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No idea, the documentary hasn't been released yet (only on a festival).Sorry! By the way will Hans release believe documentary soundtrack?Can't you click ?When this will be released?Timekeeper/Universe of Energy by Bruce Broughton. Being theme park scores though a release is incredibly difficult.
And what 90's scores are those?PS: the assumption that everything is Balfe is subjective. In the same way that you drew the conclusion that he is the composer of everything and the credit of RGW is doubtful, I could also say that Balfe did nothing and RGW did everything. Or that no one has done anything and almost everything<br>in the score is the result of the work of these additional composers.<br>The credits do not elucidate anything in this case.This is one of those scores in which all composers receive credit for all cues even though they have not composed each note of music. This happens all the time in rcp (Kung Fu Panda, Batman v Superman, Megamind, BossBaby, Batman Begins, The Dark Knight).This is good piece but i can not for download?We watched the film last night and is a good solid movie with great action but a big score from Balfe .there seems to be much more thematic material in the film than was is on the soundtrack .agreat start to the year for scores
Look, Iím passionate about music as well. And yes, seeing this leak would make me happy. But I also know that there are better things to use your energy on. Wishing for this score to leak, or asking anyone who has it to leak it is a waste of time. Itís going to come out when it comes out, be it tomorrow or a year from now. Hell, there are two of my favorite scores from the 90ís I grew up with that still have seen no release at all. I donít spend my time worrying about them though, when they come they come.<br><br>And as for music having no value, I probably shouldnít have phrased it like that. I was mainly referring to people who hold on to these sessions and think they somehow increase with age. Itís not wine for Godís sakes. I do apologize for making it sound like music has no point or effect on people. I just think there are more important things to stress over.I can see why, but the fact that it's mostly a combo of Pirates of the Caribbean, Batman Begins, other Bay/Zimmer projects and King Arthur also weakens is a bit for me. TF5 has a few influences too but the score feels much more unique to me.Novi - I'm sure at some point youll find this on youtube or something...But why so interested in THIS score? It's really not that great at all, by comparison. Junkie channels Mad Max while Zimmer tries too hard to not redo his Dark Knight themes...New score by Rupert Gregson-Williams from the series The Alienist will be release next week.For me TF1 is on top by a considerable margin.
I mean, Tony Clarke and Evan Jolly are on practically every single cue as well. My gut feeling is that these aren't fully accurate credits yet.Yep I mean believe documentaryYeah, film scores are my passion. That's why I want this score so bad. I seriously would pay for this score. See it as begging, frankly I don't care what you see it as. Zimmer changed my life through music. It's my passion. This score means something. Music is value.Jeez, I knew Lorne worked on this, and my assumption was that his contribution was fairly substantive, but I didn't realize he worked on every single cue (at least those on the OST). I'm not sure how I feel about that "Music by Rupert Gregson-Williams" credit now (I know it has everything to do with contracts, but I'm thinking about the principle / artistic integrity side).what song is season 1 episode 9 where churchill is being drawn by the artist ?
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 LATEST RELEASES
 NEWS
  2004, September 30
From www.musicfromthemovies.com

John Powell will compose the original score for Be Cool‚ F. Gary Gray's upcoming sequel to Get Shorty‚ starring John Travolta and Uma Thurman.
Read more...

Marc Shaiman is no longer involved in Team America: World Police. Harry Gregson-Willliams is the new composer hired to score the picture.
Read more...


  2004, September 26


Interview with Justin Burnett‚ composer for Metal Gear Solid 3: Snake Eater

"Justin Burnett has co-composed the original soundtrack for Metal Gear Solid 3: Snake Eater‚ along with Harry Gregson-Williams and Norihiko Hibino. His previous game credits include additional music for Metal Gear Solid 2: Sons of Liberty as well as films such as Man On Fire and Dungeons & Dragons: The Movie. We caught up with Burnett to find out more about his contributions to the next opus in the highly anticipated MGS series."

Read the complete interview at  www.music4games.net


  2004, September 25
LAURAS STERN Original Soundtrack
Hans Zimmer - Nick Glennie-Smith





Release date : 2004‚ October 4th
The CD will include the score as well as the film's title song "Touch The Sky"
Label : Jack White

Source : www.MusicFromTheMovies.com


  2004, September 24
METAL GEAR SOLID 3 SNAKE EATER Original Soundtrack



Music by Harry Gregson-Williams and Norihiko Hibino
Release date : 2004‚ December 15th
It will be a 2 CD box including a special key for the game.
Catalogue number : KOLA-89-0 (Konami Media Entertainment)

Thanks to McBain and SquareMusic for the news


  2004, September 14
Hans Zimmer and James Newton Howard to score
Batman Begins




Sources :
soundtrack.net
www.james-newton-howard.com
Official Batman Begins website : batmanbegins.warnerbros.com


  2004, September 12


  2004, September 10
Six years After THE THIN RED LINE : THE NEW WORLD



IMDB announces Hans Zimmer will compose for Terrence MALICK's next movieā named "The New World"ā the story of the clash between The Powhatanā Pocahontas' Indian tribeā and the English colonists lead by John Smith.
With Colin FARELL & Christian BALE. Release Date on Novemberā the 1st. 2005. Photo by New Line Cinema

Thank you Rafal Czaja ;-)


  2004, September 07
LIVE FROM ZANELLI

In a recent conversation‚ Geoff Zanelli gave us a brief comment about his new works‚ past and coming.
Here is what he can say at this time.

House Of D

“ This is my first solo effort actually‚ the first time my name goes up at the beginning instead of the end of the film. It is written and directed by David Duchovny and set in 1970s New York. The score is meant to reflect the time period to some extent‚ and there are some songs from the 1970s as well. I put together a band for parts of the score and then had a little string group for other parts of the score”.
A short comment by Geoff Zanelli can be found on this site with a lot more informations about the movie : http://www.robin-williams.net/houseofd.htm

Catwoman

“This was more of a hip hop kind of score‚ there was some orchestra for certain moments but really we were trying to combine very current pop music with the traditional orchestral score. I was only on the movie for a few weeks‚ just did a little bit at the end to help meet the deadline for Klaus”.
And for information‚ Geoff did some additional music during last weeks for the new Hans Zimmer project Shark Tale. More comments to come when film will be out.


  2004, September 03
SHARK TALE : Only one Zimmer's track on the official album?

The Official Website brings us the complete tracklisting where Hans Zimmer appears at the very end from. Moreover‚ if some of you are interested in‚ the song car wash by Christina Aguilera featuring Missy Elliott is available to listen at Streamos.



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