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Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lol
this one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something elseWere the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind Junkie
I agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?
They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.
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 LATEST RELEASES
 NEWS
  2006, April 27
OVER THE EDGE audio clips

You can listen to audio clips from the latest Rupert GREGSON-WILLIAMS's score on SonyMusicStore.com


  2006, April 25
THE DA VINCI CODE Extracts
(Real Player Needed)




  1. Dies Mercurii I Martus / Extrait 2
  2. L'esprit Des Gabriel
  3. The Paschal Spiral
  4. Fructus Gravis
  5. Ad Arcana
  6. Malleus Maleficarum
  7. Salvete Virgines
  8. Daniel's 9th Cipher
  9. Poisoned Chalice
  10. The Citrine Cross
  11. Ross Of Arimathea
  12. Beneath Alrischa
  13. Chevaliers De Sangreal / Extrait 2
  14. Kyrie For The Magdalene / Extrait 2


  2006, April 19
Scoremagacine team and Soncinemad organizing committee are particularly excited to announce the presence of Hans Zimmer at the Soncinemad filmmusic festival in Madrid, Spain, June the 30th - July the 2nd, 2006.

The composer will be opening the Harry Gregson Williams concert with a formal introduction of Gregson-Williams, concert leader. Additionally, Hans Zimmer will closely follow the festival at its whole duration while participating in selected Soncinemad conferences and activities.

For more info about the event and ticketing, please visit :
Scoremagacine.com


  2006, April 17
The Da Vinci Code

Hans Zimmer recorded the soundtrack at Air Studios on Rosslyn Hill. Of the recording sessions, Ron Howard stated: "They were powerful, fresh and wonderfully effective...Like every other facet of this movie, the score for The Da Vinci Code demanded a range of textures that recognized and reinforced the layers of ideas and emotion, which unfold as the basic story does." Zimmer once again captures the essence of suspense and tension that builds throughout the film. "The inspired Hans Zimmer has given us extraordinarily memorable music to appreciate within the framework of a film or completely on its own, where you can let the sounds carry you on your own private journey," summarized Ron Howard. The two have previously collaborated on Backdraft in 1991.

Source : Iclassics.com


  2006, April 13
New score for Rupert GREGSON-WILLIAMS

Rupert GREGSON-WILLIAMS will score Click. Alan Silvestri was attached to this project but he left due to "creative differences".
Furthermore he is no longer attached to It's A Boy Girl Thing.


  2006, April 12
MARK MANCINA - Asylum

Certainly Mark Mancina's score, reminiscent of Bernard Herrmann's scores for the late master, and numerous images want to put audiences in a Hitchcock frame of mind. It's hard, however, to imagine Hitchcock even raising an eyebrow over this weak story.

Source : www.hollywoodreporter.com


  2006, April 12
Blood+
Mark Mancina

   Over The Hedge
Rupert Gregson-Williams / Ben Folds



  2006, April 11


Molussus clip ('30 mp3)


An exclusive track from the Cincinatti Pops "Fantasies" album of the cue Molussus from Batman Begins only available at iTunes
It's interesting to hear it played without all the electronic clutter.

Link : iTunes Music Store


  2006, April 11
RELEASES

X-MEN 3 : THE LAST STAND composed by John POWELL
Label : VARESE SARABANDE
Date : May, the 23th. 2006

POSEIDON composed by Klaus BADELT
Label : Interscope
Date : May, the 9th. 2006


  2006, April 10
Disco page updated



  2006, April 07
DISTURBIA by Geoff ZANELLI

GSA announced the composer will score this next D.J. CARUSO's film on 2007.


  2006, April 06
BMI Film/TV Awards to Honor 'Narnia' Composer Harry GREGSON-WILLIAMS



BMI composer Harry GREGSON-WILLIAMSwill receive the 2006 Richard Kirk Award for Outstanding Career Achievement at the performing right organization's Film & Television Awards slated for Wednesday, May 17 at the Regent Beverly Wilshire Hotel in Beverly Hills. The black-tie, invitation-only dinner will also honor the composers of the past year's top-grossing films, top-rated prime-time network television series and highest-ranking cable network programs.

Read more...


  2006, April 05


A Michael A. LEVINE INTERVIEW


Scoremagacine.com released an interview from the composer/performer, Remote control Studio's member (a studio is currently being built for him in Hans' Santa Monica complex).

By Demetris




  2006, April 04
Harry is back in the Wardrobe

Harry GREGSON-WILLIAMS will score for the NARNIA's sequel : PRINCE CASPIAN


  2006, April 01


The tickets for Soncinemad Symphonic Concerts are now available for purchase. You can acquire the tickets for the Trevor Jones' and Harry Gregson Williams' two different concerts, online via www.telentrada.com, by this phone number 902-10-12-12 or through any Caixa Catalunya branch. Additionally, you can purchase the tickets from www.soncinemad.com.

For Concert Details and more info, please visit:
http://www.scoremagacine.com/Noticias_eng_det.php?Codigo=123


  2006, April 01
March 21st, 2006 : James Dooley is leaving for Prague to record the score to the short animated film "First Flight". The score will be recorded with an 80-piece orchestra in the Czech Philharmonic Hall. The live score will premiere with the film at the Tribeca film festival in NYC at the end of April and early May.

from his official website


  2006, April 01
Harry GREGSON-WILLIAMS to score SERAPHIM FALLS

A lot of projects for this year 2006 for the composer who should score this David VAN ACKEM's film, starring Liam NEESON & Pierce BROSNAN.



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