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Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.
Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).
@Ahmad i only need "The Oil (Film Version)" :D Then i'll be happy :D*That was a thumbs up but it didn't work :D<br><br>^This how I feel lol.I hope Dunkirk wins just to make the so-called "reviewers" and those who say it isn't music, more frustrated and annoyed.@badbu &#128077;<br><br>I honestly don't know how a complete score is going to work. They weren't kidding when they said the music is done like one long track. <br><br>What I understood from a Q&A with Nolan is that they didn't do it the usual way which means there are cues that are cut together / exist as segments. This was done in a different way where to create such cues, they used automation graphs to bring the layers in and out. Very complex. <br><br>One of the reasons why I think this deserves to win so many awards.Well it has officially been nominated. Fingers crossed for the complete score now
yep ahmad! 100% rightThe score is brilliant. It does its purpose very well and it is an essential part of the movie. It's also the most creative of the bunch with the way it was recorded and edited.I'd like Hans to win another Oscar but please, not for this.YES HANS!!! The second Oscar is COMMING! :DMesa is a cue in the film and it has to match with what's happening in the scene. <br><br>Blade Runner is an end credits suite which allows the themes to breathe a little. I think the two versions are identical when it comes to pitch.
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 LATEST RELEASES
 NEWS
  2003, June 27
Hans Zimmer marche sur Hollywood

  2003, June 22
Harry Gregson-Williams



Sinbad‚ Legend Of The Seven Seas
John Powell



The Italian Job


  2003, June 20
Pirates Of The Carribeans
La sortie du CD est annoncée pour le 22 juillet 2003. Seul compositeur crédité sur la cover‚ Klaus Badelt semble finalement avoir hérité de l'ensemble du projet. Hans ZIMMER nous réservera-t-il quand même une ou deux pistes ???

Remerciements à Dominik


Nick Glennie-Smith



Puy Du Fou


  2003, June 15


La musique du spectacle La Cinéscénie du Puy du Fou nous offre une très agréable surprise.
En effet‚ Nick Glennie-Smith a utilisé un des thèmes qu'il avait composé pour The Rock mais qui n'avait pas été retenu lors du montage final.
Il est plus qu'heureux de voir que ce thème est enfin reconnu et utilisé pour un visuel aussi grandiose.


  2003, June 13
Le site Dreamworksrecords annonce la sortie du CD "Sinbad : Legend Of The Seven Seas" (Harry Gregson-Williams) pour le 24 juin prochain.
 


07/06/2003

Le dernier film d?Andrew Fleming‚ THE IN-LAWS surprend une fois de plus par ses choix musicaux.
Après avoir annoncé Lalo Schiffrin comme compositeur‚ Jocelyn Pook pour le remplacer‚ la bande originale du film ne compte au final qu?une série de chansons entrecoupées de morceaux déjà écrits pour d?autres films.
Parmi les compositeurs utilisés figurentKlaus Badelt (3 morceaux)‚ John Powell (1 morceau) et Danny Elfman (1 morceau).

Info sur : Film Score Monthly


  2003, June 06
Le site MusicFromTheMovie annonce que John POWELL rejoindrait l'équipe de Mad Max 4 : Fury Road (Mel Gibson et George Miller sont aussi du voyage) pour en composer la musique. Sortie du film prévue pour l'été 2004.

Remerciements à Gabriel Ascierto



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