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yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon."Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.
where got you did tracklist have been?Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.
And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :D
Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :pWallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesnít harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that donít think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.
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 LATEST RELEASES
 NEWS
  2003, October 27
Brother Bear - Mark Mancina



  2003, October 26

WorldSoundtrackAwards
12 Octobre 2003




Pirates Of The Caribbean
Orchestral Suite


  2003, October 20
OVER THE EDGE
Après son engagement sur A SharkTale(ex Sharkslayer)‚ Hans ZIMMER re-signe pour un film d'animation‚ dirigé par Tim JOHNSON(Sinbad) : Over The Edge.
 

Over The Edge est l'adaptation d'une Bande Dessinée américaine de Michael Fry et T. Lewis‚ que l'on peut suivre en ligne. Les premières images sont assez impressionnantes‚ à base de digitalisations retravaillées pour les fonds. Une production Dreamworks.


  2003, October 19

WorldSoundtrackAwards
12 Octobre 2003


  

Mise à jour de la page consacrée au WorldSoundtrackAwards


  2003, October 17
- Au Coeur De La Nuit

Quand John Carpenter rencontre Hans Zimmer





  2003, October 16
The lion King - Edition DVD


 



WorldSoundtrackAwards
12 Octobre 2003


Le concert du festival en exclusivité prochainement sur le site
(articles‚ videos‚ images‚ extraits audio...)

Avant-goût du concert : 10 secondes de Pirates Of The Caribbean






  2003, October 01
"The Last Samouraï" (Hans ZIMMER): Edition CD
Le Score sortira chez Elektra le 25 novembre 2003.



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