NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 .
updated by Nicolas 
 LATEST RELEASES
 NEWS
  2005, August 31
A THOUSAND ROADS released

Reincarnate Music has released the music composed by Lisa GERRARD & Jeff RONA for the Chris EYRE's movie. Among a lot of performers, Heitor PEREIRA is present on this score.

Jeff's next project will be Jamie BABBIT's THE QUIET, and Lisa has just worked on songs for SORSTALANSAG, directed by Lajos KOLTAI while Ennio MORRICONE scored the film.


  2005, August 30
Bloody collaboration for Hans ZIMMER & Marc MANCINA



According to its official website, Production I.G. announces that Hans ZIMMER(as producer) & Marc MANCINA(as composer) would score the new TV anime project from the studio, BLOOD+.The opening song will be performed by Hitomi Takahashi, a talented 16 year old singer who topped the Japanese music charts with the opening song for Gundam Seed Destiny.

Production I.G. is known for having animated such titles as Ghost In The Shell, Neon Genesis Evangelion, Patlabor and the anime sequence from Kill Bill. Recently, IG has begun to produce its own original material, with Jin-Roh : The Wolf Brigade & Blood : The Last Vampire.

Blood+, directed by Jun'ichi Fujisaku and supervised by Mamoru Oshii will premiere at Japanese TV on October, the 8th. 2005.


  2005, August 29
World Soundtrack Awards' Nominations

The great annual Gent's Film Festival announced its nominees for the World Soundtrack Awards ceremony, which will take place on Ocotber, the 15th.
John POWELL is nominated for the Soundtrack composer of the year for The Bourne Supremacy(also nominated for Best Original Soundtrack of the year) while Hans ZIMMER & James Newton HOWARD's Batman Begins is nominated for Best Original Soundtrack Of The Year.
Beautiful city, beautiful Film Festival, go and see if you can !

Read More...


  2005, August 29
NEXT ZIMMER's NEXT RELEASES ; good and bad things

The tracklisting from the GLADIATOR's 5th. anniversary given by Amazon.uk seems to be just a re-packaging of the first official cd release and More Music From Gladiator.

Fortunately, Amazon.de announces the LITTLE POLAR BEAR 2's CD release, available on September, the 26th.
It would help to sweeten the Gladiator's pill.



  2005, August 29
Socom 3 : US Navy Seals & more

Jim Dooley finished the composition for this Video Game two months ago.
You can listen to the main title on the trailer link we give you to the right of this page (see below). (Skip the intro and listen to the score - trailer in the "Combat" section).

After working for Posche with the director and friend, Alexander PAUL, Jim completes the composition for a short movie, A Christmas Caper(Dreamworks), starring the Madagascar penguins. This short film will be shown before Wallace & Grommit(also composed by Dooley) in theaters this fall.

VARESE releases the music from Wallace & Gromit :
The Curse of the Were-Rabbit


Varese will release the score composed by Julian NOTT (co-composed by Jim DOOLEY & Lorne BALFE) and produced by Hans ZIMMER, on October, the 11th. 2005.

Read more...


  2005, August 28
Heitor PEREIRA composes for CURIOUS GEORGES

GSA Music confirms that this project, previously attributed to Klaus BADELT, goes to Heitor PEREIRA, who is working on ASK THE DUST with Ramin DJAWADI. CURIOUS GEORGE will be released in 2006.


  2005, August 18
Scott/Gregson-Williams : The Return

The Gorfaine-Schwartz agency confirms that Harry Gregson-Williams will score the new Tony Scott's movie (after Domino) : DEJA VU, the story of an FBI agent who travels back in time to save a woman from being murdered, falling in love with her during the process.
With Denzel Washington...


  2005, August 14
DER KLEINE EISBéR 2

An interview from Hans ZIMMER is now available on the official website, in german. If you don't speek german, you can discover music extracts conducted by Nick GLENNIE-SMITH, and it just goes to prove that Zimmer is a german born composer. :-)

Quicktime low quality (8.8Mb)
Quicktime medium quality (11.7Mb)
Quicktime good quality (14.6Mb)
Quicktime high quality (25.2Mb)


  2005, August 09
"Never let your wife prevent you from buying equipment. A house will not buy a synthesizer, but a synthesizer can buy a house."
Hans ZIMMER

Last Thursday, Turner Classic Movies held the awards ceremony for its annual "Young Film Composers Competition", mentored by Hans ZIMMER. Over 500 people entered this year and scored a small film clip from a silent movie that has never been released. In this case, the film was Souls for Sale, a 1923 silent film. After a few rounds of judging, the entries were narrowed down to five finalists. The grand prize winner, Marcus Sjowall, received a $10,000 cash prize, and score the silent movie to be aired on TCM.

Read more on Soundtrack.net...


  2005, August 08
GLADIATOR's SOUNDTRACK 5th Birthday



DECCA will release a new edition with 2 Cds from the Gladiator's soundtrack, composed by Hans ZIMMER, Lisa Gerrard & Klaus Badelt on september, the 5th. 2005.
We'll give you more details very soon...

Pre-order now on Amazon.uk




  2005, August 04
The Great Raid



Music composed by Trevor Rabin

Release date : August, 16 2005



 HANS-ZIMMER.com© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou