composed at first. There is a chase scene with the music for the maelstrom. The love theme for Will and Elisabeth comes up without either of them being in the movie or in scenes that nerver mention their names. The same with the theme for Beckett. And half of the commercial CD was remixes of DJsCan I ask why everybody is so negative about this score.<br>I actually really love it. New themes for Spaniard, Mermaids and Blackbeard are good.<br>Okay, Hans re-used stuff from the previous 3 but it's still a great score.<br><br>Why does everybody else think it's bad? Would somebody please explain this to meWell said. It’s not a terrible score by any means, but the lack of continuity is incredibly disappointing. There were so many times in the movie that practically screamed for Hans’ themes. The only point I heard one was the Krypton theme for (maybe) 15 seconds and that was just an insert from a previous film. I’d love to do a fan project once the movie is released and insert music from Man of Steel/BvS and see how it changes the feel of this film.
YFM, your work is awesome. Long time lurk-listener. Looking forward to this,Bah leave me alone, I still need a few years to overcome the fall of House DC... What a horrible movie that JL was, I can't get over it... lolIf you love these peoplegeneral zod : )After listening to this score a few times, I am starting to enjoy it. It's not fantastic, but it's not absolutely horrible, either. While I am very disappointed that Zimmer didn't score the film, and that Elfman didn't preserve the series' music continuity very well, I feel the score does hold up fairly well on its own. It introduces some nice motifs, and honestly, hearing the old Batman theme again is awesome, especially in tracks like "Then There Were Three" and "The Final Battle". Some may think it's out of place, but I feel it fits this iteration of the character. But then, Elfman gets lazy with some of the tracks. The opening of "The Amazon Mother Box" sounds like Elfman's theme for "Hulk", while the motif for the Justice League team is very reminiscent of the Avengers theme motif. <br><br>On the other hand, hearing the original Superman theme feels a bit odd - I love that theme, but the joyousness that Williams put into it doesn't fit this version of the character. Zimmer's amazing theme means so much in this series, and Elfman didn't reprise it once. Elfman did briefly reprise a trumpet rendition of Wonder Woman's theme, which was nice, but I personally expected to hear it a little more. And it made me even more confused as to why he didn't reprise other themes. <br><br>Personally I don't think Elfman was the best choice to score the film, but I don't think he did a horrible job. I would've loved to have heard Zimmer's score, considering the amazing work he's done for the series. Hopefully in the future, the themes he composed will be reprised more.
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 LATEST RELEASES
 NEWS
  2006, May 31
LIVE FROM THE PUY DU FOU



Tomorrow, the new attraction from the theme park will open. Time for us to present this trailer with exclusives pictures from the show on Nick GLENNIE-SMITH's original score.
=> Watch Trailer <=

(Pictures by Nicolas, editing by Fabien FOURNIER)

Always at The Puy Du Fou, Dominique MICHONNEAU filmed this little video in september 2004, where Nick Glennie-Smith is performing "The Man In The Iron Mask" on the piano.



(Special Thanks to Dominique MICHONNEAU, Fabien FOURNIER and all the team from The Puy Du Fou).



  2006, May 30
DA VINCI CODE, once again...

Here are two interviews regarding the last Ron Howard's movie.

SFGate.com released an interview from Hans ZIMMER with some infos on Pirates Of The Caribbean 2


Hila PLITMANN & Hans ZIMMER


NPR.org completed its previous audio page dedicated to Hans ZIMMER speaking from his work with an audio interview from Hila PLITMANN, soprano from the Da Vinci Code's score.


Comments (0)

  2006, May 29
A Klaus BADELT audio interview


Klaus Badelt & director W. Petersen

Composer Klaus BADELT discusses his new blockbuster scores for POSEIDON and THE PROMISE, as well as looking back on his energetic, innovative scores for EQUILIBRIUM, ULTRAVIOLET, THE RECRUIT, CONSTANTINE (where he joined musical forces with Brian Tyler), THE PLEDGE, THE TIME MACHINE and INVINCIBLE. He also takes a unique look at his rise in the company of Hans ZIMMER.


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  2006, May 28
New Project For Hans ZIMMER & Klaus BADELT

According to the Gibraltar Films production, Hans ZIMMER would work on the next Werner Herzog's film : Rescue Dawn. Composer Richard Harvey will collaborate to the score and is using classical Asian musical instruments for the soundtrack.

