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Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>
Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>It's a half-truth to everyone who makes up the RCP team, unfortunately. <br><br>But I honestly doubt that ANYONE wants to work with XL.<br><br>Snyder worked with him 3 times. 300, BvS and Man of Steel. Sometimes I even get the impression that he's always liked Tom's approach more than Zimmer's approach. See all the percussion and synths of all those scores that are far more present in the Xl field than Zimmer's.Got this today..well not my music type so pass it...Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? Thanks

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  2003, April 24
John Powell

The Adventures of Pluto Nash

  2003, April 21
Ouverture de la page DVD

  2003, April 20
Le prochain titre attendu de Hans ZIMMER ; The Matchstick Men
Après plusieurs mois d'arrêt‚ de nouvelles mises à jours de ScoreUsed sont disponibles à partir d'aujourd'hui : nous en attendons plus d'ici ce soir...

  2003, April 11
Klaus Badelt

  2003, April 11
John VAN TONGEREN épaulera John Debney sur le score de "Malibu's Most Wanted". Ce dernier composera le thème principal et d'autres pièces musicales tandis que VAN TONGEREN se chargera du reste. De plus‚ le compositeur est crédité pour le téléfilm de Disney "Cheetah Girls".

Alors que Spirit vient de sortir en DVD avec un reportage consacré exclusivement à l'élaboration du score composé par Hans ZIMMER et Brian ADAMS (nous vous donnerons des détails sur ce reportage très prochainement avec l'ouverture de notre page consacrée aux DVD)‚ voici en avant-première l'édition DVD du Roi Lion Zone 1‚ prévue pour octobre prochain.

  2003, April 06
RappelLe forum est ouvert à tous‚ francophones et anglophones !!!
Tout topic commencé en Anglais doit être parlé dans cette langue. Par contre‚ un topic français pourra aussi recevoir des intervenants anglophones.
De nouveaux Smileys sont désormais disponibles

  2003, April 05
The Last Samouraï - Teaser
Téléchargez le premier teaser (version japonaise) du film The Last Samouraï.
Sortie US prévue pour Décembre 2003

  2003, April 02
Mediaventures se lance dans la production cinématographique !
Le site filmscoremonthly révèle que la Jay RIFKIN et Hans ZIMMER vont co-produire avec Rob McKITTRICK (scénariste du projet) le film WAITING. Une activité de plus pour la société Mediaventures.

  2003, April 02
PHONE BOOTH 2 - Le Retour...
D'après le site‚ Harry GREGSON-WILLIAMS envisagerait de re-composer la musique du film "Phone Booth". Une démarche étrange‚ et une info qui demande à être confirmée.

  2003, April 01
Nouvelle Charte‚ Nouveau site !!!
Enfin‚ la nouvelle charte est en place‚ et pour inaugurer ce mini-évènement‚ nous vous invitons à faire un tour dans nos nouvelles pages qui hébergent à présent un forum digne de ce nom (en lien direct à l'adresse ;‚ une nouvelle Anim-Flash très prochainement et de nombreuses vidéos supplémentaires. Bien conscients du travail qui nous reste encore à accomplir pour mettre à jour tous nos liens‚ nous vous demandons de bien vouloir nous excuser pour les nombreux clics de souris frustrants aboutissant à des messages d'erreurs que vous allez fatalement rencontrer... Bienvenue néanmoins sur le nouveau
Prévisions et Tournage
Alors que le film d'Antoine Fuqua "Tears Of The Sun" est sorti début mars sur les écrans US‚ les Français devront attendre le 13 août 2003 pour avoir le droit de visionner le nouveau Zimmer. Soit 2 mois après la sortie du DVD aux USA (le 20 juin)‚ ce qui aura certainement pour effet d'accroître la tentation chez les plus impatients d'entre nous‚ et les effets d'une politique marketing aberrante (faire du film le blockbuster de l'été) risquent fort un jour de se retourner contre les décideurs aux pleins pouvoirs qui nous prennent constamment en otage. Une chose est certaine‚ nous aurons vu le film avant cette date...Nicolas
La situation internationale a des répercussions sur les tournages de nombreux films‚ à commencer par Star Wars 3‚ et surtout‚ "Tripoli" de Ridley SCOTT qui a été suspendu pour une durée indeterminée...
Le Roi Lion enfin en DVD
Disney annonce la ressortie de son dessin animé Le Roi Lion pour octobre prochain. Le site internet Digitalbits donne à cette occasion un descriptif précis des suppléments qui seront disponibles... Nous ignorons cependant si la ressortie d'un score est prévue‚ à l'image de l'édition musicale réalisé pour la sortie DVD de "La Belle et la Bête"... Warthog Rhapsody‚ titre arrangé par Zimmer‚ est disponible sur le Cd "Rythm Of The Pride Land".
Don HARPER ; l'enigme résolue...
Don HARPER a réalisé le score de Tarzan & Jane et vient de composer la partition des "Enigmes de l'Atlantide" (Milo's Return).© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou