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I wouldnít be surprised if he wrote another long sketchbook for it...I honestly have no idea... But I can't believe back in June when he left he hadn't done a bunch of the score already...The thing is with Jablonsky scores composers rarely get cuesheet credits, so you can't really draw conclusions out of it. Here's a small part of the cuesheet :<br><br>QUINTESSA PT 1<br>QUINTESSA PT 2<br>QUINTESSA PT 3 OPTIMUS REDEMPTION<br>KNIGHTED<br>WE HAVE TO GO ZERO GRAVITY<br><br>OPENING BATTLE<br>MERLIN<br>MERLIN GETS THE STAFF - BATTLE WON<br>TROUBLED TIMES<br>CADE DRIVING - AMULET<br>WE HUNT - DECEPTICONS HUNT<br>KEEP A SECRET - VIV ARRIVES CASTLE FOLGEN<br>WITWICCANS<br>ROUNDTABLE ORGAN SOURCE<br>COGMAN CHOIR<br>STAFF<br>BETTER GET CRACKING<br>PLANETARY VAMPIRISM<br>TOO OLD<br>SUBMARINE<br>TWO MOONS<br>MERLIN'S TOMB<br>SPACE STATION<br>CLAIM THE STAFF<br>SHIP RISE<br>YOUR VOICE<br>SOLDIERS TAKE POSITION - BURTON DIES<br>FALL AND GRAB<br>ENDINGrumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves itAny chance of proper artist credits for this score?
@Hybrid <br><br>Did Tom actually record anything for the film or did he just do demos?It's the same 24 tracks divided on two CDs. I'm truly hoping for a nice numbered digipak that separates the limited editions from the regular release otherwise it would be quite a crappy move from the record label. <br><br>"Joss said, ĎLetís do it [Batmanís theme] on the nose. Fans love this kind of stuff.í" Why do you have to ruin everything, Joss?This film is atrocious. Suicide Squad was a mess but that film was forgivable. What WB decided to with JL is embarrassing, to say the least. Forcing Zack to change the tone and add forced childish humor and quips, demanding a less than 2-hour runtime, extensive reshoots with Whedon in charge... wtf were they thinking?<br><br>It's interesting to note that Zack hasn't even seen this abomination yet.Andrew loaded some cues to the movie "The Last Face" up on his soundcloud page, go & check it :)<br><br>soundcloud.com/andrewkawczynski/sets/the-last-face
Nice!<br>What about the 2nd CD?Watched this movie yesterday and it didn't make the score any better. It's not the worst thing I've ever heard but after what we got with MoS & BvS it's just disappointing. There's so much missed opportunities. Both the movie and the score had so much potential but it's just flat. <br><br>The problem isn't just Elfman or Whedon, it's WB! They wanted the change in direction and that's really sad.The movie itself is bad on so many levels and adding to that in many scenes I was shaking my head as I was hearing a completely different score in my mind, but there it was, something which took me out of the movie. Disappointed.<br><br>Do you think Whedon would've convinced the producers to replace the composer(s) if Hans was scoring this along with Junkie? I can't imagine what the uproar it would've created.Yes they did.<br><br>That Phantom Stache is in 90% of the Cavill shots...<br><br><br>Warner/DC died and chose Whedon to nail the coffin...<br><br><br>I hope like Superman 2, that one day, we'll get the "Donner's Cut" of this movie as it was supposed to be, because I think it was almost finished (even the score I'm sure Tom had written a good part of it).Came back from watching the movie and I couldn't agree more about what @Ds said. Adding to the scenes you mentioned I really felt instead of the intro song they should have played a variation Clark's piano theme it would've been so perfect as that whole sequence depicts a direct consequence of Clark/Superman's death and the loss everyone feels. <br><br>**SPOILERS**<br>And how fucking epic it would've been if MoS theme was played in all it's glory when he comes to their aid and punches Steppenwolf in the face. <br><br>What a wasted opportunity and did they reshoot all Cavill's scenes? His face looked so weird in almost all the shots with the CGI removed moustache.
And if the critics put better scores to Marvel movies over DC movies, my opinion is they lost objectivity. the same kind with the scores. <br>The score is an essential part of the film, it's a character and it's important. <br>And the scores of DC have and identity.Normally Iím not one for petitions but I think releasing an alternate version with JXLís score and whatever other changes they could make.<br><br>Danny Elfmanís score has really been warming up to me the more I listen to it (on its own I donít think itís really that bad) but the lack of thematic continuity is definitely a sore spot. If Junkie could get a chance to rescore it, that would be a fair shake for Snyder and fans of Zimmerís work.After i finally saw the film, well in my opinion the film is incredibly. Watching those characters in a film is just like boy's dream. <br>I have watched every movie from Marvel and DC Cimenatic Universe, and i love both lines of cmics and for me, the first line of Marvel movies was the best in terms of narration. Iron man 1, the incredible hulk, thor 1, Captain america the first avenger were extraordinary movies. By now, i think Marvel/Disney go to the way of jokes to make the rest of the movies and i think this lost the interest in the movies, except with Captain America the winter soldier, Ant-man and captain merica civil war. Thor 3 is good, but for example Spiderman Homecoming was less good than Thor 3 but in sometimes i feel i am watching the same kind of movie. It's the same with the score, The incredible hulk, for me, is the best score for the Marvel series along with The winter soldier. One thing surprise me, "critics" put better scores for all the marvel movies except TV shows, and DC movies all have bad scores except wonder woman. And for me i enjoyed more the DC movies over Marvel movies. Man of steel and batman v superman were phenomenal movies and better than marvel movies. It's my opinion and Justice League is better than The first avengers. The tone of DC movies it's more like the comics and more dark, more serious. Maybe that's why i like them.<br>The same thing with the scores, i think The theme Arcade is the new superman theme. The themes for Batman (Elfman) and Superman (Maestro Williams) are iconic. But for the new kind of movies (The Dark Knight trilogy) the score Hans Zimmer and James Newton Howard made for the films were awesome. If you put old score (Elfman Batman) to nolan's films well the films lost their identity. DC producers take some risks to put the films into darkness and serious mode and it worked, but also the movies need to win a lot of money, that's why they changed  the tone of the film to some king of marvel-ite tone. I hope the don't go to that way to replace the tone of DC of jokes and lighter action like Marvel.Yeah it was more of a Wheedon film. However I enjoyed the movie even though it was flawed. The score was horrible though.Snyder did too, actually, admitting has hasn't seen the finished movie...<br><br>#BringZackBack<br><br>#BringJXLBack
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 LATEST RELEASES
 NEWS
  2005, June 28
Hans ZIMMER is scoring Ask The Dust

