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Air and Science and Religion from Angels and Demons, Heart of Davy Jones.Well, Alan Silvestri first did Captain America, then The Avengers. So it's not always people involved with Batman.Why is it always Batman composers who end up scoring films for different superhero characters? First Danny Elfman, now Hans Zimmer!Aye, many great masterpieces! Don't forget the instrumental Lion King score and the bittersweet anthem for Crimson Tide!It's probably Terraforming.
I'll always get chills when I listen to The Burning Heart from Hannibal. Such an under-appreciated cue in HZ's repertoire. Or To Every Captive Soul. I enjoy that love theme just a tad bit more than Marry Me. That in no way belittles Marry Me for me, it's one of HZ's best themes ever. Other ignored cues, I believe, are First Ideas from Frost/Nixon, The Banker's Waltz from Matchstick Men (and the whole score for that matter), and really the whole score to Two Deaths (granted, that one's hard to find).official webgame may contains a new score clip.<br>metropolismayhem.manofsteel.com/For me it depends on the style of the score - they would bug me in more "lyrical" scores (like Da Vinci Code, PotC 3), but they are great when it comes to the sheer force. :)+1 <br>"Marry Me" (and every reprise/variation of the Love Theme from AwE) is a wonderful piece of music. :)<br><br>... and don't forget "Show Me Your Firetruck" or "Journey To The Line". ;)Thank God! If there's one thing that bugs me it's synth horns. I don't mind electronics if they can add to the orchestra, but I'd prefer them not to replace it.
Thanks Hybrid! :) Yeah, lots of samples, but sadly there weren't any RCP-sampled french horns. Those are always epic... :-)Depends on the mood... ;)I know!!! The way the music kind of swelled when Gordon said, "They know. It was the Batman." and you saw them uncover the statue. There were manly tears, I tell you!I agree. Even though the last minute and a half was a blatant copy of the music used in the previous movie (see "A Watchful Guardian"), I for once didn't care (I usually hate it when a whole cue is copied exactly). The entire ending scene gets my emotions going every time. Especially when I saw it in the theater.I thought all the end music (basically the entire track "Rise") was just PERFECT. One of the biggest goosebumps i've ever had in a theatre (on par with Beckett's death in PotC) :p
Hybrid Soldier, since you're virtually famous, what Zimmer work is your favorite? :PAnd 9:11-14:12 in "Rocket Away" from the Rock! :DA favorite of mine that hardly anyone mentions is The Burning Bush from The Prince of Egypt. It really conveys the presence of God.I like the theme a lot, too, Ds, and it made perfect sense to use it when Batman showed up in the tunnel (my favorite part of the movie) and when he saved Blake from the thugs, but when Batman said, "This isn't a car", we had just heard it in the previous scene. And when Batman appears out of the exploding building at the end, it sounds really forced.You guys are right. These are all AMAZING themes. Moving and addictive!<br><br>I'd add "Hummel Gets The Rockets" from The Rock and "All Of Them" from King Arthur.
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 Atli Örvarsson News
The Mortal Instruments - City Of Bones

Atli Örvarsson has been hired to score Harald Zwart's new film, The Mortal Instruments - City Of Bones, set to release on August 23rd, 2013. Atli previously worked with Zwart on The Karate Kid (2010) but was ultimately replaced by James Horner...
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 LATEST RELEASES
 NEWS
  2003, June 27
Hans Zimmer marche sur Hollywood

  2003, June 22
Harry Gregson-Williams



Sinbad‚ Legend Of The Seven Seas
John Powell



The Italian Job


  2003, June 20
Pirates Of The Carribeans
La sortie du CD est annoncée pour le 22 juillet 2003. Seul compositeur crédité sur la cover‚ Klaus Badelt semble finalement avoir hérité de l'ensemble du projet. Hans ZIMMER nous réservera-t-il quand même une ou deux pistes ???

Remerciements à Dominik


Nick Glennie-Smith



Puy Du Fou


  2003, June 15


La musique du spectacle La Cinéscénie du Puy du Fou nous offre une très agréable surprise.
En effet‚ Nick Glennie-Smith a utilisé un des thèmes qu'il avait composé pour The Rock mais qui n'avait pas été retenu lors du montage final.
Il est plus qu'heureux de voir que ce thème est enfin reconnu et utilisé pour un visuel aussi grandiose.


  2003, June 13
Le site Dreamworksrecords annonce la sortie du CD "Sinbad : Legend Of The Seven Seas" (Harry Gregson-Williams) pour le 24 juin prochain.
 


07/06/2003

Le dernier film d?Andrew Fleming‚ THE IN-LAWS surprend une fois de plus par ses choix musicaux.
Après avoir annoncé Lalo Schiffrin comme compositeur‚ Jocelyn Pook pour le remplacer‚ la bande originale du film ne compte au final qu?une série de chansons entrecoupées de morceaux déjà écrits pour d?autres films.
Parmi les compositeurs utilisés figurentKlaus Badelt (3 morceaux)‚ John Powell (1 morceau) et Danny Elfman (1 morceau).

Info sur : Film Score Monthly


  2003, June 06
Le site MusicFromTheMovie annonce que John POWELL rejoindrait l'équipe de Mad Max 4 : Fury Road (Mel Gibson et George Miller sont aussi du voyage) pour en composer la musique. Sortie du film prévue pour l'été 2004.

Remerciements à Gabriel Ascierto



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