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Yes! I Finally found the booklet credits for Blade Runner 2049:<br><br>Original score by<br>HANS ZIMMER<br>BENJAMIN WALLFISCH<br><br>Music editors <br>CLINT BENNETT<br>RYAN RUBIN<br><br>Music production services<br>STEVEN KOFSKY<br><br>Synth programming<br>HANS ZIMMER<br><br>Synth design<br>HOWARD SCARR<br><br>Vocalist<br>AVI KAPLAN<br><br>Exotic instruments<br>CHAS SMITH<br><br>Cello, vocals<br>TRISTAN SCHULZE<br><br>Cello <br>SIMONE VITUCCI<br><br>Guitars<br>OWEN GURRY<br><br>Technical score engineer<br>CHUCK CHOI<br><br>Digital instrument design<br>MARK WHERRY<br><br>Sampling team<br>TAUREES HABIB<br>RAUL VEGA<br><br>Score techincal assistants<br>MAX SANDLER<br>NATE UNDERKUFFLER<br><br>Score mastering by<br>ALAN MEYERSON<br><br>Score mastering assistant<br>FOREST CHRISTENSON<br><br>Score mixed at<br>REMOTE CONTROL PRODUCTIONS, Santa Monica, California<br><br>Studio manager for Remote Control Productions<br>SHALINI SINGH<br><br>Assistant to Hans Zimmer<br>CYNTHIA PARK<br><br>TEARS IN THE RAIN<br><br>Written by<br>EVANGHELOS PAPATHANASSIOU (VANGELIS)<br><br>Here's the link:<br>https://ia601507.us.archive.org/21/items/mbid-149daaf9-5c9d- 47d9-a452-d732122da496/mbid-149daaf9-5c9d-47d9-a452-d732122d a496-18376707127.jpgAnd I thought Varese Sarabande will pick this one up. Whatever happened to those guys I will never know.<br><br>A Little off-topic here but might I ask if there any computer geeks around here who know how I can calculate total duration of albums using Excel or some simple web service (other than Soundtrack Collector)?Penka Kouneva I also the orchestrator on this one. Maybe it's a faulty credit?"House Call v1-23697 - Penka Kouneva, BMI" This is the copyright claim I found on a compilation video I made of Jablonsky's music. This claim is where "Vocation" from IDEA plays. Can someone please explain this? I have not been able to find this track Jablonsky (I guess?) ripped off.Edmund ! For YOU !! lol
this one is my pick for the oscar as well. hope it wins : )When will this tracklist be leaked?I heard and thought that Zimmer stopt scoring superhero movies (including Justice League and what comes after) because it has taken 13 years of his life and he wanted to do something elseWere the two men no longer talking or did Zimmer anticipate Snyder's departure as he did in Pirates?@Olive: Rumors says Zimmer didn't want compose Justice League because of Snyder, and left behind Junkie
I agree that Elfman's theme fits into Nolan's films as long as they are adapted to them. However, I think the way things have gone was not bad. TDK trilogy was marked as a project fruit of Nolan's unique vision. Although the themes do not respect the orchestral tradition are more memorable than those composed for more than half of the films of heroes of the last 25 years.Zimmer's entry into the genre can be interpreted as a breath of fresh air in a saturated marketplace at the time. But I agree that the lack of originality these days falls on Zimmer and his company and that the goal of it goes far beyond bringing talents to light.Now we need something new, again.@Hybrid any news on Season 2 soundtrack release?Of cause Balfe worked on it !!! His whole team are credited !!!!!!!Honestly, the purpose of RCP is essentially to take Zimmer's style and make it widespread for use...WB not using ANY RCP to score this seems to have been deliberate, as there's literally no reason it couldn't be done.^ hahaha :D<br><br>I think you're forgetting that Balfe also ghostwrote The Lord of the Rings?
They're starting to send screeners. Finger crossed for the FYC :DThe score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmerís Superman theme, something we havenít heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.
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 LATEST RELEASES
 NEWS
  2005, November 24


Original Score Composed by Mark Mancina
Score Produced by Hans Zimmer and Mark Mancina


  2005, November 24
The British Years

   Good Morning America !

Release Date : December 12, 2005


  2005, November 22
Narnia's CD postponed

Planned to be released today, the score from Harry GREGSON-WILLIAMS will actually be in store on December, the 13th with the 2 discs special edition.

Also visit the Narnia's Soundtrack official website at Disney.com


  2005, November 15
> Download the soundclips in a single suite <
Thanks to McBain !



by Mike Brennan

Building up his career as one of Hollywood’s top composers‚ Harry Gregson-Williams has come a long way since his days of working with Hans Zimmer in the late 90’s. Stepping off the success of his collaborations with John Powell on Antz‚ Chicken Run and Shrek‚ he broke into his mainstream solo career with Spy Game in 2001‚ which was quickly followed by blockbusters such as Shrek 2‚ Man on Fire‚ and this year’s Kingdom of Heaven. Each film Gregson-Williams scores expands his repertoire to a slightly new genre: The Chronicles of Narnia is his first journey into the world of live-action epic fantasy‚ and it gave him a wonderful opportunity to pull out all the stops.
Read more...


  2005, November 13


New original www.hans-zimmer.com versions
(medley, acoustic and orchestral)


  2005, November 08


> Video of The Promise with Klaus Badelt original music
> mp3 Audio version


  2005, November 07
Interview with James Dooley from www.filmmusic.pl

What do you think about the recent change in film music? There seems to be more interest in building overall ambience rather than elaborate thematic writing. What do you think, why did this happen? Did the overall style created by Media Ventures (Remote Control) affect this new approach?
Read more...


  2005, November 07
Two new Hans Zimmer compilations announced by Milan

Volume 1 : The British Years
contains music from his period with Stanley Myers in London

  1. Burning Secret - Suite (23:59)
  2. My Beautiful Laundrette - My Beautiful Laundrette (04:00)
  3. The Fruit Machine - Suite (20:08)
  4. A World Apart - End Title (04:55)
  5. Fools Of Fortune - The Island (17:57)
Volume 2 : Good Morning‚ America !
contains music from his early years in the US

  1. Broken Arrow - Brothers (06:00)
  2. Broken Arrow - Secure (06:50)
  3. Nine Months - It’s a Boy (09:17)
  4. Point Of No Return - Hate - (07:26)
  5. Beyond Rangoon - Beyond Rangoon (10:08)
  6. Backdraft - You Go‚ We Go (05:11)
  7. Backdraft - Fahrenheit 451 (02:59)


  2005, November 05
The Chronicles Of Narnia



Music composed by Harry Gregson-Williams

Release date : December, 09 2005


  2005, November 04
Interview with James Dooley from www.filmmusik2000.de

Mr. Dooley, you studied composition under such famous composers as Elmer Bernstein, Christopher Young and Leonard Rosenman. How did they influence your career and film scoring?
Read more...


  2005, November 04
Harry Gregson Williams - DOMINO, no cd release probably

According to the Podcast of SoundtrackNet this week, there will be no soundtrack release of the score. That's because there are over 140 cues of music.
Harry Gregson-Williams tells it is to hard to put an album together with that huge apunt of short pieces becuase the shortest last for only 1 second and the longest has the inredible length of 20 seconds.


  2005, November 02
Klaus Badelt's next project

Klaus BADELT will compose for the remake from the 1972 disaster classic "The Poseidon Adventure" (music : John Williams). The movie, named POSEIDON, directed by Wolfgand PETERSEN, will be released in 2006.
With Kurt Russel, Josh Lucas & Richard Dreyfuss...



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