Hans Zimmer is the third composer who has been involved in the project. Initially, James Horner was supposed to have scored the film. A few months ago, Music from the Movies reported that Christopher Young had taken over the scoring assignment and was the new composer onboard. Now, Young has left the project and Hans Zimmer is writing the score for the Robert Towne's film.
Read more..


  2005, June 26
Mr & Mrs Smith



You can listen to samples of each track here : www.amazon.de


  2005, June 24


Into the west is a 6 parts new show scored by Geoff Zanelli and aired every week end on TNT 'till the end of july.


  2005, June 20


Batman Vs. Hans Zimmer and James Newton Howard Part 1

Zimmer discusses how he and Howard tag-teamed the score for Batman Begins.
> Read more

Batman Vs. Hans Zimmer and James Newton Howard Part 2

The conclusion to our interview with Hans Zimmer discussing his and Howard's score for Batman Begins.
> Read more

Thanks to zimm44 for the links !


  2005, June 19
INTERVIEW WITH Ramin DJAWADI



Ramin DJAWADI is one of the best known composers who work closely with Hans ZIMMER. He started out his musical career as a guitar player in numerous bands in Germany. After deciding to move to US to earn a bachelor's degree in Film scoring & guitar performance at the prestigious Berklee College of Music, he became a member of the band My Favourite Relative. Ramin then moved to California in 2000 to join Media Ventures, and began composing and arranging for Klaus Badelt...

> Read more


  2005, June 19
An other interview by Pablo Nieto from www.scoremagacine.com :

RAMIN DJAWADI: THE POWERFUL TALENT

Let's start talking about "Thunderbirds", how did you become involved in this project?
- Hans approached me after we had finished "Pirates". It was roughly 4 months before we actually started working on the score. We sat down together and started gathering ideas and came up with the thematic material.


> Read more


  2005, June 17
A Few News...

Harry GREGSON-WILLIAMS

Back in october 2004, Hans Zimmer was supposed to score August Rush a film by Kirsten Sheridan with Liv Tyler and Robin Williams. According to IMDB.com, it should finally be Harry Gregson-Williams who will.
The movie will hit screens in 2006.

Always at IMDB.com, we learn that Harry will score the newest Metal Gear Solid (number four), ought to be in store in 2007. After MGS 2 et 3, this is his third participation, with Rika Muranaka, for this high profil video game franchise.

Ramin DJAWADI

After his work on Batman Begins, Ramin just finished a short film called Jonathan from Jordan Scott, which is one of the 7 short films from the project Take 7.

