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Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!
Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.This film and score are ten years old! The first seven minutes of Hansí New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :p
Stairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6dTracklist for The Darkest Minds (Milan Records)<br><br>1. The Darkest Minds<br>  2. Ruby's Theme<br>  3. Lady Jane<br>  4. Escape<br>  5. Cate<br>  6. Runaway<br>  7. Picnic<br>  8. Zu's Dream<br>  9. E.D.O.<br>  10. Home<br>  11. The Slip Kid<br>  12. Mind Control<br>  13. Memories<br>  14. Red<br>  15. Liam<br>  16. The Children's Leaguemvictor: it's funny, 3:10 To Yuma is perhaps the only Beltrami score I really like :-p<br><br>In my opinion, what made Dunkirk special is that it's a Zimmer score, so it sounds better, massive, impressive, while most horror scores stay in the background except for a few jump scares that are not pleasing at all when you listen to the album. Dunkirk is a tension-builder, but it's more than that.<br><br>You should definitely listen to Gravity a couple more times, it's an absolutely amazing score, in my opinion better than Dunkirk, as it's equally tense and massive, but has more refined electronic manipulation, it's more colorful and it's simply more musical. Go straight to the track 'Shenzou', play it very loud, and you'll see what I mean :-p
Hats off to Hybrid Soldier dealing with all you ungrateful cancerous rude spammers. This was a good score IMHO, but if you didn't like it then try to give constructive criticism. But I guess acting like an inebriated ape with a laptop is easierHere's a chronological listing based on the cue sheet from ASCAP<br><br>1. 2049<br>2. Sapper's tree<br>3. Flight to LAPD<br>4. Rain<br>5. Ossuary<br>6. Wallace<br>7. New model<br>8. Return to sapper's<br>9. Memory<br>10. DNA<br>11. Trash Mesa<br>12. Must Protect the Child<br>13. Orphanage<br>14. Furnace<br>15. Someone lived this<br>16. Bomb<br>17. Shesome (aka "Joi")<br>18. Like a real girl<br>19. Luv in apartment<br>20. Pilotfish (aka "Pilot")<br>21. Mesa hijack<br>22. Joi crushed<br>23. K rescued<br>24. You imagined it was you (aka "That's why we believe")<br>25. Her eyes were green<br>26. Sea wall<br>27. All the best memories are hers<br>28. You're free to meet your daughter (aka a cover of "Tears in rain" by Vangelis)<br>29. Blade Runner<br>30. Blade Runner 2049 theme<br>31. Almost human<br>32. Bibi's<br>33. Bibi advert music<br>34. Bibi's bar bass<br>35. Big band stingThe official credit is now "Music by Geoff Zanelli & Jon Brion"...<br><br>Geoff wrote a good chunk of the score.Why is Zanelli credited as composer. Jon Brion is doing to the music, right?<br><br>I know Zanelli worked on it, but anyone got an explanation for the 'composer' credit?I just wish they had included the finale in both the SW story scores all the music complied together would have been great
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  2004, March 24
MATCHSTICK MEN
 
DVD Bonus

For a movie rather unusual done exactly afterwards “GLADIATOR” and “BLACK HAWK DOWN” in the career of Ridley SCOTT‚ it marks a certain contrast with this story more intimate of a crook full of weird acts interpreted by Nicolas CAGEWarner saves us from various editions (collectors‚ supra collectors and other deluxe editions) to offer a nice product full of supplements. The simplest is the best....

(click on the picture to read more)


  2004, March 19
Geoff Zanelli's Secret Window
 
Philipp Glass was hired to score Secret Window to replace James Newton-Howard (and Hans Zimmer planned to work with him)‚ and the story seemed to have reached its end.
Not really. Behind Philipp Glass was Geoff Zanelli who composed a lot of extra music in two weeks.
Heres is what can be said about this by Zanelli:
 
They moved the schedule up by about six weeks which made it difficult for one man to finish the score‚ so I was asked to help. The credits will read "Music by Philip Glass‚" ‚ "Additional Music By Geoff Zanelli." I wrote a little more than half of the score‚ but I haven't heard what Philip wrote yet. I guess I'll hear it in the theater... So‚ instead of Zimmer/Newton-Howard‚ you get Glass/Zanelli scoring Secret Window.
It will be pretty easy to tell what music I wrote for Secret Window and what music is Philip Glass. There isn't much overlap stylistically in what we each did. Both parts of the score are purely orchestra -- there is not a single synth‚ and only a tiny bit of percussion.


  2004, March 10
Jeff Rona



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  2004, March 01



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