Klaus BADELT would score for Heaven & Earth, the remarkable true story of the first woman doctor, who masqueraded as a man to pursue her career.


Comments (1)

  2006, May 27
A Klaus Badelt Interview : The Promise

The website Aintitcool.com released an interview from composer Klaus Badelt regarding his work on the Chen Kaige's movie.

"(...) What we wanted to do, both the director and me, was to create a film which can be felt by a global audience. That’s actually why he asked me to do it. You must know that Chen Kaige, the director, is maybe here not quite as well known…but in China, he’s a superstar more than any Steven Spielberg is in this country. He’s on TV everyday, he has a very famous actress wife, and wherever I went with him in any restaurant in Beijing, there’s a long line of people waiting for autographs(...)"

Read More...

...and Richard Harvey speaking from THE DA VINCI CODE

Read an interview from the composer about details & polemical surrounding the score.

www.nationmultimedia.com


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  2006, May 20

Hans Zimmer at Cannes 2006
VIDEOS

 


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  2006, May 20
The Da Vinci Code
Latin Words by Graham Preskett




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  2006, May 19
United 93
John Powell




  2006, May 19
Bruce FOWLER in the daylight


Salt Lake Tribune released an article on the famous orchestrator/composer.
"(...)Zimmer composes the music in small segments on computer and sends them to Fowler, who opens the file onto two large computer screens on his desk. The music looks like a complex graph, with colorful bars of varying heights stretching across both screens, signifying different instruments, pitches and dynamics.(...)"

Read the entire article


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  2006, May 15
Sound clips from FIRST FLIGHT
Music Composed by Jim Dooley

Main Title
Finale

Source : http://www.jimdooley.com/projects/film/firstflight/


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  2006, May 15
Gladiator the Musical

RIDLEY SCOTT's epic blockbuster GLADIATOR is set to be made into musical staged in London's West End.

The Oscar-winning film, which starred Hollywood hardman RUSSELL CROWE, will be adapted for the stage by WILLIAM NICHOLSON, who wrote the original screenplay.

The original HANS ZIMMER score will be used, but Crowe will not be reprising his role as MAXIMUS DECIMUS MERIDIUS. BRIAN STOKES MITCHELL will take on the part instead.

An associate of producer BRIAN EASTMAN says, "It's a terrific story which, with the right songs, will be a great show."

Source : www.pr-inside.com


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  2006, May 14
Hans ZIMMER's audio interview

The website NPR.org releases today an audio interview from Hans ZIMMER including themes like his mentor Stanley MYERS, The Future of Film Music, and of course : The Da Vinci Code.

Listen to the audio clips


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  2006, May 13
X-Men: The Last Stand
John Powell


Audio clips added



  2006, May 13
Sound clips from URMEL AUS DEM EIS (IMPY'S ISLAND)
Music Composed by Jim Dooley

Island Intro
Lullaby
Plant Fight
Sub Swim
New Shell

Source : http://www.jimdooley.com/projects/film/impysisland/


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  2006, May 13
Video about the DA VINCI CODE score with clips from the recording sessions.
Hans Zimmer and Ron Howard talk.



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  2006, May 09
Crusade against Da Vinci Code has begun

When a film goes before the censors the usual result is that producers are asked to make changes to the images on screen, particularly if the film is of an adult or violent nature. Rarely, if ever, does a film’s soundtrack and score raise the eyebrows of the censors… until now. The producers of The Da Vinci Code, wanting their film to get a 12A rating in the UK, were flabbergasted to find that the BBFC were more than a little unhappy with the sound mix and the level of tension in Hans Zimmer’s score.

> Read more


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  2006, May 07
Disco Page updated





  2006, May 04
UNITED 93 CD RELEASE

The score composed by John POWELL for the Paul Greengrass' film will be released on June, the 6th 2006 by Varese Sarabande.


  2006, May 03
Musketeer of Richelieu
at the rhythm of Nick Glennie-Smith




  2006, May 02
PIRATES OF THE CARIBBEAN 2 Release

Walt Disney Records will release Hans Zimmer's original music for Pirates of the Caribbean 2: Dead Man's Chest on July 4. It will be a score album featuring the orchestral music Hans Zimmer begins to record at the Sony Scoring Stage in Los Angeles this week.

Source : FilmMusicWorld.com

.:: New Trailer Online ::.


  2006, May 01
POSEIDON AUDIO EXTRACTS

You can listen to shorts extracts from the Klaus Badelt's score on Barnesandnoble.com.



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