Klaus BADELT

MusicFromTheMovies.com announces that Klaus BADELT is involved in the creation of the next big budget action adventure from China : The Promise

John POWELL

You can have a foretaste from the single Mr. & Mrs. Smith's track composed by John Powell, released on the album edited by LAKESHORE RECORDS. Click Here.


  2005, June 13


Yesterday, on AMC Channel for The Sunday Morning Shootout, Hans ZIMMER & James Newton HOWARD were presenting their work on Batman Begins. Thanks to Yahoo!Movies, you can now watch online this interview.
If you encounter problems with the link, just click HERE and search for The Sunday Moring Shootout's link.


  2005, June 12
Hans ZIMMER speaks about BATMAN BEGINS

"There is a guy named Chris Nolan who one day phoned me out of the blue and said ?Would I like to do this movie he was working on?? and after a while he was telling me what it was but the way he was describing it was that it was a small experimental film, just like the way he?s made his movies. And I thought ?Hey, this sounds really good, this is a really interesting angle on the superhero thing? ?cos I don?t know anything about superheroes. So I sort of said ?yes? to him and then the mighty executives at Warner Bros. phoned me and they were using words like ?franchise? and ?industrial?; all those big words that get really scary and I said ?Well I don?t think I can do it because I don?t want to be responsible for ruining a perfectly good franchise, if you see what I mean..."
Read More...

Thanks to Mc Bain ! :-)


  2005, June 12
Recording Sessions from Steve Jablonsky's Island

Dan Goldwasser announces that a soundtrack from THE ISLAND composed by Steve JABLONSKY would be released by Milan in July, around the time of the film's release.
You can read an article with pictures which describes the recording sessions from the score on Soundtrack.net.


  2005, June 10
The Batman Begins Premiere : Pictures from Hans & James
June 6, 2005 - Grauman's Chinese Theatre

      

  

Images by WireImage.com, hosted by IMDB.com


  2005, June 07
Batman Begins first review by Matthew Scheller

After eight long years of anticipation and speculation, another Batman film is finally here. Acclaimed director Christopher Nolan (of Memento fame) has gone back to the roots of the character in order to "reboot" the franchise - a compromised decision made by Warner Bros. in order to apologize for the notorious Batman & Robin. Gone are the neon lights, bat nipples, homo-erotic influences and Joel Schumacher. Another ingredient that has been altered for this restart is the music.

> Read more


  2005, June 06
Hans Zimmer and Wizoo plan Mars Landing

Until now, only some people in the business knew that Oscar-winning Movie composer Hans Zimmer has been a shareholder in Wizoo since May 2004. In this interview Hans and his Partners Peter Gorges and Manfred RĀrup talk about a huge project behind the scenes: the ultimate computer based orchestra system, a cooperation with the London Symphony Orchestra under Hans? auspices.

> Read more


  2005, June 06
John POWELL will score for WATCHMEN

SCOREMAGACINE announces that John POWELL is working with Paul GREENGRASS (The Bourne Supremacy) on his new movie, an adaptation from the Alan Moore's graphic novel.

Thank You Manulder ! :-)


  2005, June 06
On the AMC channel (American Movie Classics), James Netwon-Howard and Hans Zimmer will be featured on the show "Sunday Morning Shootout" on the twelve of this month. Of course, the main line of discusion would be the score they composed for Batman Begins.

Date and Time : 11am EST, June 12th.


  2005, June 05
Batman Begins

New soundclips and 2 complete tracks can be heard here : http://www.batmans.de


  2005, June 02


FROM FSM

This Japanese website is playing some of the “Batman Begins” score over streaming video footage of the movie’s early Japanese premiere the other day!

And (surprise!) it sounds like a mixture of Hans Zimmer and James Newton Howard – some Zimmer-esque action music, and some Howard-like strings and piano. There’s also some really creepy, avant-garde sounds, presumably for the film’s villains. It plays for about 20 minutes non-stop, then there’s voice-over from the announcers until the 36.00 minute mark, and the music picks up again. It’s definitely from the score; the theme at the 36:05 point was in the most recent trailers (and here it has a killer string ostinato underneath it.) Check it out!


URL : http://www.so-net.ne.jp/movie/batmanbegins/


  2005, June 01
Greatest Soundtracks Of All Time

According to a new survey, The Sun Online announces that The Lord Of The Ring (Howard SHORE) arrives in first position, while John WILLIAMS' Star Wars gets the 2nd place. And a composer that we know very well takes the third place : Hans ZIMMER and his GLADIATOR's soundtrack. Good score, but it takes all sorts to make a world...

Thank you Thirdnature ! ;-)



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